Fashionably late on the 6th of November with great pleasure I am writing this. October’s quote would be “you get what you give” or what you put in, so not much. All feelings from annoyed to sad, including the feeling that I have missed all the good, run through my mind today.
I guess that at this stage of my career the reality hits hard and I shouldn’t really be sad that my photography is going so well that I don’t have spare time to wonder around galleries and events. But I can’t help to feel disappointed in myself.
With meeting with ENRG mentor I combined Artist Takeover at Queens House Showcase and on the last day of HIP Festival at HIP Galleries I rushed to Princess Quay. Boom. That’s all. Short and sweet.
This little exhibition space is one of the hidden gems in the city centre and I always want for the space to be filled with culture lovers. Because it is always worth the visit.
This was the second Artist Takeover showcasing local talents in various mediums.
Artist links below, but photos[sorry] not in the right order most likely.
Having been part of the Creative and Cultural and HIP Gallery in the past, I have a bit of a love for them. But going on the last day didn’t show the festival at its best. Couple of spaces were closed and a chance to see David Morris talk about his work promised, but not delivered.
On the bright side – I saw the latest work of Peter Dench [I LOVE PETER DENCH] and have a good old chat with the volunteers was pleasant too.
Peter Dench has taken on the BREXIT and it was like that comfort food on a rainy day.
Brian Griffin usual [from previous e exhibitions] black&white mixed with amazing colourful photographs that made me stop and look twice. Brilliant!
Both Open Exhibitions not really to my taste, but I celebrate the fact that local photographers are given the opportunity to showcase their work.
Last both not least – Buckingham Street monkey business mural that I absolutely love.
November promises to be just as manic as October, so I have serious concerns about spare time and culture wonders.
HAPPY EASTER, HAPPY APRIL FOOL’S DAY[yesterday], HAPPY DAY TO BE ALIVE.
HAPPY.
AND WELCOME TO THE MARCH EDITION OF MY CULTURE IN HULL 2018.
I must admit that it is hard to write and focus on work today, I am in a 100% long weekend mood. So I will try.. and if by accident I publish it only on the 2nd April [today], you’ll know that I gave in on chocolate eggs. And a nap.
March brought some lovely culture experiences and quite a tense works schedule at times. I have been in and out of “busy” and running low on fuel reserves from winter season. We are ready for spring!
Since 2018 unfolded as the year after an amazing year of 2017, I can easily make my own rules of how I will culture myself, I feel no pressure. Everything is in a relaxed manner. So in March I tried to combine personal interests with must-see’s and bit of good old Hull walks with camera. That applies to the need to witness the change and progress and see where do we go from 2017.
Collecting photographs and stories in March has been the easy part. Writing can get tricky.
I try to have some one-to-one time with the city, get on the road geared up with camera and in March I soaked up one day of spring in an hour long walk through derelict area of Hull [kind of].
Some of the “edgelands” is up for a development soon, so maybe it is worth catching few photographs of the land, before it changes.
I was invited to be their photographer this year and that rolled me straight into a number of cultural events. Hull based company E52, in conjunction with renowned venue and producer Battersea Arts Centre, presents some of the most exciting contemporary British and international theatre at venues throughout the city of Hull.
The festival takes place twice a year, with Spring and Autumn seasons, and also includes locally-curated and produced work, workshops, new productions, networking events, talks, art events, school projects, and exhibitions.
First one was UGLY CHIEF – artist and performer Victoria Melody teams up with her dad, TV antique dealer Mike Melody, for her most ambitious show yet. Ugly Chief is a comedy based on true-life events, performed by a real-life father and daughter. As I can create any spoilers – it is about setting up a funeral by Victoria for her dad, who was falsely diagnosed with Motor Neurone Disease and given five years to live. In the show, they preform two funerals – one that Victoria wanted for her dad, and second funeral that dad wanted to have for himself.
The show was wonderful, witty, clever and emotional at times. And the fact that it was another take on taboo subject such as death, funerals really made it my cup of tea.
