MY CITY OF CULTURE – MY HULL – PART IV

End of an era or what?

The past few months my life has been a shit show, but there has been so many great photo moments that I am excited to shout about it on the last day of 2019.
Yes, 2019 I really want to slap you, but despite all the things that went bad, I had amazing work and culture opportunities, another bunch of great people in my life and rememberable image stock.

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October brought HIP PHOTOGRAPHY FESTIVAL and this year the festival did shine a bit more than last year. The festival celebrated its 6th year and brought to Hull Peter Dench, Rhiannon Adam, Claire Armitage and Lomography. There was also a vast selection of local talent on display.
My favourite of course was Peter Dench with Trans-Siberian World Cup series. I also very much loved the Rhiannon Adam’s Pitcairn series shot in Britain’s last Pacific Overseas Territory. