MY CITY OF CULTURE – MY HULL – JUNE 2018

It’s a bit an alien moment to type in the “MY CITY OF CULTURE…” as I feel like its been ages since I wrote about culture.

June was a month that barely existed in the means of culture engagement.
Half of it I worked my arse off and half of it I spent away in Latvia. There was very little time to get cultured. Plus, here we are again – late [3rd July]

There was two highlights, plus one that’s has no art culture, but still a social culture.

Humber Street Gallery  IT TAKES A VILLAGE

53 DEGREES MUSIC ORGANISED GIG AT ZEBEDEE’S YARD SLAVES AND DREAM WIFE

JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K

Therefore I will short and sweet.

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IT TAKES A VILLAGE is something very pleasant for the eye, but difficult at times to digest for the mind. Right – I don’t mind sarcasm, consumerism concerned slogans and taking the piss out of stupidity and our generation problems, but can we have something new for a change.

The displays are full of professional skill and technical abilities, beautiful light installations and textile masterpieces and clever use of space. But deep inside I wish there was art about dreams, aims, goals, unicorns and pink flamingos. I laugh at our century, our society is a bit of a mind fuck to understand, so can I have something that we all have hidden deep inside – hope that everything will be fine, hard work pays of kind of message, dream big-reach your goals kind of theme.

I seriously need some cheese in my life or a faith in humanity. So the experience of the exhibition is divided.

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53 DEGREES MUSIC in co-operation with The Warren Youth Project organised a amazing gig with DREAM WIFE and SLAVES headlining. I actually won the tickets via their competition and that sent me off as the happiest person ever. I was torn between enjoying myself [drinks’n that] and running the JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K the next day, but you can have it all, I enjoyed both to the fullest.

There was no official permission for me to take photos, but of course I couldn’t resist to have few snaps with SLAVES.

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The energy was amazing. Thank you for giving the opportunity 53 DEGREES MUSIC

 

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Above actual proof that everything is possible. With my friends we cheer and celebrate at the JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K
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Just as the finishing touch for the June culture wonders. The street art/graffiti/mural culture that is peaking in recent year is really making me smile. I keep spotting cool wall art and noting down to take photos of those.
This one is located in Fruit Market area. I have few spotted down Holderness Road and Beverley Road which I need to visit this month.

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Keep the culture going people!

 

MY CITY OF CULTURE – MY HULL – MAY 2018

HELLO CULTURE LOVERS AND FOLLOWERS

I AM JUST GONNA PRETEND IT IS NOT THE 8th JUNE …. OK, I AM 8 DAYS LATE TO PUBLISH MY HULL CULTURE STORIES.

GOOD NEWS IS – I HAVE BEEN INCREDIBLY BUSY PHOTOGRAPHING AWESOME THINGS. MY PHOTOGRAPHERS LIFE IS AS MANIC AS I WANT IT TO BE, LOVE THOSE “OFFICE” DAYS WHEN MY “DESK” IS NEAR SEASIDE OR WITH INSPIRING MUMS IN HULL, OR WITH AMAZING PEOPLE FROM ESKIMOSOUP DRIVING AROUND EAST YORKSHIRE.. LOVE ALL THAT.

OK, CULTURE BUSINESS. MAY WAS LIVELY, ESPECIALLY AT THE BEGINNING OF THE MONTH WHEN MOST OF MY CONTENT WAS CREATED.

FERENS ART GALLERY – MASTERPIECES IN FOCUS FROM THE ROYAL COLLECTION

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20% INSPIRED BY INSTAGRAM FAVOURITE STEFAN DRASCHAN

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P.S. I USED TO DO THAT A LITTLE BIT ANYWAYS, BUT NOW THAT IS AN OFFICIAL FOCUS POINT.

FERENS ART GALLERY CLANGERS, BAGBUSS&CO

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THIS WAS AN EXHIBITION OF CONFUSION ALTHOUGH LOVELY CONTENT. I HAVE NO SENTIMENTAL ATTACHMENT TO “Bagpuss, see the Soup Dragon and behold Noggin the Nog. Oliver Postgate’s voice and Peter Firmin’s puppets shaped the childhood memories of millions since they started collaborating in the 1950s. As well as telling the story of Bagpuss and The Clangers, the exhibition goes behind the scenes of their other creations; Pogles Wood, Noggin the Nog and Ivor the Engine.Discover original puppets, sets and filming equipment. See how characters developed, and learn how Oliver and Peter developed their stop-frame animation techniques alongside a selection of toys and puppets from Hull Museum’s permanent collection.”

SOURCE: HULL17 WEBSITE

 

BUT I SAW SOME LOVELY SMILES, FEEDBACK AND GENERAL SENTIMENT AROUND THE PUPPETS AND SETS.

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REALLY IMPORTANT HIGHLIGHT OF MINE – HULL COLLEGE STRIKES WITH UCU HULL

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FOR THOSE WHO KNOW ME WILL UNDERSTAND MY ANGER. MY CAREER STARTED THERE, HULL SCHOOL OF ART&DESIGN WERE PART OF MY JOURNEY IN BECOMING A GREAT PHOTOGRAPHER AND BEING ABLE TO WORK AS ONE IS A LIFE CHANGING THING TO HAVE AS LEGACY OF EDUCATION. SO I WROTE TO EMMA HARDY, I WROTE TO HULL DAILY MAIL MY VIEWS ON JOB CUTS AND COURSE REMOVALS.

HERE IS A BIT OF THAT:

“I am taking the time to write because I feel incredibly let down by Hull College Chief Executive Michelle Swithenbank, who has announced plans to cut 231 jobs as part of a five year reconstruction plan to make the organisation financially self-sufficient.
Reconstruction implies that something is broken and needs to be made whole again. That is not my experience at HSAD at all. My course provided me with everything I needed: knowledgeable and experienced tutors, well equipped facilities and a varied curriculum that included studio photography, use of film cameras, printmaking, filmmaking and business skills. It was a life changing three years that gave me an opportunity to build important foundations that I needed in order to work as a photographer in the real world. I spent three years surrounded by experienced, clever and intelligent photographers and artists who made me believe that anything was possible. They pushed me to achieve my goals and challenged negative and small thinking, opening my eyes to what I could achieve.
I understand the need for the college to be financially solvent and am appalled to hear that college leaders have allowed a £10m deficit to be racked up and that an additional £1m plus deficit is forecast (as reported in the Hull Daily Mail, 8 May 2018). However I do not feel that full consideration has been given to alternative money saving or money making measures. Innovative ideas like broadcasting live tutorials in photography, film-making and computer game design would put Hull where it deserves to be – at the forefront of creative education. Opening up facilities to the public and local businesses would also generate additional income. Can Michelle Swithenbank really tell us that job cuts is the only way out of the mess?”