Both brought me some new knowledge about different art forms, I got to know Lyn Acton and Pearls Cab Ride , not just as one of the bands playing at Freedom Festival, but as culturally important figure in Hull and jazz music scene in Yorkshire.
She laughed, cried, shared and cherished her stories and musical influences and favourites.
And to back up that it really happened in 1992, Bill Drummond, between he’s shows came to the sound desk and said “I can’t wait for this to be over, so I can have a proper drink”
That was ultimate kids show using sponges in various shapes, forms, colours and sizes, that will be stuck in my memory as a nightmare light change to capture in photographs.
The last event of the festival, I was taking photos of was the DARK WINTER by David Mark.
I was present at the last of the dress rehearsals and only stayed for 30 min. And in that short time I witnessed some serious theatre. Set in Hull and based on the thrilling crime novel by bestselling author David Mark, E 52 bring Aector McAvoy’s first case to the stage in a stunning adaptation by award winning writers Richard Vergette.
And hell yeah, it was mind blowing. The level of acting and theatre performance was high standard and having Hull as main characteristics made it to be my favourites. The sound and light was to match the high standards of performance. One word – gutted not seen the full performance.
Photos above: Production team, E52 crew and stage manager.
Million thanks to Heads Up team for having me on board. Great pleasure, great pleasure.
In March there was an important note in my diary – to see Jason Whilsher-Mills with my own eyes in his artist talk about currently displayed Unexpected Engagement at Artlink. I rarely get to see artist gatherings and talks, as I am working evenings, so this was real treat for my brain on Saturday, 13th March.
Jason Wilsher-Mills is Square Peg’s artist-in-residence for 2017.
Square Peg, the user-led diversity and disability arts programme from Artlink has teamed up with Jason to bring the stories of diverse communities in Hull to everyone’s attention.
New technologies have helped Jason give life to his ideas on disability, childhood memory and popular culture, creating new narratives. We met to discuss this and his upcoming exhibition Unexpected Engagement at Artlink.
More than anything, I took away Jason’s story of how he embraced digital technology, instead of sticking to what he was used to. He stepped out his comfort zone, embraced the change and it took him to the highs of a success. And for someone like me it is the best lesson to learn. Change is scary,but change is good.
The talk itself was wonderful, I really liked Jason’s sense of humour, honesty and the event was a great experience to see his other work.
At the end of it, I joined the rest for a second look at the exhibition and helped others to get their heads around the 3D experience with sculptures and tablet.
The end of the month got a bit distracting and I kind of ditched the culture for a bit. I had few little culture things on my mind, but instead I went for a nosy at newly refurbished Trinity Market and have the famous Cone Queen – Cone Pizza.
The space is very “fresh” at the moment, but I could already see the potential and Hull’s own stamp on the units available. Hull people have turned in proper foodies and I am really liking it.
The Cone Queen – Cone Pizza was very pleasant and most importantly – we had a little tour behind the process of making it.
During the last days of March, I also wanted to make it to BLUEBEANY’S talk at GROUND GALLERY HULL Ground Gallery is one of my favourite discoveries in 2017 and Anna Bean with her exhibition is definitely a very good news to have for the gallery.
I was very late [cos of work], so I had no hopes of seeing the talk and I kind of made it to the very end. Just as I got to the gallery, I realised that it is fully packed with people and that brought a big grim on my face – for Anna Bean and for the Ground.
The last few days of the month of course went a bit mad – Easter, all the excitement of nationally long Bank Holiday weekend and unfinished business.
But I had to see one last thing – Artist Take Over at Queens House Showcase last day with cakes, tea and artists themselves.
The space gives a good ground start to artist to exhibit, have the experience of sharing their work and running workshops and in the future we are about to see more work exhibited.
So… the more the spring, summer is mentioned, the more culture we are going to see – good news for me and exciting times for Hull. Hull Street Food Nights are back in April, Humber Street Gallery has some exciting exhibitions already on display, Studio Eleven is providing us with some high end and super quality sculpture-work and so on…
I have some of the above on the menu, Auschwitz and work in April. Yaass!
Week 39 of the culture has been a bit on the difficult side, but despite that I have had culture ranging from live painting in the gallery to poem writing, Russian poetry to voice making in Pickering Park.
I returned to Hull late Tuesday, was working long day Wednesday and didn’t think I will recover sooner than the weekend or after a good sleep. But on Thursday I had the opportunity to see the Queens House Showcase run by CreativeENRG and the latest exhibition there, plus I was passing a culture spot in Princess Quay.
The day was surprisingly warm and sunny and so was the artist, her smile lit up the room and her laugh welcomed people to stay and enjoy the paintings.
Throughout the time exhibiting, she is also live painting and all in all that makes this small showcase so special. Each painting is surrounded by the feeling of love, care and sweet, sweet memories.
The space also has bits and bobs that are creating home like feeling.
The exhibition is closing soon – 6th October, so you have to hurry up!
Rushing to the Princess Quay car park after a long morning, I stopped by another culture spot that Princess Quay successfully offers in the recent year.
HULL GADA – THE SHOP OF POEMS – Polish poet Bohdan Piasecki and his collection of poems from Polish community gathered in his Pop-up Poetry Station across Hull.
I am not the one for the poetry, but as this week was all about the spoken word and poetry festival CONTAINS STRONG LANGUAGE, I wanted to engage and understand. And the HULL GADA – THE SHOP OF POEMS was a surprise to my brain. In a strange way I was relating to poems, like they have been written by me at some point in my immigrant life. I would slap anyone who would call me that with mean intentions, but at the end of the story – I am a immigrant looking for a better life. Grown up from the stage of a stranger in this country, I can reflect that I have always looked for a different life – not a better one. But yeah, it was interesting. I used to make the same promise to myself and my family that I will return, now I just know that when the time is right I will live in Latvia, but UK will always be my home nr. 2.
As the CONTAINS STRONG LANGUAGE festival was continued to educate and please people, I was busy sorting my work/life out, so by the time I picked out my must-go’s the choice was narrow.
The Poetry Takeaway was an open event in Queens Gardens and ORBITA was performance from creative collective of Latvian poets writing in Russian.
I was very late to the Queens Gardens The Poetry Takeaway, so I really didn’t get the sniff of what actually happened.
However I took part in the poetry writing workshop for kids. I had a 10 year old with me, so that was the perfect camouflage. I had fun, but that’s it – I am not a poet in the blood.
All of this was a very quick insight of what was for offer, but we had brilliant 15 min poetry experience with other participants and little cute lady [in the photo].
I have grabbed a random snap of poetry on the streets too, which I know I missed tickets to….
I was really intrigued to see ORBITA, of course because they come from Latvia and I rarely or never have been to an event of this kind.
First impression – travels back in time, to some Latvian bloke’s garage where he keeps is radio collection around 1999.
The sounds of the radio waves, sound snippets from Latvian or Russian news, old songs and Justin Bieber’s recent song Despasito. Then the poetry started to flow, complimenting the sounds [or other way round]. The poems where read in Russian, translated in English on the screen [with few delays], so it was a multi-all experience.
It was the feeling of home, of my high school days, of my Russian friends, my lack of Russian and seeing Latvians performing in a venue that I usually attend for a good laugh – comedy. Bizarre, bizarre….
On Sunday it was the case of doing all the unfinished jobs for the week, home class cooking, so I didn’t think there is more space for culture. But then I remembered about the VOICE PARK ad that it is the last day to see it.
There are no regrets that I went out on a rainy day to see the VOICE PARK in the Pickering Parks Pool.
It was really cool you know – seeing kids and grownups making strange noises, me including. The laughs and the curious faces/ears running around the pools, making connection with geared up speakers… believing that they need to be stroked and loved before communicating.
I enjoyed the experience and most definitely discovered an inner camel [donkey, whale, cat] because of the noises that come out of my mouth. The children seemed to be extremely pleased – everything is accessible and no restrictions – as loud and often as you wish.
