HUMBER STREET SESH VS FREEDOM FESTIVAL 2019 ANETE SOODA PHOTO

Well, this is not really about both festivals going against each other – Humber Street Sesh and Freedom Festival share similar qualities, but are completely different. Both share a common quality – it gives Hull the heartbeat once a year and we all look forward to the August and September.

This year I wasn’t fully employed or involved for neither. And it isn’t good or bad, it is just a fact. But I still made small contributions to both festivals and now it is the perfect time to celebrate and say goodbye to crop tops, cold cider in the sunshine and busy streets in the city.

Humber Street Sesh 2019  – Friday

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Freedom Festival 2019 – Saturday + Sunday

 

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MY CITY OF CULTURE – MY HULL – PART III

Coming to the dark and wet months is fine, but we all need a bit of sunshine and at least 20 happy minutes each day.  Luckily I have made peace with summer passing and autumn is all welcome. Hull Fair, Bonfire Night, Halloween, Christmas…so many things to look forward to.

I have been delaying this blog post for a while due to personal reasons, and I always thought that the next day will be better than the present one. I learned the hard way that waiting around for the better day is foolish, instead I will make this day better and more suitable for writing RIGHT NOW!

There was also a decision if to separately share Humber Street Sesh and Freedom Festival images – this year neither of them were on my top list for various reasons, but somehow I got a little snipped of both. And my 15% contribution was amazing. Great moments deserve their own spotlight, right?

So a quick list – most of them random and spontaneous: RSPCA Annual Bike Show, Climate Strike in Hull, Turner Price XL Food&Drink Show, Woodmansey Garden Centre haul [or market] where I went to visit Hotham’s Gin, and both festivals [separate post coming soon]. Blimey, it feels like this is the most pathetic list of all times.

So…

When the directions that you are heading to are blurry and not distinct, it is OK to detour slightly. In my case just randomly turn up at the Turner Price XL Food&Drink Show at Bonus Arena. It really was a random choice and I giggle thinking about how it may look – photographer walking around the food and drink stalls, juggling camera, piece of cake, flyers and goody bags. Sure I looked like I am there for freebies, but that wasn’t the story. I literally had no idea what the show will be like and for sure I didn’t prepare myself to taste so many things, get my hand kissed and get totally excited about Harrogate water bottles, oh! and was asked if the Fentimans display has enough botanical references [like I know a thing about display building].

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The highlight was probably the unexpected rage of products for caterers, hotels and cafes, in my case education, and attendance. It was packed full with people representing a business, and of course people who love a freebie. The variety was from actual buyers to browsers, tasters to players.

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And this brings me to the main point – I have totally missed an opportunity to shoot some Dench and Parr style shots. Really gutted. Instead I was fact recording, mainly looking at food [of course].

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Hopefully next year I will be much wiser and embrace the opportunity, because this year I learnt that attendees are too busy browsing, so I will have all the opportunities to shoot some great shots. Maybe that should be my new thing to attend events of this type and create narratives around each?

Speaking of things I have definitely fallen in to a dry period and each day starts with a prayer not too loose everything I worked so hard for.
Hence why these past few months have been so empty with tumbleweed dancing through my creative and professional practice.

When I found out about the annual RSPCA Bike Show, I thought bringing camera can’t do any harm – I never know who will I meet, what will happen at the fundraiser.

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Pride is something that was seeping through every moment. People were the leather with pride, ride the beasts with pride, respect each other, RSPCA workers did their duties with pride, and even the local pear tree thrives with pride. Sweet and positive gathering that more people should talk about.

Another good and vital attendance was the Climate Strike in Hull. The strike in Hull was a small piece of a global puzzle. Tens of thousands of people across the globe united to speak about the climate change issues, shout at the government, raise their concerns and show initiative that we are all ready to change.  I silently hate the system, I hate that I am part of the consumerism society, I hate the greed and ego that runs the parade. At the same time I know I am just a small particle in the big space and the anger is only driving myself crazy.  I felt a little power running through my vanes at the strike, through the lens I joined the energetic young people, wise activists and general public. I believe that the strike was organised by Youth Strike 4 Action Hull, working together with Animal Rebellion Hull, Friends of the Earth Hull, Extinction Rebellion Hull + big thanks to Lauren Saunders for inviting me. 

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Last, but not least was the visit to Woodmansey Garden Centre [famous for its sexy fish tanks and range of ocean fish, corals] market. That Sunday was dull as ever and I really needed a reason to get out of the house. And my new fave gin company Hotham’s Gin promoted their tasty gin, new orange vodka and Gin School under the greenhouse roof. The twitter post was inviting, showing off the tropical vibes of the place.
Hotham’s Gin are run by two really interesting, lovely and hardworking people [Emma and Simon], so it was a pleasure to have a natter and see that things are moving great for them.
I mean, it’s not the culture that I would usually blog about, but there is some culture in local brews and others drinks, so it counts. Another perfect excuse was that the market happens every so often and local craft makers, artists and small business sell their work, promote themselves under palm trees and tropical blooms. So here you go – cracking culture there.

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I will have to try much harder in the following months to keep some value in my work, I know. By the looks of my diary there will be some exciting clients, work up until Christmas and that will be the fuel for culture hauls.

ALTERNATIVE HERITAGE PLAQUES – DRUNK ANIMAL CREATIVE STUDIO

This blog post is dedicated to Hull and Drunk Animal Creative Studio – both close to my heart.

Drunk Animal Creative Studio had an idea and they brought it to life – we all know not all ideas see daylight, so the fact that this idea brought Hull into spotlight across UK once more, is absolutely AMAZING!

Hull is a city filled with people… and occasionally those people do things. Some of those things are kind of interesting. Some are pretty funny too. Others are actually quite impressive, and others… well, they’re just weird.
The thing is, we think each of these stories is equally important. They are what makes Hull the city it is today. The weird, the wonderful, the obscure, the fascinating stories and facts that permeate every street and every community in the city are now celebrated through our Alternative Heritage plaques.
Source: Drunk Animal Creative Studio

 

Alternative Heritage Plaques was on my radar before I was actually asked to take photographs of them officially. I was interested in its predicted momentum and the hype it created.
And knowing the personality and characteristics of Hull, I was sure that the plaques won’t disappoint.

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The story started with a list of plaques spread across Hull – from Orchid Park to Brough [not in Hull really, but the drive there was fantastic].

Legends like Rony Pickering and his moment of fame, the famous pedestrian crossing down Castle Street where poor Clare nearly died waiting for the green man and, former Chip Spice Factory, Hull dialect and Croggy. Some plaques stood long and strong, some where half-taken down and taken, some covered in mud and some admired by seagulls and pigeons.

Can you already see that the paragraph above makes you smirk a bit?
I captured all plaques displayed at the time, two new arrivals where photographed last month and the very, very new one is still to be found.

It was one of a kind job to be asked to do and one reason why I love working with people like Drunk Animal Creative Studio.

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Have you seen them all?

MY CITY OF CULTURE – MY HULL – 2019 – PART II

2019 is still happening and I am still plodding along. The second culture post of this year is another story of recent happenings in Hull and another “left it too late” kind of a thing.

Not going into too much detail, this year is odd, in a long run the disconnection that I have at the moment with everything photo will be one of the regrets of 2019.

However, I am continuing [in a much slower pace] to follow the cultural activities, mainly focusing on events that I feel close to in some way.

 

There was a moment in May when I was asking myself a question When was the last time I saw an exhibition? When checked my last records of any cultural goings, I didn’t like what I saw, I didn’t like the gap.

It all started again with Ferens Art Gallery and the Microbes exhibition – puffy, floating creatures that inflate and deflate to everyone’s amusement. The exhibition also includes various activities throughout its opening.
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The exhibition is an interesting way of exploring the complex world of microbes for young ones, at the same time amusing for the adults. I found my self with my mouth wide open in a surprise when the microbes inflate.

