MY CITY OF CULTURE – MY HULL – MARCH 2018

HAPPY EASTER, HAPPY APRIL FOOL’S DAY[yesterday], HAPPY DAY TO BE ALIVE.

HAPPY.
AND WELCOME TO THE MARCH EDITION OF MY CULTURE IN HULL 2018.

I must admit that it is hard to write and focus on work today, I am in a 100% long weekend mood.  So I will try.. and if by accident I publish it only on the 2nd April [today], you’ll know that I gave in on chocolate eggs. And a nap.

 

March brought some lovely culture experiences and quite a tense works schedule at times. I have been in and out of “busy” and running low on fuel reserves from winter season. We are ready for spring!

Culture highlights:

#1 HEADS UP FESTIVAL 2018

#2 ARTLINK JASON WILSHER-MILLS UNEXPECTED ENGAGEMENT ARTIST TALK

#3  GROUND GALLERY HULL PRESENTS BLUEBEANY’S ARTIST TALK

#4 TRINITY MARKET EXPLORATION NR. 1

Since 2018 unfolded as the year after an amazing year of 2017, I can easily make my own rules of how I will culture myself, I feel no pressure. Everything is in a relaxed manner. So in March I tried to combine personal interests with must-see’s and bit of good old Hull walks with camera. That applies to the need to witness the change and progress and see where do we go from 2017.

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Collecting photographs and stories in March has been the easy part. Writing can get tricky.

I try to have some one-to-one time with the city, get on the road geared up with camera and in March I soaked up one day of spring in an hour long walk through derelict area of Hull [kind of].
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Some of the “edgelands” is up for a development soon, so maybe it is worth catching few photographs of the land, before it changes.

The best experience in March was the HEADS UP FESTIVAL 2018

I was invited to be their photographer this year and that rolled me straight into a number of cultural events. Hull based company E52, in conjunction with renowned venue and producer Battersea Arts Centre, presents some of the most exciting contemporary British and international theatre at venues throughout the city of Hull.
The festival takes place twice a year, with Spring and Autumn seasons, and also includes locally-curated and produced work, workshops, new productions, networking events, talks, art events, school projects, and exhibitions.

 

First one was UGLY CHIEF – artist and performer Victoria Melody teams up with her dad, TV antique dealer Mike Melody, for her most ambitious show yet. Ugly Chief is a comedy based on true-life events, performed by a real-life father and daughter. As I can create any spoilers  – it is about setting up a funeral by Victoria for her dad, who was falsely diagnosed with Motor Neurone Disease and given five years to live. In the show, they preform two funerals – one that Victoria wanted for her dad, and second funeral that dad wanted to have for himself.

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The show was wonderful, witty, clever and emotional at times. And the fact that it was another take on taboo subject such as death, funerals really made it my cup of tea.
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Two of the events took place in Kardomah94 across the week.
Heads Up Introducing with Lyn Acton, singer with Pearls Cab Ride and Bill Drummond Daffodils&Death

Both brought me some new knowledge about different art forms, I got to know Lyn Acton and Pearls Cab Ride , not just as one of the bands playing at Freedom Festival, but as culturally important figure in Hull and jazz music scene in Yorkshire.

She laughed, cried, shared and cherished her stories and musical influences and favourites.

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Bill Drummond Daffodils&Death was just a bit random. Enjoyable random.
But my favourite new knowledge was that Bill once was in a band called The KLF and had hell of a performance at 1992 BRIT Award Ceremony.

And to back up that it really happened in 1992, Bill Drummond, between he’s shows came to the sound desk and said  “I can’t wait for this to be over, so I can have a proper drink”

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Third one was SPONGE by Turned On Its Head

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That was ultimate kids show using sponges in various shapes, forms, colours and sizes, that will be stuck in my memory as a nightmare light change to capture in photographs.
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The last event of the festival, I was taking photos of was the DARK WINTER by David Mark.

I was present at the last of the dress rehearsals and only stayed for 30 min. And in that short time I witnessed some serious theatre. Set in Hull and based on the thrilling crime novel by bestselling author David Mark, E 52 bring Aector McAvoy’s first case to the stage in a stunning adaptation by award winning writers Richard Vergette.

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And hell yeah, it was mind blowing. The level of acting and theatre performance was high standard and having Hull as main characteristics made it to be my favourites. The sound and light was to match the high standards of performance. One word – gutted not seen the full performance.