To make it more fun – we gave away our voices and sounds to the future collections and got a magic liquid that makes your words important.
THE CULTURE MADNESS CONTINUES, THE LAST SEASON LOOKS LIKE A RIGHT TREAT.
P.S. Were you near a phone box at 2 PM yesterday for the 2097: WE MADE OURSELVES OVER? I wasn’t because I thought it is today #its2097fail
SURPRISE SURPRISE I HAVE LEFT HULL FOR A BIT. SO I CULTURED MYSELF WITH WHAT WAS AVAILABLE DURING THE WEEK.
Gutted that I’m not in Hull this weekend, there was so many wonderful things happening, so I hope you all enjoyed it.
One thing is for sure – each hard hat is as precious as people in Hull are, also most of them are really well represented as signatures of Hull. Great work!
The paintings are displayed in House of Fraser – home for the top brand fashion, home ect.
In the background Hull17 shop was stealing the attention as I really like all the merchandise. Colours, shapes and content for most of the stationary, gifts, T shirts and other bits are pretty cool. I am refusing to get something just yet, as I want to wait until the year finishes and choose my favourite after.
Anyway… I had one of the best Hull17 converastions with a man who I claim to be the face of Freedom Festival and arm of UK City Of Culture 2017. He is wise, he is keen and the best conversations around culture are with people like him.
And off course I took photograph of him. Because how I can I not? Each or most of the photographs are memories of this amazing year, so I don’t want to forget that day, the reason for being there and that minute when we shared culture.
The last season of the year is fast approaching. TELL THE WORLD is expected to be spectacular and I am excited. Too excited and worried that there isn’t enough time on my hands to fully experience the goodness…we’ll see.
The exhibition by John Walter transformed Artlink into a colour loaded space with a content that has got everything up its sleeve to shock people.
Everything there is bursting with colour and clever illustrations looking at relationships between visual culture and HIV today. Every piece of art weather its illustration on massive cards, video, light installation or a song addresses the complex subject of contemporary sexual health.
I really loved it. Artlink always is chilled out space where I can actually enjoy art in my own privacy. There was one thing – the CRYSTAL DICK SONG that maybe have scared me for life – for the rest of the day I had it in my head. And off course the visuals accompanied with the song is something “out of this world” people. You have to see/hear it for yourself. The exhibition is on until 29th September.
I think this exhibition definitely raises awareness of sexual health and HIV, but I don’t think it has the power to change the world.
Artlink hosted these little cute “things” of art, but in the rush I didn’t pay attention of who is the author [you can educate me if you know in the comment below].
ON SATURDAY I WENT DOWN TO HULL TRINITY SQUARE FOR THIS – TAKE FLIGHT.
Little while ago a little fairy – one of the choreographers, was praising told me about this event, whilst it was still in making, so I have been waiting to see this since.
There are two good reasons of why I liked it – the performance was smooth and the young talent was shining together with the sun spells. The second reason – this event was beautifully “decorated” with over dozen volunteers. It is always pleasant to see them around every single volunteer is like a piece of an important Hull 2017 puzzle. They are brightening up any dull day.
The performance was all about the unique partnership between The Royal Ballet, Hull UK City of Culture 2017 and Hull dance schools.
This week is more about what I didn’t do – my engagement with Hull 17 has been very poor. My honest feeling about it late Sunday was gutting, but sometimes other things come first, sacrifices had to be made.
From past two months I have had some interesting photography experiences – Freedom Festival, few important portraits, first wedding, smoke bomb awesomeness, beautiful mother to be photographed, Home Glory series updated, new website work progress and thoughts about the future…so all this has to be shared with everyone and requires work. SORRY CULTURE
Plus – important to remember that Freedom Festival took its toll there was extra 2 1/2 days to recover and edit…..
anyway….
things I really wanted to do but didn’t this week:
This was found in the pile of culture flyers/books I have and as I was desperate to do some culture I booked some tickets. It was on until I went to a family day at Smith&Nephew [work thing] and cos of free food and entertainment +dozen of Hull 17 volunteers I thought that this is good enough.