I ALSO DID MY PART AND WENT DOWN TO ONE OF THE STRIKES TO TAKE SOME PHOTOS.

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THIS MIGHT NOT SEEM LIKE A VERY CULTURAL TOPIC, BUT IN FACT IT IS, BECAUSE HULL SCHOOL OF ART&DESIGN IS PART OF CREATING A NEW GENERATION OF ARTISTS.

IT WAS ALL A BIT DAUNTING, BUT THE SUN WAS OUT AND EVERYONE UNITED FOR ONE IDEA. AND THIS WILL BE THE CHANGING POINT FOR FUTURE, BECAUSE PEOPLE WHO CARE, WILL NEVER LET THINGS GO EASY. WELL DONE TO EVERYONE WHO TOOK PART.

 

CULTURE/ART AT QUEENS HOUSE SHOWCASE RUN BY CREATIVE ENRG ON TWO OCCASIONS:
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ABOVE CHRISSY COLLINSON SITES UNSEEN

BELOW ILLUSTRATOR MIKE WARLEY AND HIS WONDERFUL CREATIONS.

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I ALSO WENT DOWN TO THE HULL TAPESTRY AT THE GUILDHALL

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IT WAS ON MY LIST FOR MONTHS AND I WAS NOT DISAPPOINTED. IN A NUTSHELL – FIFTEEN YEARS IN THE MAKING, THE HULL TAPESTRY ILLUSTRATES, IN COLOURFUL AND VARIED STITCH, THE HISTORY AND ACHIEVEMENTS OF THE CITY OF KINGSTON UPON HULL OVER PAST 700 YEARS.  DEPICTING HULL’S DIVERSE HISTORY AND PIONEERING SPIRIT, THE HULL TAPESTRY GROUP HAS FASHIONED A BREATHTAKING MONTAGE OF HULL LIFE THROUGH THE AGES.

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I ALSO HAD A STROLL THROUGH HULL ONE DAY WHEN THE SUN WAS OUT AND REVISITED THE SOLAR GATE ‘N QUEENS GARDENS.

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FIRST TIME VISITED THE DAZZLING EVENTS FOOD AND ARTISAN MARKET AT THE LAWNS COTTINGHAM.

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ON TOP OF THAT I TOOK PHOTO OF A NEW SCULPTURE ARRIVAL IN TOWN: RESEARCH STILL GOING ON WHAT THAT WAS, GOOGLE AT THE MOMENT IS NOT HELPING,SO IF ANYONE KNOWS – EDUCATE ME.

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ALREADY MENTIONED PREVIOUSLY – I WILL BE ONE OF THE PHOTOGRAPHERS FOR THE  ILLUMINATE PROJECT: LEGACY

WE HAD OUR FIRST MEETING LAST WEEK AND IT IS STILL EARLY DAYS. AS SIMILAR AS THE LEGACY SEARCH TOPICS ARE BETWEEN US, WE ARE ALL DIFFERENT PHOTOGRAPHERS AND WILL PRODUCE VERY INTERESTING PHOTOS. THAT’S THE PLAN. AS A START UP I AM LISTING AND REVISITING ARTISTS FROM 2017 THAT INSPIRED ME TO WRITE ABOUT THEM AND FIRST ONE WAS MARK WIGAN. HE KINDLY OFFERED ME TO GO BEHIND THE SCENES AT HIS WORKSHOP, BUT DUE TO WORK COMMITMENTS I WAS UNABLE TO JOINT, SO WORK IN PROGRESS.

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SO THESE ARE SNAPS FROM HIS THE TRANSGLOBAL ART OF MARK WIGAN EXHIBITION, JUST AS I CONVINCED HIM TO BE PART OF MY SEARCH FOR CITY OF CULTURE 2017 LEGACY:

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LAST BUT NOT LEAST:

WAS TAKING PHOTOS OF INCREDIBLY TALENTED ILLUSTRATOR CALVIN INNES IN THE NEWEST BANKSIDE GALLERY.

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I CAME ACROSS THE BEAUTY OF INDUSTRIAL ESTATE IN THE AREA. IT WAS A BIT OF A EMOTIONAL CONNECTION MOMENT AS I FOUND THE SITES AND SCENES DISTURBING AND BEAUTIFUL AT THE SAME TIME.

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I AM OK NOW. I AM EXCITED FOR THE SUMMER AND EVENTS, EXHIBITIONS AND PROJECTS COMING UP REALLY MAKE ME FEEL ALIVE.

STILL RE BRANDING AND HOPELESSLY TRYING TO MULTITASK, BUT EXCITING TIMES AHEAD.

NEXT MONTH I’LL BE HALF HERE, HALF IN LATVIA, SO JUNE 2018 CONTENT STILL TO BE DISCUSSED.

HAPPY CULTURE PEOPLE.

 

MY CITY OF CULTURE – MY HULL – APRIL 2018

April was 80% usual and 20% summer  [including the feeling that winter is over and tops off kind of vibe].
So I’ll start with a moment that represents the above for me. Shot taken down Humber Street with probably the most famous dog in culture crowds.

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Culture month #4 and I am hopeful for the future. Legacy ‘n stuff, another culture-bursting year for the city and buzzing/happy people in all areas of Hull. Yes?

April started well,I was lucky to be involved with Illuminate Project:Legacy  I feel very fortunate to be able to tie work done in 2017, continuous photo/blog Hull City Of Culture in 2018 and look for the legacy, that I have discussed over and over again. Pop the question is important for someone like me, who’s really believed that Hull has changed and there is no way back. It will be a challenge as well, but I don’t mind a chunky challenge.