Photos above: Production team, E52 crew and stage manager.

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Million thanks to Heads Up team for having me on board. Great pleasure, great pleasure.

 

In March there was an important note in my diary – to see Jason Whilsher-Mills with my own eyes in his artist talk about currently displayed Unexpected Engagement at Artlink. I rarely get to see artist gatherings and talks, as I am working evenings, so this was real treat for my brain on Saturday, 13th March.

Jason Wilsher-Mills is Square Peg’s artist-in-residence for 2017.

Square Peg, the user-led diversity and disability arts programme from Artlink has teamed up with Jason to bring the stories of diverse communities in Hull to everyone’s attention.

New technologies have helped Jason give life to his ideas on disability, childhood memory and popular culture, creating new narratives. We met to discuss this and his upcoming exhibition Unexpected Engagement at Artlink.

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More than anything, I took away Jason’s story of how he embraced digital technology, instead of sticking to what he was used to. He stepped out his comfort zone, embraced the change and it took him to the highs of a success. And for someone like me it is the best lesson to learn. Change is scary,but change is good.

The talk itself was wonderful, I really liked Jason’s sense of humour, honesty and the event was a great experience to see his other work.

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At the end of it, I joined the rest for a second look at the exhibition and helped others to get their heads around the 3D experience with sculptures and tablet.

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The end of the month got a bit distracting and I kind of ditched the culture for a bit. I had few little culture things on my mind, but instead I went for a nosy at newly refurbished Trinity Market and have the famous Cone Queen – Cone Pizza.

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The space is very “fresh” at the moment, but I could already see the potential and Hull’s own stamp on the units available. Hull people have turned in proper foodies  and I am really liking it.

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During the last days of March, I also wanted to make it to BLUEBEANY’S talk at GROUND GALLERY HULL
Ground Gallery is one of my favourite discoveries in 2017 and Anna Bean with her exhibition is definitely a very good news to have for the gallery.

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I was very late [cos of work], so I had no hopes of seeing the talk and I kind of made it to the very end. Just as I got to the gallery, I realised that it is fully packed with people and that brought a big grim on my face – for Anna Bean and for the Ground.

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The last few days of the month of course went a bit mad – Easter, all the excitement of nationally long Bank Holiday weekend and unfinished business.
But I had to see one last thing – Artist Take Over at Queens House Showcase last day with cakes, tea and artists themselves.
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The space gives a good ground start to artist to exhibit, have the experience of sharing their work and running workshops and in the future we are about to see more work exhibited.

So… the more the spring, summer is mentioned, the more culture we are going to see – good news for me and exciting times for Hull.
Hull Street Food Nights are back in April, Humber Street Gallery has some exciting exhibitions already on display, Studio Eleven is providing us with some high end and super quality sculpture-work and so on…

I have some of the above on the menu,  Auschwitz and work in April. Yaass!

Happy Culture!

MY CITY OF CULTURE – MY HULL – WEEK 52 – THE FINAL?!

HELLO AND GOODBYE?!

I HAD A CHOICE BETWEEN FINISHING THE YEAR WITH A BANG OR LOOK BACK ON 2017 IN PEACE AND APPRECIATION.

AND WAS THERE A PUBLIC BANG TO SAY GOODBYE TO 2017 AND HULL 17 CELEBRATIONS? HAVE I MISSED IT?

On the last day of the year I have chosen to stay in in my safe place, my home, with family and rub my hands in excitement for next year.

Just a few things that made my year a success:

  • HULL 2017 AND BEING PART OF THAT
  • NEW FRIENDS
  • HULL 10K
  • TWO MAGIC HOLIDAYS TO CRETE AND LANZAROTE
  • THREE VISITS TO LATVIA
  • MUSTANG DRIVE
  • NEW JOB OPPORTUNITIES

and so on….

 

The year however didn’t end on a high note in some lemon tasting life aspects, but I am still moving forward, because that’s what we sometimes have to.

Week 52 sadly was culture-less in Hull. First few days I spent in a Christmas spirit, from Tuesday I was gone – I was in Latvia pretending that my other life in the UK don’t exist and on the 31st December I was back.

Today the only thing I had the energy for was Pearson Park and the Whispering Sweet Nothings – A Tree Sculpture

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Being surrounded by amazing culture all year round, I feel like this is sweet nothing, but I am glad the sculpture was there. My only outdoor adventure on the last day of the year, so thankful for the little things.