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On the other side of Ferens Art Gallery an exhibition IS THIS PLANET EARTH? was happening. I believe it is closed by the time I am posting this, but it was worth a visit. Few glimpses of exciting installations, videos of floating seashells and a young little person showing me how to view an exhibition in her way.
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All the installations and art on display only reached 50% of its excitement capacity in my view – we all must remember that we were fed with too much of a good content over the past two years, now the expectations are high. Still, the exhibition was worth a visit.

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Ferens Art Gallery in general never disappoints and to discover few new bits to the collection was a bonus for the day.

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End of June brought me a hectic Saturday were I was managing three things at the same time – Dove House Hospice’s IT’S A KNOCKOUT 2019, Friends on Every Street event at the Humber Street and a portion of closing exhibition The Red Dress by Nigel Walker at the HIP Gallery .

In that one day I felt I have achieved weeks worth of work, I absolutely loved it.

IT’S A KNOCKOUT 2019 + 10th Anniversary at Dove House Hospice.
And yes, I am including this in the culture blog, because it is all for good cause, good entertainment and it is a very happy event.

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Friends on Every Street Takes over Humber Street

Absolute highlight of the summer so far. Oliver is a legend and it was a pleasure to see his genius slogans, logos and ideas in general in one place. He made Humber Street exciting again.
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Nigel Walker is a local photographer that I had a pleasure to co exhibit at the Queens House Showcase back in March 2019, so I ran to the last day of his solo photographic exhibition The Red Dress at the HIP Gallery to celebrate him and his witty approach to photography.

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July brought exciting end to the Remote Control Humber Photographic Mentorship Project in a form of an exhibition. I was so lucky to be part of it and to this day I can’t really wrap my head around the greatness of the project. And the fact that we had an exhibition at Brynmore Jones Library. Stewart Baxter AKA Hinterland Creative and Anna Bean AKA Bluebeany are amazing creatives that inspire and encourage. We learned a lot from each other. We made friends and I sure learned a few things myself from the participants.

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Here you can see the Remote Control Humber Project in a whole and the exhibition preparation.

Whilst on the grounds at Hull University I was keen to see A Totem For Hull sculpture created by Jason Wilsher-Mills. The University of Hull and Artlink Hull  partnered-up to commission a unique, interactive sculpture aiming to celebrate those in the local community living with a disability. It had a grand opening with a TV star Reece Shearsmith on the 28th June and by the looks of it, was a blooming success.

The sculpture is a way for local disabled people to explore the representation of disability in the region through retelling their personal stories

I was also keen to see the interactive side of the sculpture. Viewers of the sculpture can download an app which will launch them into an augmented reality experience with full stories told through animations, text and audio.

Sadly [and I can forgive] that the app is only available for Apple users, and since I am not on the band wagon for I phones, I had to skip the experience.

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Mid July good news came through emails and I was invited to be one of the photographers for a community based project Spring Bank’s True Colours. That was a good reason to see The National Archives of the Republic of Homeless exhibition at Artlink. Artist Vanessa Cardui spent six moths working with Hull homeless community and Artlink on a project that has become an exhibition.

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The exhibition also features images from a collection of The Museum of Homelessness, London.

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Creating art that links to social issues of our time, especially subjects that are sensitive, is tricky. Artists are under pressure not to offend, do justice, highlight and raise awareness, but also let their talent and personality shine through the work. Does this small collection has the power to do all that? I would need a second visit to answer that question.

 

The last, but not least is the Pride in Hull 2019.
I will let the images tell the story – love, pride, colours, inspiration, freedom, randomness, joy.
This year I was thinking a lot about the other side of the coin – how can I feel part of the community if I wanted to and if I am invited at all. I also wished that the expression of your unique self is truthful and not a fasade for the event only. There was questions this year, for sure, but Pride in Hull for the second year in a row [my second year] put a big photographers grim on my face.

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This is another story, another great vision of the city that we share.
I have few bits planned to show off this week before I travel to Latvia for a while. End of August will start another journey, hopefully a better one.

We have great things to look forward to – Humber Street Sesh and Freedom Festival. There are also some interesting exhibitions currently at Humber Street Gallery, HIP Gallery.

To my blog readers – I am off tune this year, invite me to cultural gatherings, I really need a push! Thanks!

 

REMOTE CONTROL HUMBER PHOTOGRAPY PROJECT EXHIBITION @BRYNMORE JONES IBRARY

To continue the story I started this morning… And of course to say that I sadly didn’t attend the private view last night. My heart is bleeding and  I’m jealous, and sad that I wasn’t there to see the first reactions and friendly faces.

Anyway.
In the last few weeks Stewart aka  Hinterland Creative and Anna Bean aka Bluebeany worked hard to plan/curate/select works for the exhibition. From Monday the exhibition started taking place and yesterday before the launch final pieces were put together.

I still can’t believe that the exhibition is at the Brynmore Jones Library. The space is perfect for exhibitions of all types, the space along the years have been in my top three for its versatility and service. It is also on high demand, so that makes Remote Control Humber Photography Project very special.

I was helping with some of the stuff, but nothing compared to Stewart and Anna’s dedication. Cheers to you both!

Prints are from GF Smiths and Ditto4Design – both equally high quality and beautiful. The Newspapers are from Newspaper Club and film created by Flygirl Films.

Yesterday however I popped down before the launch to make sure I see it before it goes “live” and also to surprise someone with the content that I submitted [I’ll talk about that a bit more on my next post about the exhibition].

 

I’m keen to see the finished exhibition, so I will head down there on Thursday this week.
The exhibition is open until 28th July, so you have plenty of time. Make sure you bring friends and family and grab a newspaper with you.

Massive congrats to Stewart and Hinterland Creative for their first curated exhibition and well done with the choice of location for the exhibition – top choice!

REMOTE CONTROL HUMBER – NETWORKING & MENTORSHIP PHOTOGRAPHY PROJECT – THE STORY

The reason for this blog post is that Remote Control Humber Photography Project reached its culmination last night with a beautiful exhibition at Brynmore Jones Library.

The story and my involvement in this project is a wonderful example how great people across the region can come together and create something outstanding.

I guess it started with a idea and a pot of funding available – Stewart Baxter from Hinterland Creative saw a potential and need for a photography project across Humber region. He united with the amazing local artist/photographer Anna Bean [aka Bluebeany] and mapped out cities/towns that hides talented photography interests.

When I was approached to help out I had no second thoughts – I am great believer that being a photographer and road to success is networking, or as I call it “make friends”.

And this project was all about making friendships, meet other photographers, inspire someone that lacks courage and be inspired myself.

My role was to document the project and I also spoke about my work on few occasions.

The project was everything that we ever wanted and the exhibition is a beautiful collection of that.

We travelled to Scunthorpe and Driffield, also making things happen here in Hull.
We had amazing people involved – Christopher Manson, Joanne Coates with workshops to develop skills in documentary and storytelling photography.
We had inspiring photographers and filmmakers like Alec Gill and Katie from Flygirl Films, our own Stewart Baxter thrived as a photographer throughout the project and Anna Bean made sure we all dare to experiment with our ideas.
We went on BBC Radio Humberside to tell Burnsy and people in Humberside that we are here and ready to exhibit and showcase the work we’ve done. We went to GF Smiths to learn about paper and photographic printing, we created newspapers through Newspaper Club for our project and we had a nosy at the HIP Gallery in Hull. We also ran a workshop for image editing and post process and we for sure made friends like Pam in Driffield.

I will allow images to speak for themselves in the gallery below:

 

Some of the project participants were handed with Lomography B&W film cameras  and that was another great addition to the project:

 

To reflect on the project – it was an amazing journey that made me feel like I am part of something important. I’m so lucky to be part of the project and, most importantly – lucky to have met Stewart, Chris, Joanne, James, Mike, Lee, Ann, Ivy and everyone else involved. They inspired me and gave me more confidence and I sure feel like I gained more than ever expected. It was a pleasure to document everything along the way.