Work will be started pretty soon and there will be an exhibition in autumn. To top it all up I will be working with some pretty exciting photographers. Anna Bean/Bluebeany, Verity Adriana and Karim Skalli

Back to April and culture.
I had a list of exhibits I wanted to see this month, including No one knows me like Dawn from Jobcenter at Humber Street Gallery, because title seemed intriguing.

If being honest, April was difficult month for getting out with true passion and get involved in culture. Things got sad, difficult and being out with camera was more like an escape. Plus, I have been focusing on re-branding my business face, which always requires energy and ability to face your devils.

The start of April and my first go-see was the new light announcement down Queen Victoria Square at the very first weekend of April. I was unable to see the lights Saturday/Sunday, so I rushed there on the opening night. I got really frustrated by light switch being late, I didn’t had tripod, so I guess the photos are just a record that I was there. Still not sure what I was supposed to see, as very similar lights have been there through out last months?

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Whilst waiting and chatting to fellow photographers, I snapped the fountains there too. Tuns out this is the first time I see them at night. Oh well..

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On my way there, I briefly rushed through first Hull Street Food Nights of 2018. It was very brief and I was very gutted that I can only “smell” the event. Next one maybe as it looked so lovely…

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After that is was exhibitions. Luckily there are quite a few available to view from April onward.

First trip I took to see HIP Gallery in Princess Quay. I was aiming to see the freshly brewed LAUNDERAMA by David Drasdo, but I was a bit too early. Instead I got to see the DOCK. The exhibition is a selected visual history of St. Andrew’s Dock.

Once St Andrew’s Dock was the beating heart of Hull’s fishing industry.
Today it stands derelict and unloved, a sorry reflection of a once proud and thriving place.
These images are just a snapshot of the story of its falls from grace.

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The exhibition contains photographs by Will Slater, Peter Marshall, Ben Barrass and Oliver Turpin.

The extend of loss from the industry feels so genuine, once I finished with the viewing. For someone like me not born in UK and Hull, exhibition serves as a good eye opener for the past and present. I always hear the stories about how great it was, but it never really felt like I know what people mean by it.
I was curious to find out from volunteers when it all “cracked”, but the conversation revealed a lot more. For example, back in the day, people that worked in the industry were called three day millionaires- they became rich very quickly for a short period of time, then spent all the money as quickly as they earned it. Also, I found out that Hull was once called the City of East Coast. Just that.

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Massive thank you to the volunteer that chatted for 40 min about Hull, fishing industry, even about studying photography and writing dissertations. I wish I noted his name down on piece of paper….

After that I went to see something that I purposely left for April.

No one knows me like Dawn from Jobcenter at Humber Street Gallery.

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The culture or social groups that are regulars to Jobcentre are always linked with lack of life quality, lack of future perspectives and generally are the underdogs. Rightly so for those who work and pay taxes. But there is no country in the world without a unemployment issues. To be able to draw the lines between art and stereotypes around the subject is intriguing and tempting.

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I feel like my photos show every corner of the exhibition, leaving nothing to imagination, but that’s how I felt like at the time – it was too good to be missed out.

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The artwork sets many questions and leaves me to wonder if the reality is mixed with great dose of sarcasm. Really good exhibition in my opinion, although I felt like I want more.

After that I popped downstairs to see the FOREVER or GOLDEN SHOWERS by Tim Noble and Sue Webster.

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I am convinced that these light installations are detachable from their current meanings. It also wasn’t as excited as I expected. It was more about getting that one perfect shot of three very different light bulbs.

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Maybe, and only maybe, I would like these installations in a meaningful location? I don’t know….
Just to quickly mention and justify image below – the shirts really brightened up my mood. These lads deserve a free drink.

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My next exhibition was at Artlink. Only in last few months I have realised that Artlink is very warm and welcoming space, including staff working there.

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This time it was the GRAFT in FLUX. An collaborative exhibition in a nine year partnership between Artlink and HMP Humber’s Graft Fine Art Studio.

The exhibition is focused on the changing landscape and the aspirations of those currently working and living in the secure prison units.

It also has got an interesting way of treating the “artists”. Most of them have no prior training, skills or education in arts, so they all have been thrown in an adventure. That is the most precious part of the idea, I think.
From what is displayed, I couldn’t tell that there is no experience. Fascinating.

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All exhibits are part of an experiment, covering each person’s voice and back-stories.

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There are Drop-in workshops available on 19th May and 16th June.  The workshops will recreate elements and working practices from the Studio to allow visitors to observe and take part in the environment, projects, techniques, and journey of HMP Humber’s students. I am hoping to squeeze one of the workshops in my diary for June [that’s if someone would like to join me].

 

The only downside of space there – it sometimes isn’t pleasant to fight with falling shadows and colour cast. So I hope I have hidden that in these captures. [sorry]

Last but not least – TWO GINGERS COFFEE HOUSE and a small coffee/bear/live music  summer start up gathering on the 28th April.
I remember first time I went there was early days for the Two Gingers, but I am so pleased to see them thriving and having coffee lovers on their side.

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I literally popped there for 10 min to see the atmosphere, my mind was far away from celebrating and mingling with people.
I hope they do more events like these and I can properly enjoy myself.

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There you go – my little culture April in Hull. I hope as the year goes on, I will get more diverse cultural experiences through the lens.

For now – re-branding, Illuminate Project:Legacy, culture in May and work.

 

 

MY CITY OF CULTURE – MY HULL – MARCH 2018

HAPPY EASTER, HAPPY APRIL FOOL’S DAY[yesterday], HAPPY DAY TO BE ALIVE.

HAPPY.
AND WELCOME TO THE MARCH EDITION OF MY CULTURE IN HULL 2018.

I must admit that it is hard to write and focus on work today, I am in a 100% long weekend mood.  So I will try.. and if by accident I publish it only on the 2nd April [today], you’ll know that I gave in on chocolate eggs. And a nap.

 

March brought some lovely culture experiences and quite a tense works schedule at times. I have been in and out of “busy” and running low on fuel reserves from winter season. We are ready for spring!