 

I am repeating myself most of the weeks, but 2017 has been incredible. Every drop of culture in the bucket made my life so much better.

 

Highlights?

Made in Hull

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Humber Street Sesh 2017

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ReRooted Festival

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7 Alleys

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Freedom Festival 2017

A MERRY URBAN MESS LES VERNISSEURS FREEDOM FESTIVAL 2017

 

and so on…..

In 365ish days I have taken over 1000 photographs, some are just factual recordings, but some I will milk for a very long time. Some of my favourites:

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PAPER CITY MADE THOUGHT THE FABRIC OF HULL

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You are probably wondering what is next…
We have been promised that the Hull 17 legacy will live on for a bit, so the expectation is high, we demand culture, we have been spoilt all year…

 

MY CITY OF CULTURE – MY HULL will live on a monthly basis [someone has to keep an eye on it, huh?] and I will continue my love affair with Hull.

 

Maybe one day the year long photo journey will be more than just a digital memory, so keep your eyes and ears peeled.

 

THANK YOU TO EVERY SINGLE FOLLOWER, READER AND “KIND OF HEARD ABOUT ANETE SOODA” FOR MAKING THIS MEANINGFUL.

 

I WISH EVERYONE HAPPY 2018. MAKE IT COUNT!!

 

LOVE

ANETE SOODA

 

MY CITY OF CULTURE – MY HULL – WEEK 40

HELLO CULTURE
HELLO HULL
HELLO LEMONS.

Freshly brewed photos from HULL FAIR 2017 and tiny bit from Humber Mouth Literature Festival celebrating 25th anniversary – science workshop HANDS ON! + Hall For Hull @Trinity Square

Sunday had high expectations that didn’t exceed, so I squeezed in a bit of mind blowing science and pretended to be under 15 years old.

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HANDS ON! where family activities inspired by the shortlist of the Royal Society Young People’s Book Prize 2017 – basically book content that could be difficult to pick up by reading only, so the workshop made science and other subjects come alive. Entertainment with learning at the top scores. My mind was blown by some of the characteristics of electricity, fossils and enthusiasm from the people running the workshop. Yeah!

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SATURDAY OF COURSE WAS THE HULL FAIR.

There is so much love with a bit of hate dose for HULL FAIR and every year it is my autumn Christmas.

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HULL FAIR 2017 is an extravaganza with crazy rides, smells, colours, sounds, people and everything, everything that you can imagine. It reaches both ends of spectrum – it is one of the best events of the year making so many people happy, providing a week long entertainment that roots down to 1278. recently celebrating its 7th Century….
And then it is the worst event that shows the how the society behaves in the 21st Century, how deep in to a consumer dream we have sunk [cheap China shit toys is my fave example] and that people are PIGS! The amount of rubbish and food is extreme. Pushing and exhaling close to a strangers ears is only one thing, the second most annoying thing is the silly grown ups smoking near children and allowing children to pick up food that they’ve dropped and put them in their mouths…
And then we return to fun – rides, laughter, joy, juicy burger, candy floss, butterflies in the belly and weeks wages gone! Is this close to your experience?

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HULL FAIR 2017 for a photographer is something to experience – slow shutter speeds and rides, different weather, night/day, people and food stalls….
And I have done it for quite a few years – first year was to nail the rides and perfect movement of the lights, second year it was the rides and the food stalls and on the third year I pretended to be Peter Dench in Ibiza taking photos of the drunken Brits – right in the face flash to expose the light and the dark of the average HULL FAIR 2017 visitor. Last year I couldn’t be asked, but this year I took my camera for one more time in the honour of my photographic challenge.
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I was snapping rather than creating the perfect photograph and my second curtain Speedlight skill reflects the madness walking along Walton Street.
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HULL FAIR 2017 IS CRAZY. IT IS EXACTLY THE SAME EVERY YEAR, BUT I WOULD NOT MISS IT FOR THE WORLD.

Working my way backwards  – on Thursday, when the sun was kissing my face in the early morning I went down to Trinity Square to see the HALL FOR HULL

HALL FOR HULL are steel constructions celebrating two architects designing an ambitious temporary outdoor structure in response to the historic heart of Hull specially designed for Trinity Square.

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The rigid geometry of the columns ware carefully distorted and redefined by the artwork of Varini, who explores the illusions of geometry through eye-deceiving photographic techniques, together with the tradition of pictorial representation. 