Have a guess of how I am feeling today after full weekend of Freedom Festival? Trashed. And thankful for such a crazy work opportunity.
Somehow I managed to visit culture that was not Freedom Festival on Thursday. Little to say that photographs from Freedom Festival are still in “baking” so keep your eyes peeled for the highlights…
BACK TO CULTURE.
THE HESSLE ROADERS exhibition was something not to be missed – Hessle Road community was part of my lesson of how to be British and even after moving away from the area, I still go there on a weekly basis. The exhibition is celebrating Hull’s Fishing Community through an eye of a ALEC GILL.
AND JUST AS IMPORTANT – the exhibition held in church +plus I got someone cultured.
As we walked in we were welcomed by a warm handshake from a lovely man, who turned out to be the photographer himself. As proceeding through the exhibition and even days after, I get the sense of how important the short greeting was.
The exhibition is everything we need – genuine story with beautifully captured lives, connection with the past and the future [Smith&Nephew are the sponsor’s of Dr Alec Gill’s photo exhibition] and human factor in each photograph. To meet the photographer was my highlight, he was the warmest and nicest person, but on point and professional.
My favourite part of the exhibition is the opportunity examine lives of community in a collapse – how people lived, rebuilding their lives and keeping the community spirit. Real detail of real lives from psychologists point of view.
Everything was real, Alec Gill was real.
BIT OF INFO:
As part of Smith&Nephew new £8 million world-class Research&Development centre opening THE HESSLE ROADERS was exhibited in the centre and still is there pleasing the eyes of all the staff at Smith&Nephew [genuine source told me].
There is also an artist out there who is making film about Dr Alec Gill, so I will be looking out for it.
Dr Alec Gill is also author of books, Hull historian and filmmaker.
If you get a chance to go – it is open until 10th September.
I am just going to pretend that it is Monday, although clearly I have broken the routine FIRST TIME IN 34 WEEKS by doing this on Tuesday.
My excuse – Bank Holiday and unexpected health issues.
The week was something between a recovery and back to work mode… so I packed in dose of culture in one day, predicting that no other days will be suitable.
When heading to the TIGER RAGS – THE FABRIC OF HULL CITY AFC display, I was pretty clueless that it will be about the famous Hull City. Which easily proves that I am not in the game at all.
For me the display perhaps didn’t mean the same as it would to true fans and believers, but I felt a bit of a legacy when entering a room. There was a family that looked at the whole history of the Hull City kits and memorabilia, watched the video about the players and I recognised the importance of the little exhibition in the most bizarre place.
BLEACHED BY TANIA KOVATS as part of the day came on my way to Humber Street. The building, its location and potential to amaze me was present when approaching.
Without making things up – genuinely one of my favourite culture visits in the recent weeks. There is no photo proof, but I had two guys helping me to soak the culture, we talked and chit-chatted, criticized and praised the work of Tania Kovats. Complete strangers, but the culture brought us together for those 15 important minutes. And the story behind their visit – old friends, both retired, now living in different areas, come together to see the culture and have a lunch/brunch/coffee/pint every now and then. How cool is that? This is why this year has changed things around, this is why everyone can find something beneficial about Hull 2017.
Sculptures exploring the beauty of coral and its fragile position in the world’s ecosystem, was something that we evaluated as potentially upsetting – if beneath the white coat was real coral, we could not accept the sacrifices made to create the art.
Off course it turned out that The Deep was able to save a large quantity of modal (artificial) coral after refurbishment for Tania to work with, so the artist used representation to raise awareness of what could potentially happen with the corals if the humans don’t start to think environmentally friendly.
It remains stunning sculpture with exceptional amount of fine detail that I had the pleasure to view.
The sculptures Ocean Bowls are just as stunning as the corals. And mystery at first glance. I thought that each metal piece has been saved from a different ocean and we see the different effects that it had created. But NO, under each piece was a great idea hidden for us to find…
Each piece has been cut out as Planet Earth, metal part being ocean and cut outs being land. So if pieced together it will create a planet that we know so far.