Culture highlights:

#1 HEADS UP FESTIVAL 2018

#2 ARTLINK JASON WILSHER-MILLS UNEXPECTED ENGAGEMENT ARTIST TALK

#3  GROUND GALLERY HULL PRESENTS BLUEBEANY’S ARTIST TALK

#4 TRINITY MARKET EXPLORATION NR. 1

Since 2018 unfolded as the year after an amazing year of 2017, I can easily make my own rules of how I will culture myself, I feel no pressure. Everything is in a relaxed manner. So in March I tried to combine personal interests with must-see’s and bit of good old Hull walks with camera. That applies to the need to witness the change and progress and see where do we go from 2017.

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Collecting photographs and stories in March has been the easy part. Writing can get tricky.

I try to have some one-to-one time with the city, get on the road geared up with camera and in March I soaked up one day of spring in an hour long walk through derelict area of Hull [kind of].
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Some of the “edgelands” is up for a development soon, so maybe it is worth catching few photographs of the land, before it changes.

The best experience in March was the HEADS UP FESTIVAL 2018

I was invited to be their photographer this year and that rolled me straight into a number of cultural events. Hull based company E52, in conjunction with renowned venue and producer Battersea Arts Centre, presents some of the most exciting contemporary British and international theatre at venues throughout the city of Hull.
The festival takes place twice a year, with Spring and Autumn seasons, and also includes locally-curated and produced work, workshops, new productions, networking events, talks, art events, school projects, and exhibitions.

 

First one was UGLY CHIEF – artist and performer Victoria Melody teams up with her dad, TV antique dealer Mike Melody, for her most ambitious show yet. Ugly Chief is a comedy based on true-life events, performed by a real-life father and daughter. As I can create any spoilers  – it is about setting up a funeral by Victoria for her dad, who was falsely diagnosed with Motor Neurone Disease and given five years to live. In the show, they preform two funerals – one that Victoria wanted for her dad, and second funeral that dad wanted to have for himself.

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The show was wonderful, witty, clever and emotional at times. And the fact that it was another take on taboo subject such as death, funerals really made it my cup of tea.
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Two of the events took place in Kardomah94 across the week.
Heads Up Introducing with Lyn Acton, singer with Pearls Cab Ride and Bill Drummond Daffodils&Death

Both brought me some new knowledge about different art forms, I got to know Lyn Acton and Pearls Cab Ride , not just as one of the bands playing at Freedom Festival, but as culturally important figure in Hull and jazz music scene in Yorkshire.

She laughed, cried, shared and cherished her stories and musical influences and favourites.

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Bill Drummond Daffodils&Death was just a bit random. Enjoyable random.
But my favourite new knowledge was that Bill once was in a band called The KLF and had hell of a performance at 1992 BRIT Award Ceremony.

And to back up that it really happened in 1992, Bill Drummond, between he’s shows came to the sound desk and said  “I can’t wait for this to be over, so I can have a proper drink”

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Third one was SPONGE by Turned On Its Head

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That was ultimate kids show using sponges in various shapes, forms, colours and sizes, that will be stuck in my memory as a nightmare light change to capture in photographs.
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The last event of the festival, I was taking photos of was the DARK WINTER by David Mark.

I was present at the last of the dress rehearsals and only stayed for 30 min. And in that short time I witnessed some serious theatre. Set in Hull and based on the thrilling crime novel by bestselling author David Mark, E 52 bring Aector McAvoy’s first case to the stage in a stunning adaptation by award winning writers Richard Vergette.

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And hell yeah, it was mind blowing. The level of acting and theatre performance was high standard and having Hull as main characteristics made it to be my favourites. The sound and light was to match the high standards of performance. One word – gutted not seen the full performance.

Photos above: Production team, E52 crew and stage manager.

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Million thanks to Heads Up team for having me on board. Great pleasure, great pleasure.

 

In March there was an important note in my diary – to see Jason Whilsher-Mills with my own eyes in his artist talk about currently displayed Unexpected Engagement at Artlink. I rarely get to see artist gatherings and talks, as I am working evenings, so this was real treat for my brain on Saturday, 13th March.

Jason Wilsher-Mills is Square Peg’s artist-in-residence for 2017.

Square Peg, the user-led diversity and disability arts programme from Artlink has teamed up with Jason to bring the stories of diverse communities in Hull to everyone’s attention.

New technologies have helped Jason give life to his ideas on disability, childhood memory and popular culture, creating new narratives. We met to discuss this and his upcoming exhibition Unexpected Engagement at Artlink.

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More than anything, I took away Jason’s story of how he embraced digital technology, instead of sticking to what he was used to. He stepped out his comfort zone, embraced the change and it took him to the highs of a success. And for someone like me it is the best lesson to learn. Change is scary,but change is good.

The talk itself was wonderful, I really liked Jason’s sense of humour, honesty and the event was a great experience to see his other work.

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At the end of it, I joined the rest for a second look at the exhibition and helped others to get their heads around the 3D experience with sculptures and tablet.

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The end of the month got a bit distracting and I kind of ditched the culture for a bit. I had few little culture things on my mind, but instead I went for a nosy at newly refurbished Trinity Market and have the famous Cone Queen – Cone Pizza.

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The space is very “fresh” at the moment, but I could already see the potential and Hull’s own stamp on the units available. Hull people have turned in proper foodies  and I am really liking it.

_Z1A6657MARCH2018 b_Z1A6653MARCH2018 bThe Cone Queen – Cone Pizza was very pleasant and most importantly – we had a little tour behind the process of making it.

During the last days of March, I also wanted to make it to BLUEBEANY’S talk at GROUND GALLERY HULL
Ground Gallery is one of my favourite discoveries in 2017 and Anna Bean with her exhibition is definitely a very good news to have for the gallery.

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I was very late [cos of work], so I had no hopes of seeing the talk and I kind of made it to the very end. Just as I got to the gallery, I realised that it is fully packed with people and that brought a big grim on my face – for Anna Bean and for the Ground.

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The last few days of the month of course went a bit mad – Easter, all the excitement of nationally long Bank Holiday weekend and unfinished business.
But I had to see one last thing – Artist Take Over at Queens House Showcase last day with cakes, tea and artists themselves.
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The space gives a good ground start to artist to exhibit, have the experience of sharing their work and running workshops and in the future we are about to see more work exhibited.

So… the more the spring, summer is mentioned, the more culture we are going to see – good news for me and exciting times for Hull.
Hull Street Food Nights are back in April, Humber Street Gallery has some exciting exhibitions already on display, Studio Eleven is providing us with some high end and super quality sculpture-work and so on…

I have some of the above on the menu,  Auschwitz and work in April. Yaass!