Source: Hull 17 

I purposely went there guided by the sunlight and it looked spectacular. It was the sun shining through the sculptures and shaping the early morning rush. Moment for real culture wonder when you really feel like this year, every week, everyday you can get to see some incredible things.

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And just as I was waving goodbye to the sculptures school kiddies came for a tour so I stick around to see how they get on with the sculptures. I guess that I was hoping for the perfect shot with a child engaging with the culture – but you must remember that taking photos children without a permission looks dodgy in is not appropriate.

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These sculptures are beautiful, but they are cold and without a context look sad. So the connection with the sculptures and people is the blood line for them, without people touching them, getting in to the skin of the sculpture, they make no sense. GO AND TOUCH THE For Hull @Trinity Square

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THIS WEEK IS LOOKING RATHER BUSY, CULTURE IS OVERWHELMING, SO I NEED TO SWALLOW THE LEMONS AND CRACK ON!

HAPPY CULTURE

MY CITY OF CULTURE – MY HULL – WEEK 23

Week 23 of the challenge has flown by – again. Time just flies and last week especially I was living in a bubble – week blended in as one long day with a lot of amazing things, cool photo shoots [one very cool solid] and great people.

Last week obviously went down to Hull School of Art&Design – AS THEY CALL IT THE BRODRICK GALLERY NOW – for the degree show.

Hull School of Art&Design Degree Show 2017 Hull City of Culture

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First of all massive CONGRATS to Fine Art students for having the best social/promo/marketing presence I’ve seen in years. They are only bunch of students [are they?], but they have done such a brilliant job. Their exhibition BEHIND THE WHITE WALLS was the one I wanted to see the most, so their marketing has worked.

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Having been the student and gone through the degree, I know exactly how difficult and time consuming it is to do everything 100% – creating the final work, writing, researching and preparing the space, and have the perfect social platform to spread the word. Well done!
And off course – some really great stuff – some abstract, some hearty, some personal, some random and some follows issues in the current world.
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I must say that this year I have enjoyed Fine Art the most. Illustration is usually the one I have my eyes peeled, but this year the diversity grabbed my attention in Fine Art studios. Lovely to chat with the artists-students behind the work, plus some other deep conversations at Hull School of Art&Design.
The visit took me back one year ago, and I feel so thankful and lucky. For some, like me, the degree opens another world and offers a great platform to be a great artist, photographer or arhitect, illustrator or web designer. And there are few that really make it to the real world.

Also came to a conclusion that I don’t miss being a student. I milked the cow to the last drop with no regrets. It is an absolute pleasure to pop in now and then and see the people that helped me to shape my photography.

Erm, the photography exhibition was alright [mine/ours was miles better hahah]. There was a few problems – previously mentioned Fine Art BEHIND THE WHITE WALLS and photography exhibition – have no idea what the exhibition was called…that’s quite bad. Two students particularly had strong commitment to the Final Major project and photography in general.

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The photos below particularly interesting as the set was built from scratch on the Hull School of Art&Design grounds and off course – the amazing hand crafted frames.
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The week was literally flying by and on Saturday I had a moment of truth – I have only been to the Degree Show. THAT IS NOT ENOUGH OF CULTURE.

I went through the Hull City Of Culture 2017 website for some inspiration for the day, but was not feeling very social – sometimes I really fancy some quite photo journeys.
Just opposite the St Andrews Quay in West Hull there is the metal sculptures. I pass them at least once a week, wanting to stop, but never do….and I figured that it could be my finishing touch to the WEEK 23 of the challenge.

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“Peter’s Lost Trawlermen’s Memorial at St Andrew’s Quay is a poignant tribute to those who lost their lives at sea” – description on Hull City Of Culture 2017 website.

I was taking photographs of a group of people carved in metal kind of knowing about the possible connection with the fishing heritage in Hull and celebrations around it.
But little that I knew that this is part of a big celebration and part of the Hull 17 programmeFishing Heritage Talks: An Evening with Alec and Peter is only one part of the 17-day festival of celebration in honour of Hull’s fishing heritage.

At least I can say that I appreciated the incredible sculpture to the fullest and explored in detail. As the sculptures are life size – Melanie could not help to be part of the art – and I can’t really blame her. We had fun and the people passing by wondered what the heck is going on there.

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That unplanned photo shoot might be a potential selling point, so people who did pass  might come for a closer look and spread the word.

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There has been some great shots with the sculpture on Instagram photo groups with star trails, amazing sunsets/sunrises in the background, but I think I’ve done a good job with the summer look.