As before – it was so interesting to puzzle this mystery with strangers that become your friends for the moment and find Great Britain, Philippines, Baltics or Mexico.
There was a third art display – a bit of paint on paper that we called to be a fish planet – because so many things are to do with water, sea, river.
After the amazing experience I walked into almost electric skyline overlooking Hull Town and was in a good mood – being busy even with photo-jobs can sometimes be difficult, because there is no real freedom. However the culture photo challenge gives me the freedom, so something to celebrate.
And then it was spoiled – by Dinostar – The Dinosaur Experience Hull.
I am really sorry, but I was very shocked when I noticed the price for entry -not a symbolic £1 but £3 for an adult. And to make it worse, finishing my tour I felt like that was my worst £3 spent for an entry to culture.
It turned to be funny – this place has always been on my sight, interested of what is hidden inside the building. Every time I walked past there, it was closed, so to finally get in should’ve made my day.
The whole thing is ridiculously outdated and 90’s entertainment. Even for children in our generation this must feel like a joke.
But then – I have seen some spectacular exhibitions and art spaces, so the stacks are high.
I came out with my hands stamped with blurred dinosaurs and a conclusion – Dinostar need to apply for a funding and re-do the place, because the idea behind it is great and keeps the world of the mystery and wonderful alive for the kids.
First impression – stunning display and beautiful photographs covering a content that surprisingly remains taboo amongst society [noticed that when hanging about near the entrance – parents by accident brought kids thinking that it is the States Of Play exhibition and rushed out as soon as realised that the story behind the heartfelt photographs is transgender].
But I loved it. I truly did. First of all the photographer Lee Price has done an amazing job with storytelling through photographs, curating the notes underneath the photographs. Secondly – the context is easy to relate to. You don’t have to be transgender or gay to not feel free in today’s world. There are so many other reasons why people feel like that. I found it touching and really encourages me to be more open mined.
Also seeing this exhibition I really need to find out more about Sierra Leone and its relationship with Hull. It has popped up before in my culture wonders, or event at Uni. Now it is time to find out more, so a little homework for coming weeks.
This exhibition is 10/10. Thank you for the viewing and observing experience.
THIS WEEK IS THE FREEDOM FESTIVAL 10th ANNIVERSARY AND I AM SO EXCITED TO WORK WITH FREEDOM FESTIVAL THIS YEAR.
I might have a bit of none Freedom Festival culture for you – THE HESSLE ROADERS
One of the most radical changes during the war was the huge change in women’s lives. With the men away fighting, more than one million women went to work for the first time. These new responsibilities led to a new look, and a century later, this era has inspired Fashion & Freedom, an ambitious, multi-faceted exhibition that examines the fashion legacy of the First World War.
Exquisite craftsmanship courtesy of fashion stalwarts Emilia Wickstead, Holly Fulton and Sadie Williams are also on display.
A series of specially commissioned original short films complement the garments, including films by directors from Nick Knight’s award-winning SHOWstudio and Luke Snellin, who wrote and directed First, which reimagines a young woman’s first day as a bus conductor.
This fashion exhibition is like breath of fresh air in the Princess Quay Shopping Centre and for once the exhibits come together nicely with what people visit the shopping centre.
Most of the dresses are a pleasure for the eye, some are so tempting to be touched and put on.
The same day I had a look at the new arrival in Princess Quay Shopping Centre
Artist Claire Morgan has created the new artwork, named Elephant in the Room, which highlights Hull’s relationship with the sea and reflects on the environment and sustainability. It has been hand crafted, created from 12,000 fragments of paper and 4,270 individual threads.
It is pretty impressive, but you need to know about it, otherwise it just seems like an early Christmas decoration.
On Thursday I had a stroll down Hull Marina/Fruit Market/Humber Street in the search for a new arrival – graffiti by Calvin Innes and Spray Creative.