Happy Culture!

MY CITY OF CULTURE – MY HULL – FEBRUARY

Welcome to February 2018 culture review. I am sure you are busy dealing with the “beast from the East” as we all do, very distracted myself with the snow,making snowman’s, but duty calls.

I would like to say that culture journeys in February has been out of old habit, but that has changed since last month. Although being really sentimental about last years weekly reviews and stories, this month I have really realised how much time for “actual” work I have. There is no doubt that finding cultural things is a bit of a challenge in the quite months of the year, knowing that Hull City Of Culture 2017  is gone on a “break”.

I have been lucky to have Ferens Open Exhibition 2018 at Ferens Art Gallery, Artist Take Over at Queens House Showcase, Hounds Of Hull opening at KAG,  and random protest regards regime in Middle East, plus some precious early morning Hull moments.

Let’s start off with the two most random things of this month:

First – one area of Hull’s city centre has been adjusted – famous for having homeless people gathering and sleeping, being a bit naughty. Area has been transformed into a colourful message, development opportunity advert. And then the disco-granny-electric piano-madness guy is there playing his tunes. Only in Hull?

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During that week I went to the first Artist Take Over at Queens House Showcase where artist Lauren Saunders thought the ways of knowing – or making art followed by you feelings.. (?) Her primary tool is drawing, but the exploration extends to psychologies of perception.

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Artist Take Over at Queens House Showcase is a collective exhibition of four local artists with various styles, techniques and dimensions.
The best part of the exhibition is that most of the days artists themselves are live-creating their art, having the space for their own development and are up for a cup of tea and a chat.

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Clarissa Dixon is another artist present at the Queens House Showcase. She is experimental with materials and processes. From what I had a chance to see so far – her table is a beautiful mess with textures, colours and heavy patterns.

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Annemarie Tickle was running a The Shibori workshop and I went to take some snaps of that too. I am far from understanding what that means, but it was all about fabric, dye and textures.

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Queens House Showcase is run by Creative ENRG. Just to say that Creative ENRG is giving a massive platform for artists to work and develop their skill, confidence and network with other artists, members of public.

They have helped me in my “setting-up” business journey, but I have made a lot of business friends, artists and clients through being part of the hub. That’s if you ever question how important networking is….

Just to shift few steps down from art art, I had a morning with crisp air and early sunlight in Marina and Fruit Market. It is rare opportunity to have time that early to photograph Hull and I really want to share few beautiful captures – just to celebrate ever so beautiful Hull landmarks.

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These new arrivals on Fruit Market walls was the cherry topping to my morning wonders.

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Back to art art and  Ferens Open Exhibition 2018 at Ferens Art Gallery. This year for the second year running I got a photograph in, so I was determined to have the full experience of the opening night. First thing – the welcome speech, announcements and prize give away. I did  not know that such thing happens on the opening night and it was great to be part of that.

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There was an interesting fact I found out during the speech is that Ferens Art Gallery one of the few galleries left in the UK to have free entry at all times. And I mean a gallery that hosts “proper” high end art, such as Mueck [recent experiences], Freud and other special and valuable collections. Turner Prize is a good indicator of the importance of the Ferens Art Gallery.

During the opening night I had a quick run through the galleries, spotted a few favourites, mingled with old tutors and looked at my photograph and frame all together[disappointment].

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That same nigh I made it to the Hounds Of Hull opening at KAG. Missed the dogs, but had a great opportunity tho see the art work, meet the artist behind it Verity Adriana, have a chat with artist/tutor Jane Jones and my fave Anna Bean/ Bluebeany.
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+see the rest of the KAG for the last time [due to closure of half of the space]
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At some point another random thing happened – I went from A to B and spotted some action going on in Queen Victoria Square. From the distance it looked like people are waving Stalin’s flag, but when approached the crowd, it turned out to be a protest for regime in the Middle East. It was about demanding freedom to Abdullah Ocalan and other political prisoners in Turkey.

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Last week I went back to  Artist Take Over at Queens House Showcase to take some promotional shots of Annemarie Tickle and work she is developing. She stunned me with bold and brave colours and a lovely chat. Strongly suggest to visit Queens House Showcase website for opening times and artist present, because it is worth your while.

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Last but not least – had a second visit to Ferens Open Exhibition 2018 to have a good look at the selection of artworks this year. There was some definite favourites, good and interesting concepts, but there was an equal amount of “rubish”. As for usual.

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As I mentioned previously, work I submitted was a risk. The photograph in combination of the frame was a big risk. It is not bad, but it did not met the expectations I had for myself, so I am a bit disappointed. But risks have to be taken and learn from the experience if it doesn’t work out. Boom.

This month I was a bit pushed for time, so two things on my list are not here:

 

 

I have to start thinking about what March will bring to my culture experiences, already planning in progress.

Excited to be working on a project that I will be shouting about in the near future, excited to be taking photographs for Heads Up Festival for the next two weeks and work with Drunk Animal with their projects and clients. And everything in between. Exciting! That’s all I am gonna say.

Have a great March, get some culture in your system and drive carefully through the 15 cm of snow [eeekkk!!]

Love
Anete Sooda

MY CITY OF CULTURE – MY HULL – JANUARY

HELLO AND WELCOME BACK TO MY CULTURE VENTURES IN 2018

 

The year of Hull City Of Culture 2017 finished on a high note for me. I really lived up to my challenge, being part of the story all year, week by week [except tiny two weeks] and I had the most wonderful time. It was the big celebration for me.

At the beginning of the month I was very lost – for the first time in a year I was not obligated to follow culture and it was weir. On the other hand – it was a relief – no Sunday/Monday panic about writing a blog post and wondering if I have done enough, if I’ve done well.

Throughout the year I knew I need to continue the work for me and for the promised legacy, for Hull. Out of habit on the first week I already found myself in culture indulgence.
And it felt good.

First, I managed to catch the robots part of Where Do We Go From Here.
I had to take my family to see the magnificent robots and have the last look.

