MY CITY OF CULTURE – MY HULL – WEEK 20

Week 20 of the Hull City Of Culture 2017 and I call it ENGAGED. I WAS ENGAGED.

Week started off with rainy and dull Tuesday, but there was one person who was up bright and early [dark and too early] to transform a wall into a amazing graffiti mural.

This guy is Calvin Innes – Artist Illustrator&Cartoonist. We met at the Larkin Out Festival, he is founder of Drunk Animal, he is not drunk and he is very talented.

He was commissioned by Creative ENRG to create a mural that represents people from Hull succeeding in business [once upon a time].

I visited him on early hours and then later on the day to see the working progress.

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My promise to go back on photograph the finished piece was not very productive as the wall was used as doors and covered with fencing. The finished piece looks amazing, brightens up the Fruit Market Area and hopefully I will be able to photograph it in full soon.

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I was also ENGAGED to find the Ground down Beverley Road on Thursday. To my disappointment, it was closed.
Instead I had a little wonder around the area. The sun was shining and the mood was 100% happy.

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Finally I had the opportunity to get close to the scrubby looking Trafalgal Street Church. The building close up reveals incredible texture and detail.

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The building is fascinating from outside and I wouldn’t mind to brake in inside. So if there are any offers, please feel free to message.

On Saturday my beloved Hessle Road was on the spotlight.
When I moved to UK, Hull, my first home was down Hessle Road, so the are is special to me. Even though I have moved to the other side of Hull I often visit the area.

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It is so familiar, many of the shops still have the same people working there, my favourite take away, flower shop, Kurdish shop and off course the monumental BOYSES.

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Saturday was the day when the three giant graffiti murals down Hessle Road were unveiled officially with people involved in making/organising also being there. There is a story around every single mural and Fisherman memorial in the middle of Hessle Road remembering people who died at the sea, engraved in silver plaques.

There is lots to tell, the event was amazing, good coverage with many photographers capturing the event, locals gathering,  Hull City Of Culture 2017 volunteers and so on….

I had a very busy morning before that, I was still in my running gear when I arrived early, I was still out of breath after Park Run, but I was keen to capture the three, four stopping points.

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Halfway Public House – The Fisherman’s mural-representing the hard life experienced working at sea. Artists – Kev Largey, Lydia Caprani and Sharon Darley.

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Fotoworx – Depicting St Andrew, the patron sain of fisherman, guiding a mariner through stormy water’s. This also marks the entrance to St Andrews Ward, and Hessle Road, the heart of Hull’s fishing heritage. Artists – Neil Posto Deanes and Keith Homes.

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The same day I went to the DepartDepart is a controversial performance in the grave yard. Yes, grave yard – cemetery. Right up my street[COS END OF LIFE PROJECT]. I was so looking forward to it [thanks to Caroline and Andrew from Hull Homeless Community Project for a ticket that I was so desperate for. YOU ARE AWESOME].
Off course I brought camera with me.

It was very strange, that there was no information about not being able to take photos, but mid-way, the event staff started telling people off for taking photos/videos. I managed to capture some incredible moments, before I started feeling really uncomfortable clicking away.
Depart really was something special – experience that can’t be captured in photos, we even had thunder and lighting at some point…
The performers often made an eye contact with viewers and that was unusual and so effective. The mud, small walkways and darkness created an environment that I have never been in.

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WHAT A WEEK I HAD. VERY DENSE, INTENSE AND ENGAGED. ENGAGED WITH HULL. WITH CULTURE.

HIGHLIGHTS:
DEPART AND HESSLE ROAD MURAL OPENING.

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THIS WEEK IS ALL ABOUT WORK, BUSINESS PLAN AND END OF THE WEEK – RADIO 1’S BIG WEEKEND.

I AM TAKING FILM INSTEAD OF DIGITAL [JUST COS MY GEAR IS NOT WELCOME ON THE SITE (sadface)]  SO THE PHOTOS WILL TAKE EXTRA TIME TO APPEAR ON DA BLOG.