The graffiti murals liven up the place and I like the ever changing face of the streets. + both artists are pretty cool people too.
The morning was a bit dull and quiet – a different scene from few weeks back at the Humbers Street Sesh back when streets were buzzing with people. Humber Street Gallery had its doors closed and it was soooo quiet.
AND OFF COURSE I HAD TO SEE THE SOLAR GATE SCULPTURE AT QUEENS GARDENS THAT EVERYONE WENT MAD FOR.
Solar Gate is the latest addition to a host of new public realm artworks, including Shane Rhodes’ poem The City Speaks which encircles the newly-installed fountains in Queen Victoria Square.
I thought that setting out an artistic gallery from few photographers of the giant being installed was pretty rushed and even when I visited it did not looked finished. Patience, patience people.
I think it looks fantastic, Queens Gardens might be the next hot spot for visitors and well deserved – the park is beautiful.
THIS WEEK MY CULTURE VENTURES ARE RUSHED – I WAS RUSHED ALL WEEK AND MY HEAD OCCUPIED WITH MAD THINGS.
BUT I AM STILL LOVIN’ MY PHOTO CHALLENGE AND SOON I WILL HAVE SOMETHING NEW TO SHOW OFF.
The plan for this week was to take it steady – recovering from the Humber Street Sesh 2017, editing, working on the new website n’ stuff.
I wanted to visit something very cultural, something that will educate me as well, so the Larkin: New Eyes Each Year @Brynmore Jones Gallery was the perfect fit.
The biographic exhibition at the University of Hull, where Larkin spent three decades as Librarian, lifts the lid on the life of one of Hull’s most influential creatives or as I might say – gives a cool and current perspective to Philip Larkin’s life and work.
The exhibition is cleverly set out – to the point that I got lost in it in the best way, amazing work from the curator Anna Farthing. The exhibition is also very intimate and personal.
This very image of Larkin’s socks raised questions if he had a women in his life and talking to the volunteers it seemed like he few.
Person who is in love with books in general will have an interesting journey through selection of books, some caught my eye and made me consider to find time for reading ASAP.
The exhibition is interactive following Larkin’s life through the little pink posted notes placed around the book shelves with quotes from him.
My highlight off course was the lawnmower on the wall with. And the poem. At this point I was excited meeting Larkin – he must have been a cool guy – mows his own lawn.
Story about the lawnmower – the one on the wall belonged to Larkin. Poetry is a process of trimming and cutting back so they have rigged it on top of his working notes for his poem Toads which is about the tension between having to work for a living and writing poetry. Larkin wrote about cutting grass, and was very upset about killing a hedgehog [poem The Mower]
And I guess this was a second point where I felt connected with Mr. Larkin. I still have to work as no-photographer part time, to make sure I don’t end up living under the bridge. For those who manage to do what they love for living – you are a winner in life. And I will be a winner full time one day.
On Friday I admired the little gallery space and caught a little performance, but rushed back to work – so no actual nose. The nose and story behind it came on Saturday when I curiosity took over.
Long considered an urban myth, The Green Ginger Fellowship made this momentous discovery while delving into the large cache of Land of Green Ginger crates currently under investigation.
The last concrete sighting was documented 50 years ago, when building work to lay the foundations of the first house on Bransholme unearthed a small casket with the Gold Nose lying within.
No it has been brought back to Bransholme.
+ you can write a wish to the nose [there is a myth that it brings good luck and makes wishes come true] and put it in secret letterbox.
There is no Gold Nose of Green Ginger photo – you must go and see it for yourself.
Saturday was a mixture of different culture mixing in the North Point Shopping Centre bowl, so I met a very fake Elsa from Frozen, Brighhouse bears and ladies in headscarves.
THE CULTURE CHOICES WILL BE SPONTANEOUS THIS WEEK AS I HAVE WORK THAT REQUIRES A LOT OF PRE STRESSING AND PREP.
GET CULTURED MOVEMENT STILL IS A COOL THING TO DO, GET INVOLVED