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I was still seeking for the connection with culture, Hull and the question it raises. Technically brilliant pieces of machinery, creating a cosmic atmosphere and making the dark hours of Hull light up. But I am asking a question – could artist applied any other question to the artwork, linked with anything else? I am sure that is a possibility and Hull is just another translation to the existence of robots.

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Never the less – Hull still embraced the installation, as we do with everything.

Hull embraced a lot of things in 2017, we have changed our mindset regards culture and art, we are more educated and don’t mind abstract elements scattered around the city. Like the Solar Gate in Queens Gardens. Why not?
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Mid month I was SUPER excited for the new arrivals at Humber Street Gallery.
Just to note how wonderful it is to have a gallery of this kind, Humber Street Gallery has been the key venue for so many great exhibitions and they need a shout out!!!!!
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The exhibitions, all there are about everything celebrating Hull City Of Culture 2017 Volunteers. Work created purely to say thank you for your hard work, purely to celebrate each individual for making the year possible.
Gallery 1
BIG PICTURE: WITH LEO FRANCIS IN ASSOCIATION WITH CHRIS FENTON

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Photographer Lee Francis has very specific style and it is reflected in the works. They are bright and unmistakably unique.
I was so professionally jealous, because that would be every professionals dream to work on a project like this. In fact, this type of photographs should be the only reason why this medium exist – celebrate people and life in a beautiful way, that is missed by a naked eye.

The collage with volunteers and their belongings, their lives is equally fantastic.
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The team behind the project and Hull City Of Culture 2017 put a lot of thought, love and effort into creating this and wanted to know more about volunteers.
When asked to the volunteers present at the exhibition, the same feelings are expressed.

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And we ourselves enjoyed the little insight into this project

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Gallery 2

GRAINS OF SCANDALOUS BLUE: JULIA VOGL

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Another mind tickling satisfaction of culture experience. First impressions are very good, the space is transformed into a full on colour experience, surrounding visitors with bold colours, numbers and takes you on a journey.
When I got over the wow factor, I made my way through the facts and facts about volunteers worked out in percentage.
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We also played a game of calculating the percentages of what volunteers have as their occupation:
88% are either in full time education, employed or retired and the rest – unicorn keepers. That’s mine and Oliver’s conclusion.
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The whole experience is extended with an opportunity to try on volunteers kit and having your photo taken[optional?]
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And then – my favourite part – have a gab with volunteers and take a lovely photo of them.

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Gallery 3

GRAINS OF SCANDALOUS BLUE: JULIA VOGL

The jar and grain experience

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Again – very impressive first impressions. The colours, light, placement of the jars and factual info on the walls. Fantastic.

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Visually impressive, sense of individuality despite the fact it’s meant to look “uniform” like. I assume the jars where chosen by volunteers themselves and again, its like a little insight of their lives.
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However the lazy art and culture consumer in me thinks its too much information to take in before you understand the idea. If your brain is not gifted with maths [like mine], I struggled to understand the patterns and reasons for each of the jar being filled. ahh. Could this be taken out of Hull City Of Culture 2017 content and displayed elsewhere? Would this be just one for the Hull?

World should know more about our experience this year and BIG PICTURE AND GRAINS OF SCANDALOUS BLUE PART 1 is definitely there to show off to the next CITY OF CULTURE and other cities in the UK.

Overall rating 9/10 from me. The visit made my week and I was left very happy and satisfied.

BANKSY IN HULL

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26th of January will be marked as the day when world famous Banksy left his mark in Hull.

Woken up by the BBC News on Friday morning and hearing Hull’s name being called out for positive reason was just the perfect breakfast for my mind.

On Saturday I made my way to see it for myself. Of course I was not the only one there seeing the rustic bridge marked with someone famous and controversial as Banksy only for that reason. It became a trend, a hot spot.
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And then to hear the news on Monday about someone going totally bonkers and ruining the graffiti and then be saved by very own Hull’s windows cleaner becoming a hero… The drama and the reason to talk was there and as they say… every publicity is good.

So yes. Here is my first month of 2018, my first report on culture in 2018.
I could have done more, but I am busy working on something amazing. Hopefully I will have more content this month.

Are you feeling the Legacy of City of Culture in 2018? What are your expectations?

MY CITY OF CULTURE – MY HULL – WEEK 50

 

WELCOME TO CULTURE WEEK 50!!!!!!!!_Z1A0064WEEK 50 b

Photo above well describes my poor week with the culture.

My highlights were supposed to be the end of LIMITLESS and bringing home Christmas tree to start of the festive part of Hull 17 +bits of festive culture along the way.

But like those pigeons, I was crumbled down in the corner when it came to indulge in the culture.
Last week was not bad, but there was too much of everything else, I just couldn’t cope.

On the bright side – I made an extra effort to visit LIMITLESS on one of the last days.

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I wish they could leave the place open as permanent creative space for everyone, it was inspiring to be surrounded by the culture-everything from the new generation.

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As I visited on its last hour of opening after 8 PM, it was quiet and empty. The noise, laughter and busyness was gone and it was just the space.

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The change was not as dramatic as I expected after the visit on the very first day it opened, however I noticed new features and amazing work kids have done with Debi Keable

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Be Kind was part of the Worlds Kindness Day and the workshop took place in LIMITLESS as well as in libraries across the city while ago.

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And then a little Christmas decorations, because we are in that time of the year.

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I will dearly miss LIMITLESS and I hope we can have annual celebrations of new generation in one place.

The Christmas tree event isn’t really a culture thing, but I wanted to make it part of my week, as it was my birthday too and it is my own tradition to get the tree on my birthday.
Unfortunately my other half was too busy to be part of that, so I have no Christmas tree [not yet] therefore no Christmas magic photos.

The week was difficult, I was working every day of the week on different clients, so when reflecting on week – how did I manage to get any culture photos?

Just to note – the end of the year is fast approaching and I feel like I have to really dig deep for culture…and I am not liking this at all.
This week is pre-Christmas panic – post processing and more photo work to be done, but I have made a wish list:

 

+Massive congratulations to Coventry being named as UK City Of Culture 2021

You are in for an amazing experience!!

 

MY CITY OF CULTURE – MY HULL – WEEK 46

ON THE WEEK WHEN HER MAJESTY THE QUEEN ARRIVED TO HULL I CONTINUED TO PHOTOGRAPH HULL COMEDY FESTIVAL 2017 AND WIZ AROUND HULL FOR CULTURE.