MY CITY OF CULTURE – MY HULL – 2019 – PART I

Not really knowing how to start this blog post … so I am just going to welcome you and say “HAPPY BANK HOLIDAY”!

 

Firstly, the decision to write a periodical culture reviews in Hull was a big mistake. Four months have passed very quickly and despite having a very mellow involvement with culture and the city, a lot has happened.

2019 started with a positive outlook on upcoming life and work events and I really didn’t want to skip the commitment to the city and its culture/arts scene. I gave myself a relaxed task to share periodical cultural experiences, making it less of a chore.
And here I am  – slightly regretful, unsure and of course still happy to have an archive of four months worth of culture.

To be able to deliver this, I really need to travel back in time.

January ’19

The month started with general wonders around local areas and quick visit to Humber Street Gallery Place to Place by Liverpool Biennial.

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From what I remember – it was a simple, minimalist experience that didn’t really had a wow factor. But I appreciated the tones, simplicity and shapes.

The thing about Hull, camera and me is that in my head I have various visions of specific locations and potential images. So I sometimes plan a random journey, hoping to discover something unseen or not photographed previously.
The next selection is one of those. I wanted to travel down to one of my favourite streets in Hull Boulevard for the mural that has been there for a while.
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Moments before I drove past Hull Marina and recorded the beautiful morning light – this pretty much sums up my January.

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February ’19

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February was a busy month and I remember being surprised by the workload.
Most of my culture consisted of work duties and getting ready for an Artist Takeover #4 exhibition in at Queens House Showcase
Full insight here: ARTIST TAKEOVER #4 @QUEENS HOUSE SHOWCASE

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During the exhibition I held various activities – photo booth, talk about my HOME GLORY series and COME AS YOU ARE photo project.

Free photo booth was a lovely way how to invite people into the gallery and do what I do best – take a photograph.

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The talk about my HOME GLORY series was a an interesting experience to have – it turned out to be an intimate talk with small group of people about my heritage, photographic journey and stories I am trying to tell.  I didn’t need crowds to feel the  support and I am thankful to those who came.

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COME AS YOU ARE was a thing I wanted to do for a while and I was lucky to get a small platform where to test out the idea.
I asked a question to people – what do you carry with you every day and what role does that “thing” play in your life. It all came from the question of why I photograph Latvia and the mundane everyday whilst I am there, family and country.

Again – the attendance was mild, but I felt very lucky to see the people who came. Quality over quantity.

Regards culture two things happened that month in Hull. Annual Ferens Open Exhibition and The Knife Angel in Queens Gardens.

This year I missed the deadline to apply, but it happened for a reason. I didn’t feel like there was anything to exhibit and previous year proved that if you don’t feel it in your gut, don’t submit.

However, to visit the exhibition was a pleasure.
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The Knife Angel left me slightly speechless and amazed. The travelling National Monument against Violence and Aggression gathered people from all over the region and in a way united us once more. It felt like short period of time, but it definitely left a mark in 2019.

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March ’19

By mid March my life was starting to take a bitter turn and my health got in the way of everything. There was a fantastic opportunity to photograph the last Heads Up Festival, Creative ENRG came to a closure and I was part of the Creative Juice event at C4DI.
Plus I went to a very random gig at Union Mashup and stumbled across an exhibition by Lauren Saunders, Rebbeca Addinell and Sinitta Beadle at Hull Central Library.

Creative Juice @C4DI was a farewell event to the amazing journey we all had with Creative ENRG – there was a book launch, great food and very interesting programme all thanks to brilliant event organisation by Eskimosoup

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Being at the event reminded me of the friendships made and the amazing photo opportunities I created for myself by getting involved with the Creative ENRG

Heads Up Festival 2019 was so special this year, it was my third and probably the last as it was announced to take a break for a bit.

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THE PAPER CINEMAS MACBETH

Read a full review here: HEADS UP FESTIVAL 2019

LITTORAL VISTAS @HULL CENTRAL LIBRARY was an accidental discovery whilst in the library for the festival.

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The exhibition space at the library is very well lit and clean from distractions. And the work suited the space well [or the other way round]. I am pleased that Lauren Saunders is getting out there and pursuing her goals.