#GETCULTUREDMOVEMENT

MY CITY OF CULTURE – MY HULL – WEEK 19

Another Hull City Of Culture 2017 week has gone by – for me it sometimes feels like I am unaware of so many things happening and my challenge is becoming content-less.

My excuses are workload and prioritising/juggling the life of newly established photographer.

This week I wanted to pay a visit to Artlink Hull, capture some people action in Queen Victoria square and Film&Talk: Dancing with Strangers:From Calais to England [unfortunately I exchanged this activity for Disney’s Beauty and the Beast with family].

On Friday I also went down to Hull University for Death Cafe. From a professional/personal point the gathering was so important. For those who have been following me are aware of my photographic END OF LIFE CELEBRATIONS project. The project touches my heart strings, I don’t think that I have ever had such a deep affection with what I am doing as that, so it was good to be surrounded by people who don’t think I am a weird bird. I was also able to reflect on importance of the subject of end of life and death in our lives and that the imagery I have taken has got an original quality.

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The event took place in Derwent building, so I was thrown into this beautiful world of picturesque scenes. For that reason I thought I’ll try and capture some more and celebrate the cityscape of Hull.

 

Artlink Hull was hosting a Adam Reynolds Memorial Bursary Shortlist, weeks before the winner exhibits a single exhibition.

Adam Reynolds Memorial Bursary offers a bursary and three month residency at high profile gallery to mid-career disabled visual artists based in the UK.

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Anna Berry
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I found that this exhibition was quite intimate and with a lot of personal reflections, so enjoyed it with my eyes, rather than behind the lens.

My favourite was Aidan Moesby’s Syndrome (ii). His work explores the Lima And Stockholm Syndromes. For me it was a throwback to the years when I was trying really hard to understand chemistry and the Periodic Table. What the artist has done – every element has a emotion/feeling underpinned and that is what I was feeling when going through it for exams and stuff.
It was a lovely reminder of why I have gone into photography.

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Artlink Hull is a very lovely space with lovely members of staff, so I hope I can go back in the future for some exciting things.

Over the weekend I managed to get out for a bit and I was rewarded – the light seemed to adjust to what I would like to see. It was like I was in control of it.
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It is valuable to see the ever changing city in a good light – we all look better when we are lit with light the right way.

 

This week I am super excited to be going to Depart on Saturday, so that will most likely be my highlight. But if I can I will squeeze in a visit to Ground down Beverley Road, cos that has been on my wishlist for weeks, also the The Train Track and Basket – Claire Barber is on my list.

MY CITY OF CULTURE – MY HULL – WEEK 18

Like every other week in 2017 – I had to get some culture into my system.

Sure, life takes over, work gets piled up and some reflections from last week about the impact of Hull City Of Culture 2017 were things that effected my involvement…

The week consisted of two main missions – re visit Skin: Freud, Mueck and Tunick exhibition with friends/family cos I thought not seeing Mueck at the Ferens Art Gallery is rude.

Off course no photographs allowed, so …..

Also we went down the HIP Gallery to have a fresh view of the newest exhibition – The Ragman’s Son

“George Norris is “The Ragman’s Son”. He grow up in the Hessle Road area of Hull trolling the streets and 10 foots with his horse and cart collecting scrap metal. Let George share with you his life, his family and memories caught on camera. The exhibition will be Curated by HIP Gallery’s own Alan Raw, who has a particular interest in George’s work as he is himself the great grandson of a West Hull scrap merchant and a Norris family customer.”

NOTE: According to some unofficial sources, Alan Raw did not get any financial help from Hull City Of Culture 2017 so he took the initiative and organised this himself. So this exhibition can’t be found on the Hull City Of Culture 2017 website and isn’t part of the event list.
I find it bit sad and controversial – as this is supposed to be the celebration of Hull and what can be more Hull that The Ragman’s Son.
Really good image content and lovely to see the rawness of the subject.

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7 ALLEYS/ THE LAND OF GREEN GINGER @EAST PARK

7 Alleys  was something that I wanted to see through the lens – I knew the potential image content could blew the socks off so on Saturday, after a very long day, I dressed warm and headed to East Park.