BUT THERE WAS A SIGNIFICANT HIGHLIGHT IN MY WEEK – I MET THE GREAT BRITISH PHOTOGRAPHER MARTIN PARR, WHO I DEARLY ADMIRE. SINCE INTRODUCED TO HIM WHILST STUDYING A DEGREE IN PHOTOGRAPHY [A DISSERTATION ON MARTIN PARR AND KITSCH LATER..] I HAVE NEVER STOPPED LOVED HIS WORK. MARTIN PARR’S WORK HAS A MASSIVE INFLUENCE ON MANY YOUNG PHOTOGRAPHERS AND OF COURSE ME.

MARTIN PARR WAS PART OF THE HULL BEERMAT PHOTOGRAPHY FESTIVAL AND HE CHOOSE THE BEST OUT OF THE SHORTLIST CURATED BY GRAEME OXBY. AND ON WEDNESDAY HE WAS IN HULL, KARDOMAH 94 TO ANNOUNCE THE WINNERS AND TALK ABOUT HIS LIFE AND WORK.

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I HAVE TO SAY MASSIVE THANK YOU TO KARDOMAH 94 FOR HAVING ME THERE AS THEIR GUEST PHOTOGRAPHER [BASICALLY AN EXCUSE TO SEE MARTIN PARR] AS I WAS NOT ABLE TO GET THE TICKET AND I WAS NOT PART OF THE LUCKY 20 WINNERS.

ON MY ARRIVAL I SAW MARTIN PARR MUNCHING ON SOME PASTA, PAST HIM GIGGLING MY WAY THROUGH. I REALLY FELT LIKE AN OBSESSED FAN TO JUSTIN BIEBER. LONG STORY SHORT – I HAD TWO CONVERSATIONS WITH MARTIN PARR. FIRST ONE WHERE I CALLED HIM MY MADONNA AND MADE HIM FEEL AWKWARD BY SAYING THESE LOVELY THINGS ABOUT HIM – EMBARRASSING!!!! SECOND – BIT MORE ADULT AND PROFESSIONAL – ABOUT PHOTOGRAPHY AND COMPETITION.

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HE IS SO CHILLED AND DOWN TO EARTH – OR AS HE LIKES TO DESCRIBE HIMSELF AS VERY MUCH MIDDLE CLASS. OH, WELL. HE IS DEFINITELY MY IDOL IN PHOTOGRAPHY AND I WAS HONOURED TO BE IN THE SAME ROOM AS HIM.

HE ALSO IS GIFTED WITH A GREAT SENSE OF HUMOUR AND HE USED THAT TO TALK ABOUT HIS RECENT PHOTO PROJECT HULL, PORTRAIT OF A CITY: OLIVIA ARTHUR AND MARTIN PARR – HUMBER STREET GALLERY.

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THE HULL BEERMAT PHOTOGRAPHY FESTIVAL WAS AN INTERESTING PROJECT WITH A CREATIVE IDEA BEHIND – PEOPLE HAVE THEIR SAY ON CELEBRATING HULL THROUGH PHOTOGRAPHS TAKEN BY PEOPLE – NOT PROFESSIONALS [WHICH IS WHY I MIGHT NOT HAVE BEEN SELECTED HA] AND BRINGING THE 20 PHOTOGRAPHS TO HULL PUBS – ON BEERMATS.

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THIS WAS A VERY HAPPY HOUR IN MY LIFE. AND JUST TO END THIS CHAPTER – MARTIN PARR REVEALED THAT HE ALWAYS HAD TO DO COMMERCIAL WORK TO SUPPORT HIS STRANGE PROJECTS. WHICH MAKES SENSE, BUT IT WAS ANOTHER REMINDER OF THE STRUGGLES OF BEING A PHOTOGRAPHER, TRYING TO MAKE LIVING AND KEEPING THE DIGNITY, CREATIVITY AND ORIGINALITY.

 

 

Last week was super busy as the week was full-on comedy gigs night after night, plus other jobs, so I had to be smart with the culture I was looking for and taking photos. Basically I had two hours on Thursday.

First – whilst doing my research of what is going on, I tried to look for the less mainstream events/exhibitions and came across a small display at Hull&East Riding Museum – EXPLORING ISLAMIC COLLECTIONS. Small just because I’ve seen it and it is small. But still interesting.

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Hull&East Riding Museum is one of those that remind me of the dreadful school trips to the boring history museums. But as a grown up I have learned that I don’t have to be interested in everything displayed. And to appreciate the classics and at least attempt loving the history is already a thumbs up.
And I really appreciated the massive mammoth and ancient PC. Kind of made my day by looking at these silly reminders of humanity.

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..because there was mammoths in East Yorkshire once upon a time..

 

On my way there, I was also appreciating Hull. I was rushing, but I still find time to stop and watch Hull and people. This time I followed a group of tourists getting some Hull themed walks with a guide.

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Also finally took a photo of the newly refurbished Beverley Gate… kind of… it is very flat. This might be one of those subjects that only make sense with people in the scene..to be continued._Z1A4739WEEK 46 b_Z1A4730WEEK 46 b

 

Same day, same two hour slot I spotted and took photographs of the new roboty light installation things. WHERE DO WE GO FROM HERE? by JASON BRUGES STUDIO is currently being installed in at Beverley Gate, Trinity Square and the Museum Quarter in advance of the artwork’s grand opening on Friday 1st December.

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To finish of the culture surprises I happened to see Hull Maritime Museum and Ferens Art Gallery lit up with stars. No tripod to hold the steady shot meant just a quick snap. I am sure that there will be more light installation surprises and I might get a tripod out for these special occasions.

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+ AS MENTIONED BEFORE HULL COMEDY FESTIVAL 2017 WAS IN FULL SPIN SO I PHOTOGRAPHED FIVE FANTASTIC NIGHTS OF COMEDY. ONE OF THE HIGHLIGHTS WAS THE BEST OF ‘ULL WITH AN AMAZING LOCAL LINE UP AND  MY FAVES THE KAGOOLS.

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NEXT FEW WEEKS ARE AGAIN BUSY BUSY, SO I WILL BE SUPER HAPPY IF I CAN FIND TIME FOR SOME CULTURE. ANY GOOD SUGGESTIONS?