Make Noise Birthday Bash @Union Mash Up was a very random visit thanks to my friend Oliver. Make Noise Collective describe themselves as “Hull gal collective, working to improve safety at gigs and visibility for women in the local scene”

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One girl really did stand out – Jodie Langford with her spoken word performances. The ultimate highlight of the night.

April ’19

April brought Bankside Gallery event at the Preston Road derelict housing estate, Alec Gill’s Hessle Roaders at Hull Truck and new art space in Hull – Prospect Gallery [it is very new and at the moment the gallery don’t have any online presence].

Bankside Gallery  was a pleasure to visit despite the weather and my moody mood. A lot of new works created in a very unique gallery.

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Hessle Roaders by Alec Gill has been an ongoing journey for many people in past year or so and Alec has made sure that his work don’t just sit in the shelves in folders hidden away. Hull Truck hosted another extension to the work and I as promised to Alec I went to see it.

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I first heard of Prospect Gallery was at the Queens House Showcase at one of the events. It was mentioned and it soon became the place to visit in my [imaginary] list.

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I also got an amazing offer to have my portrait drawn and I agreed. Since then it happened twice and it as an experience to experience. It is a strange task to sit and find a point of interest that becomes your world for an hour or so. And the end result gives you a sight that you never see yourself.

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The space has got a lot of potential and it could become one of the hot spots to visit in Hull.

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In between everything I also was invited to photograph an opening at Humber Street Gallery for A TITTLE-TATTLE TELL-A-TALE-HEART by Athena Papadopoulos and caught a snippet of the CUT.

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CUT  is a a residency project exploring themes of social expression and the acts of self-care centred around their practice of hairdressing. The project takes form of a sculptural installation and events programme where haircuts and client interviews are gathered to create sound and sculptural artworks.

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There was more adventures and exciting work things throughout the four months, but I think I have covered the highlights. And learned a lesson to be more consistent. And discovered that Hull is still breathing culture.

 

HEADS UP FESTIVAL 2019

My initial plans to include Heads Up festival within the future culture post changed after seeing NOW IS TIME TO SAY NOTHING. I really want to tell you the multilayered story of how the installation made me feel and what impact the festival has on people.

NOW IT IS TIME TO SAY NOTHING by Caroline Williams and Reem Karssli is a 60 minute long interactive video installation, that also requires viewers participation.

Reem Karssli is a Syrian film-maker who witnessed Syrian conflict living in Damascus. Caroline suggests to connect with a group of young Londoners via Skype and talk about her life and work. It turns into a four year long collaboration and the end product is a powerful 60 minute long experience. There are no words that I could type here to give justice to the work, it is something to be experienced.

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The idea behind the installation is to question and challenge the armchair passivity. The installation starts with a circle of comfortable armchairs and a small, old fashioned television in front of each chair. The viewer puts on headphones and delve into the armchair for the unknown.

Throughout the installation there are various stages where you are asked to get up and get together with other viewers. Again to challenge a perception of emotional safe space that you save for yourself when most vulnerable.

 

Over the years I have seen a few contemporary art installations, exhibitions, cultural experiences, but never before I felt speechless and emotionally shattered at the end. I needed a few moments to be able to look up and discuss what I have seen, but as soon as the words crossed my lips, tears started choking my throat.

The moment during installation where your hand was inches away from the screen and you felt the static nipping your fingers was the only thing I could imagine visually as a photograph.
The rest was an experience to be felt with every inch of your body, every brain cell.

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My mind was in a state of confusion. The most powerful part was the young niece expressing her hopelessness, interviewed by Reem. I wished at that very moment that I could show that part of footage to the evil that is behind the Syrian conflict. Tie him/her/group of to the chair and make him/her/them watch it over and over again until he/her/they can’t see the screen and hear a word. I was upset and angry.  The other moment that I will not forget was the falling snow and dancing in a circle with myself. I embraced the moment and it took me to my own experiences in the past. It was beautiful and sad at the same time.

Over the following days I felt an urge to discuss the installation with others, I wanted to know if others had the same impact. On Saturday before another Heads Up event I met up with Michelle Dee, the writer and freelance journalist who reviews all the shows. The fact that she was also feeling similar was comforting. In her review she wrote:

“I’m tearing up even now recalling the image of a young girl, Reem’s sister I think, carefully folding and refolding a red shirt, packing it away into a suitcase in a cramped bedroom. She is clearly traumatised, she breaks down, her words escaping her mouth faster and faster, until becoming a cry of despair. She says that she would rather die than face the daily, monotonous torture of being trapped inside by the threat of the bombs falling outside.

What can one person do about a war that is happening thousands of miles away? The pillars of democracy in the west are about as stable and secure as the crumbling remains of the bombed buildings in Syria. Now is Not the time to say nothing. ”

You can read the full review and the other Heads Up reviews via link below:
Michelle Dee Review Now Is Time To Say Nothing

 

Today nearly a week after of seeing the installation nothing has changed in my life. I still watch television occasionally from my sofa or bed, I hear news, watch documentaries and allow everything pass quietly as I am too busy to live my own reality. But there is this lingering shame and feeling of helplessness that I am not part of the global concern about the conflicts that happen around the world or social issues in my own community/city.  I question if small actions and good causes can make up for the ignorance? Or if everything is just too big to grasp and I need to focus on my own life and family?

I can definitely say that Now It Is Time To Say Nothing is the most important contemporary art I have ever seen.

Heads Up festival is a very special festival – a mixture of theatre, contemporary art and installations that makes you think, question, imagine and explore. For the third time I had the honours to photograph the events and I am so thankful for the opportunity.
Thanks to E52 team and artists involved for amazing feedback.

 

Here are the highlights from heads Up 2019

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IS HE ON THE LINE..? by British artist Jez Dolan and Icelandic composer Ingibjorg Yr Skarphethinsdottir

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Dean Wilson: East Coast Fever A short film by Dave Lee

Dave Lee The Orchidian

The Orchidian, a monologue written and directed by Dave Lee

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RACE CARDS by Selina Thompson

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THE LAND’S HEAR IS GREATER THAN ITS MAP by Olivia Furber, Ramzi Maqdisi, 9t Antiope and Hannah Mason

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THE PAPER CINEMAS MACBETH

 

Did you had a chance to see any of the events? What are your thoughts?

ARTIST TAKEOVER #4 – QUEENS HOUSE SHOWCASE

Same time this week I was rushing around and getting ready for the opening night for the fourth Artist Takeover at Queens House Showcase  run by ENRG Hull.
It clearly has been a challenging experience, since it has taken me a full week to man up and write the blog post about the exhibition and opening night.

Over the past year I’ve been building a bond with Creative ENRG Hull. family. It started as few artist workshop photography assignments, ENRG Hull  ambassador filming with Fly girl Films and being interviewed myself for few times as one of the people who had help setting up a creative business.

Over several months in 2018 Queens House Showcase featured in my monthly blogs of culture wonders in Hull with exhibitions and other ARTIST TAKEOVERS.

It was a slow but steady friendship and as the result I was asked to be part of the last ARTIST TAKEOVER of the programme.

We were asked to exhibit work around Landscape and from that point on the whole experience took a twist that I was not exactly ready for.

I am known for certain work – Hull based, bright, happy, celebratory and creative events, festivals, client work and so on.. and to show to a very public eye a slice HOME GLORY series felt strange. Even today when it has been a week and I am already planning activities throughout exhibition it feels out of the character.

There was uncertainty of how people will embrace the work I’m exhibiting and the story I am trying to tell.

The work exhibited focuses on Latvia in the 21st Century and the derelict landscape across the countryside due to migration to cities and abroad. I say “focuses” because I found that the landscape my eye can catch is different to a standard scenery landscape.
Every time I visit Latvia, especially past three years, I feel the urge to bring my professional gear and eye and capture the home land. It varies from silly set ups, to portraits with photogenic friends, to travels and explorations, often focus is close to my family members and family home/land. It is a another dimension of thought process that I don’t often get chance to use in the UK and the imagery has got special place in my photographic collection.