I was greeted [not really] by a grumpy security officer who told me that unless I am from press, I can’t take photos. BECAUSE IN THE DARK WE USE FLASH.

Only the small-minded in photography can’t get their heads around ISO and the upcoming light will require zero flash light. BAM!!!

It was quite interesting to be part of something that is a bit of a secret until you experience it. People really mad for it in a good way, so there was a lot of pushing, running, squeezing and apologising. But I got there, I took some amazing photos and fully experienced the light/sound/firework/human magic.

It was very tiring and physical work, really difficult to deal with crowds whilst focusing on the perfect image. But heey – who said it is easy.

Here is a full-ish gallery of the amazing stunts, lights, fireworks and action. It is never the same through the lens, but this will be a good reminder of what went on.

There was a lot of WOW – moments, so I hope that The Land Of Green Ginger will have something along those lines soon…

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MY CITY OF CULTURE – MY HULL – WEEK 7

At the start of the week 7 of the City Of Culture 2017 I was thinking of taking it steady – stay at home, make my Slinkachu City Of Culture set  [read more about what is Slinkachu here: Slinkachu.com Street Installations and Photography] and watch BBC 2 Welcome to Hull presented by Hull-born comedian Lucy Beaumont.

But things turned out a bit different as the week progressed.

I started the Slinkachu, first testing the tiny people figures near The Blade  to see the scale and if I have the right lens to capture the installation.

It was fascinating to admit that I kind of feel like those tiny humans when I am near The Blade.

At home I designed City Of Culture 2017 branded flags, set up a rough idea of how I am going to work this crazy idea.

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Work in progress, cos the figures are very tiny and I have to be sure that I know what I am doing before start super-glue them to the base.

On Friday I decided to visit the good old Hull School of Art&Design. It’s not only the place that changed my life, but funny enough – a spot on the City Of Culture 2017 map, hosting an exhibition in the downstairs area, plus an display of abstract architecture prints by imagesaremoments.

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Sunday and the weather inspired me to get out and get cultured. I had three people with me, so we headed down Humber Street and Fruit Market.

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Last time I had to miss out on Humber Street Gallery, cos the child and the content was not the mixture to go for.

First, on the ground floor I rushed to see Sarah Lucas Power in Woman display, mainly because of the combination of colours and capacity of the place/sculptures. And I was stopped by a volunteer, cos no photographs allowed.

 

Really?

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Do I understand the cigarettes in the holes, do I understand why one of the sculpture was placed on a massive freezer…NO AND NO. But there was something about the roughness and boldness of these sculptures. It feels like they have been made by a man and is that the whole point?

Upstairs – COUM TRANSMISSIONS. The exhibition of materials drawn from the personal archives of Cosey Fanni Tutti and Genesis P-Orridge.

Founded in Hull during the late 1960s by artists Genesis P-Orridge and Cosey Fanni Tutti, COUM Transmissions was a collective whose work confronted, subverted and challenged societal conventions.

Labelled ‘the wreckers of civilisation’ by a Conservative MP following COUM’s Prostitution show at London’s Institute of Contemporary Arts, the group’s end in 1976 heralded the formation of the musical collective Throbbing Gristle.

[Source: https://www.hull2017.co.uk/whatson/events/coum-transmissions/]

 

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For what I gathered  – COUM has been quite challenging for the society to understand and accept, but there it is many years later  – exhibited for people to apply another value to the work they did. Have we changed since the 1970’s?

I might have to get there another time, because I was unable to soak it in straight away.

People viewing the work certainly had something to discuss throughout and after.

 

Last but not least – Humber Street Gallery  top of the roof deck. AMAZING.

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The location and the opportunity to have this view accessible is what Hull needed. And thank you for making my day. It was beautiful.

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Overall I have to say that I am so happy to see that Humber Street and the Docks are buzzing, full of life and people are getting some sense of old and new binding together, creating today.

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Every single thing has been thought out/about, even to the tiniest detail and are giving people an opportunity/reason to get out, get some fresh air, get to know Hull and most importantly – GET CULTURED, COS CITY OF CULTURE.

 

SEE YOU NEXT WEEK.