 

 

 

 

MY CITY OF CULTURE – MY HULL – WEEK 43

Week 43 of photo challenging myself with Hull17 has been a bit of a weeeirrrd one. I was feeling snoozy, poorly and busy all week and the culture just seemed to slip through my hands. However – I did see The Sixteen Thousand at C4DI, PRACTICE IN PROGRESS at Queens House Showcase run by CreativeENRG and 1% of the current HIP PHOTOGRAPHY FESTIVAL at Princess Quay.
And then on Saturday – my snooziest day of the week I woke up to realise that I need to get some fresh air and had a stroll through Humber Street just before it gets drunk and celebratory.

The Sixteen Thousand was a planned trip to C4DI.

_Z1A0180WEEK 43 bI was one of the first ones there and it felt like the little clay brick exhibit is undergoing some work processes. The workman boots near the entrance where suggesting so.

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It turned out that someone from a building company was there to measure and asses each individual brick for a little future monument.

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The Sixteen Thousand is incredible collection of little imprints of the new generation. My favourite bricks are the wonky ones. Nothing is perfect in this remarkable world so to see the little bricks not being manufactured perfect makes more sense out of this world.

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Last week I really wanted to see the HIP PHOTOGRAPHY FESTIVAL in full. But I was time pressure so I just passed by and looked at small part of the festival located on the ground floor of Princess Quay.

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On Thursday I had a meeting at the Queens House Showcase  and I wanted to take an advantage of it and see the new PRACTICE IN PROGRESS exhibition. It hosts two artists, Both graduates of Hull School of Art & Design – Matt Hopper and Adam John Wilson.

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The artwork speaks in detail, precision and I really wanted to chat with artists to know more about their work. But one of the artists was not present, the other one was busy, so I hope to return there at some point before it ends on the 10th November and have a chat with the artists.

I was not sure about the UNDEAD BOD thing, I had so many questions of why, how, when and where, but again, I need to hear from the artist before make any judgements.
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By Saturday I was drained and really wanting to be in bed. I didn’t expect any more culture, but there was a point when I had to have some fresh air. And I rarely have the opportunity to see Humber Street on the night time[when it or I am sober], so I happily brought a camera.
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Shop windows/gallery windows, bars, restaurants are so different when the sun settles and I was feeling that little bit privileged to be able to see all this and call it my city.

So yeah medium-excited culture week last week, but the madness will begin this Thursday when the Hull Comedy Festival celebrates its 10th anniversary. I am the official photographer third year running and I am well excited to see all the acts – old, new, famous, local. EXCITEEEED.
Hopefully I will have time this week to share some long lost photographs from the last comedy gig I photographed ages ago – before the madness begins.

Happy culture, people!!!!

MY CITY OF CULTURE – MY HULL – WEEK 42

Hi there,

When making decisions of what culture events to visit for my 42nd week of culture, I had some thinking to do.
I know how important my photo challenge is to myself, how I have made it such a big part of my weekly life and all that. BUT I had to switch my business and sensible brain on – all big/great ideas for the photographic future of mine are requiring work and time. Therefore I decided to culture myself just enough to feel like I was part of it, but not too much so that it takes hours on edit and writing.

THREE THINGS THIS WEEK:
DYSLEXIA PORTRAIT @BRYNMOR JONES LIBRARY
AN EYEFUL OF WRY @BRYNMORE JONES LIBRARY
SO HE PULLED THE RIGHT LEVERS AND YOU DID THE ASKING @ARTLINK

I sometimes pick culture that is in the same route. This route is not usually in my weekly wonders, so it is extra special when I decide to do some walking and travelling.

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I just want to celebrate the amazing exhibiting space in Brynmore Jones Library at Hull University

I have been there for few exhibitions this year and each time the space is transformed beautifully – it is versatile and pristine.

First one was the DYSLEXIA PORTRAIT  just outside the main gallery.  The small exhibit shines spotlight on dyslexia and ways how people suffering with it cope. Exhibition by Hull Photographic Artist Miranda Harr is a photographic project which explores and challenges our ideas about how people with dyslexia see the world.

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THE EYEFUL OF WRY: GOVERNMENT ART COLLECTION

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This collection was the highlight and a surprise of the day. I was not aware that this is opening on that day, but hunting the DYSLEXIA PORTRAIT this treasure was found.
I have to apologise to the artists and organisers for publishing this, if you made the decision not to allow photographs. As one of the first people there, the decision was still up in the air, so half way, I was asked to stop taking photos just in case.
However I have to stick to my duties [bad girl].

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The whole experience was the pleasure to the eye and the lens. Even the first visitors had some beautiful characteristics.

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The organisers have stated that humour comes in many forms. Dry, wry, sly, satirical, absurd, droll, witty, crude, bawdy, raw, black – just some of the many epithets associated with it. Perhaps humour has to be qualified, because what one person finds funny is not always guaranteed to make the next person roll around in the aisles. The humour that flavours this exhibition is generally of wry kind – more likely to raise a smile or provoke feelings of recognition than elicit gales of laughter. 

And that pretty much sums up the exhibition. One of the volunteers pointed out to Grayson Perry’s Print for A Politician 2005 and I am so glad she did. That was one of my favourites at the end. The humour exhibited and shown to the public is an intelligent and leaves space for some extra thoughts.

Each day visitors are allowed to take a joke home too. I didn’t really laugh about mine, just thought how silly people can be, even if the situation is not taken from real life.

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SO HE PULED THE RIGHT LEVERS AND YOU DID THE ASKING

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ARTLINK is my sweet little treat every now and then  – there isn’t generous amounts of space or fantastic lighting, but each artist exhibiting brings their own little world into the gallery. This time it is sculptor Brian Griffith with the puppets as self portraits from his friends and colleagues.

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Looking at art of this kind, I feel slight jealousy that I don’t have the space and the talent. My imagination extend to great lengths, but the execution isn’t my strong point. Photography sort of helps, but because of its great technicality, sometimes things don’t work out.

Great reflections this week, culture is beautiful and I am starting to compare it with comfort food. For the brain. Because the belly still craves yum yum’s.

HAPPY CULTURE, SEE YOU NEXT WEEK.