The exhibition includes five photographs and installation that aims to engage on more than one level with the viewers. The installation includes a special diary that my sister wrote me whilst living in one of the remote regions of Latvia and a newspaper article from 1992 that my grandmother passed on to me few years ago.

 

The other two artists exhibiting are Nigel Walker and Pierino Hristov.

Nigel Walker

Photographer Nigel Walker lives in East Yorkshire and has been making photographs for over fifty years. Most recently he has been concerned with why he takes them and how they are used. He supports the postulation that meaningful photography should comprise of geography, autobiography and metaphor.For Artist Takeover #4 he presents a new body of work, ‘Say Something’, which considers the distance between current generations and seeks to encourage a reconciliation through communication. The East Coast signals a border and semaphore a way of telling – a concept, an idea and a cipher as much as a means. At 17 years old, the model, Olivia, is on the cusp of moving into the responsibilities of adulthood. How will she choose to make her world and negotiate with others who have made it? How will she and her generation change it, preserve it and mould it for themselves? This collection of works explores this challenge …Nigel will be in the gallery on Wednesday 13th February, join us for refreshments and cake & chat to Nigel about his work. He’ll also be giving an in depth talk about ‘Say Something’ and other projects at 6 pm on Wednesday 20th February – see you there!

Pierino Hristov

A Bulgarian artist now resident in Hull, Pierino uses a vibrant palette to combine traditional and contemporary motifs in celebration of enduring heritages and landscapes. Using digital approaches and inspired by the flower filled terrains of northern Bulgaria, his complex arrangements of florals, colours and patterns echo shared traditions of quilting & stitching. Producing a fresh and contemporary fusion of familiar forms, his carefully constructed arrangements reflect the changing seasons and their moods. Influenced by David Hockney’s digital palettes, works are conceived to bring joyful and uplifting affects into everyday experience.

Source: ENRG website

Before I am getting into the opening night, I want to say massive thank you to Christoper Hopkins and Gill Hobson. Both pushed me to dive deep and helped to make the most of the opportunity.

Massive shout out to Ditto 4 Design Printing – they are the best printing company I worked with across the board. They saved my day twice and the delivery of images was super quick.

On the day of the opening I was still finishing up the display that involved searching for rubble, polishing up the artwork and figuring out what to expect.

With no major expectations and excitement to meet the other two artist the night began on a really positive note.

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It made me very happy to see faces of John Gilbert, Oliver Fisher+familiar faces. Thank you to previous artists exhibiting Emma Garness and Lucy Kelly. Thank you for coming and making me feel happy.

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In the following weeks I will be present at the gallery come and say hello!

  • 22nd February – THAT FRIDAY FEELING – free photo booth and chat with me
  • 28th February – HOME GLORY in conversation with me
  • 7th March – FREE PHOTO BOOTH AND WE WILL BE DOING A SOCIAL EXPERIMENT OR SEARCH FOR YOUR TOUCHSTONES AND TALISMANS – I invite all my friends and family to come along and take part!
  • 14th March – last day of the exhibition – come in, say hello and tell us what you thought of the exhibition.

 

Also if you would like to read my contribution to the Creative ENRG and ENRG Hull project, click here:

In Conversation with Anete Sooda Photo

 

 

MY CITY OF CULTURE – MY HULL – 2018

It is 2019 and we are fast approaching the last days of first month of the year. On my last blog post in December, I was still wondering if I want to continue my culture journey through monthly photographs and blog posts.
The short snipped of 2018 in Hull is a visual journey through last year and despite some disappointments I still had a pretty good year embracing and celebrating culture scene across the city.

 

I have come to a compromise to have periodic culture reviews and not let go the commitment fully.  I will keep it as a luxury opportunity to photograph for my own pleasure and will potentially meet new people and see new places.

I also want to raise a discussion amongst regular followers and see what are your thoughts on 2018 and expectations from 2019.

Share your experiences!