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This week I am planning on few things:
Now Then 

HULL STREET FOOD NIGHT ON THURSDAY

ARTLINK HULL and the DOG BASKET BABOON by Oliver Macdonald

BUT BECAUSE I AM TRAINING/PREPARING FOR THE HULL 10K I will see how my plan works out.
There is also a must do on my list which is to visit key Hull areas and spend some time absorbing the landmarks, people and general “happyhullbeing”

MY CITY OF CULTURE – MY HULL – WEEK 17

There is a reason behind the word “challenge”. This week I was super busy with personal project Beardology, night of comedy and taking part in the Larkin Out festival at the Larkin’s Bar down Newland Avenue, plus many other life things, so I had to really push/challenge myself to get cultured regards Hull City Of Culture 2017 this week.

This week the focus was on Daffodil display and my own interpretation of it [just cos I missed it].
Ferens Art Gallery and Skin: Freud, Mueck and Tunick was another must see this week.

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When it was too late, I discovered that the Lego Daffodil display is gone. The daffodils were given away to people of Hull for small donation that week. I was very gutted, but I still went down to see it for myself.

But I was told that somewhere in Hull I can find two awesome kids who will show me the daffodils and I will be able to have my own photograph of these amazing Lego creations.

With bribery and good chat-up lines, they proudly showed off their daffodils and talked me through the day when they were queuing, waiting and ended up on TV. I was super jealous, but really happy for them.

Inspired by cheesy mainstream fashion magazine edits, I had an idea of how to have my own daffodil display – bit of patience and work, bit of Hull City Of Culture 2017 colours and yeah- I have my own LEGO DAFFODIL DISPLAY.

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Skin: Freud, Mueck and Tunick

LONG STORY SHORT – during the week I watched the film about Sea of Hull in making [incredible sense of unity and a lot of naked, blue people], I knew that the exhibition is out and I headed down there. I had a gut feeling that Mr. Tunik will be conscious about people taking credit of his hard work, so there will be no photos allowed. Which is really crap, cos my visuals are better than words.

And I was spot on – no photos are allowed in the Skin: Freud, Mueck and Tunick exhibition.
The staff has got more than three eyes, so I was constantly followed –  I think it is written on my face – I am a nosy photographer.

I am really sorry, but just as I was told off I took a miserable picture with my phone.

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I think it is ridiculous. This artwork would not be if not Hull. And the whole experience and photos is a fantastic reminder that Hull is amazing and people are absolutely crackers in the most incredible way.
Just have the recordings of the exhibition would mean a lot to me and potentially few other.

Just a quick feedback on the actual photographs and the quality of work.

There is no argument about the content, composition and overall idea. But MR. Tunik clearly used a camera that is not suitable for large scale prints. Very bad print quality and it kind of spoiled the viewing experience.


RON MUECK

I did study about Ron Muek and his fascinating life-like sculptures at Uni and I was hoping that I will have the opportunity to see his work in real life. Thanks to Hull City Of Culture 2017 it happened.

Ron Muek is Australian born, London based artist with incredible talent of shocking viewers with his sensitive and exposed sculptures of human beings.

“Mueck’s works command an uncanny ability to amaze with obsessive surface detail and intense psychic discharge. Engaging and wildly popular, they expose our need to validate our humanity, even as they thwart our attempts at full disclosure.”

Source and interesting interview with artist himself via link below:

The Progress Big Man A Conversation with Ron Mueck by Sarah Tanguy

I don’t know about my need to validate my humanity, but I was gazing at the sculptures for quite a while. It felt like I am a tiny ant looking at humans, analysing the danger they can cause.
It is magnificent execution of detail, skin and dimension.
The sculpture Wild Man without a doubt was the one that amazed me the most. The more time I spent looking at it, the more comfortable I felt.

It is definitely a must-see.

The exhibition is part of Artist Rooms Tour and will be there until 13th of August 2017.

Also I was told that there is a small gallery with samples and sketches of Mueck and I WAS ALLOWED TO TAKE PHOTOGRAPHS.

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+ a random photograph of a random art workshop.

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This Bank Holiday Weekend I was hanging out at Larkin’s Bar Hull and Larkin Out festival, so I spoke to a lot of people. In some conversations Hull City Of Culture was mentioned and it is not always sweet.

For example, there are people [from Hull obviously] who feel like this year isn’t really about Hull. We get fed with art that “they” think we should be looking at and relating ourselves with. The people I spoke with are definitely with decent IQ’s and have some sense of culture, so their opinion really matters. And what if they are right? What if we blindly follow what the Hull 17 board is giving us as Hull’s legacy, culture and history. Some of it is a bit out of context, random and too arts’y farts’y.  We have been given a choice of many different culture experiences, but how do we filter what really is important for old and new Hull?

My own experience has been wonderful, I have had the opportunities to be part of amazing things and I appreciate art for its being, for the change that it is bringing to Hull and the sense of coming together to get cultured as a city.

But I also see these points applying to the events.

There was another conversation about Hull 17 bringing photographers outside of Hull to record the celebration – that is a joke considering the talented few in Hull have to hunt for jobs. To make it worse  – one of the photographers have slagged of local photographers… I have no proof of this, but even having the rumour amongst those who live in Hull being a truth, puts the whole Hull 17 to shame.

This year is a distinctive year for local artists, businesses and people, everyone should have a piece of the Hull 17 cake – that was the whole point of this.

Something to think about and reflect on.

See you next week!!!!!!

MY CITY OF CULTURE – MY HULL – WEEK 7

At the start of the week 7 of the City Of Culture 2017 I was thinking of taking it steady – stay at home, make my Slinkachu City Of Culture set  [read more about what is Slinkachu here: Slinkachu.com Street Installations and Photography] and watch BBC 2 Welcome to Hull presented by Hull-born comedian Lucy Beaumont.

But things turned out a bit different as the week progressed.

I started the Slinkachu, first testing the tiny people figures near The Blade  to see the scale and if I have the right lens to capture the installation.

It was fascinating to admit that I kind of feel like those tiny humans when I am near The Blade.

At home I designed City Of Culture 2017 branded flags, set up a rough idea of how I am going to work this crazy idea.

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Work in progress, cos the figures are very tiny and I have to be sure that I know what I am doing before start super-glue them to the base.

On Friday I decided to visit the good old Hull School of Art&Design. It’s not only the place that changed my life, but funny enough – a spot on the City Of Culture 2017 map, hosting an exhibition in the downstairs area, plus an display of abstract architecture prints by imagesaremoments.

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Sunday and the weather inspired me to get out and get cultured. I had three people with me, so we headed down Humber Street and Fruit Market.

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Last time I had to miss out on Humber Street Gallery, cos the child and the content was not the mixture to go for.

First, on the ground floor I rushed to see Sarah Lucas Power in Woman display, mainly because of the combination of colours and capacity of the place/sculptures. And I was stopped by a volunteer, cos no photographs allowed.

 

Really?

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Do I understand the cigarettes in the holes, do I understand why one of the sculpture was placed on a massive freezer…NO AND NO. But there was something about the roughness and boldness of these sculptures. It feels like they have been made by a man and is that the whole point?

Upstairs – COUM TRANSMISSIONS. The exhibition of materials drawn from the personal archives of Cosey Fanni Tutti and Genesis P-Orridge.

Founded in Hull during the late 1960s by artists Genesis P-Orridge and Cosey Fanni Tutti, COUM Transmissions was a collective whose work confronted, subverted and challenged societal conventions.

Labelled ‘the wreckers of civilisation’ by a Conservative MP following COUM’s Prostitution show at London’s Institute of Contemporary Arts, the group’s end in 1976 heralded the formation of the musical collective Throbbing Gristle.

[Source: https://www.hull2017.co.uk/whatson/events/coum-transmissions/]

 

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For what I gathered  – COUM has been quite challenging for the society to understand and accept, but there it is many years later  – exhibited for people to apply another value to the work they did. Have we changed since the 1970’s?

I might have to get there another time, because I was unable to soak it in straight away.

People viewing the work certainly had something to discuss throughout and after.

 

Last but not least – Humber Street Gallery  top of the roof deck. AMAZING.

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The location and the opportunity to have this view accessible is what Hull needed. And thank you for making my day. It was beautiful.

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Overall I have to say that I am so happy to see that Humber Street and the Docks are buzzing, full of life and people are getting some sense of old and new binding together, creating today.

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Every single thing has been thought out/about, even to the tiniest detail and are giving people an opportunity/reason to get out, get some fresh air, get to know Hull and most importantly – GET CULTURED, COS CITY OF CULTURE.

 

SEE YOU NEXT WEEK.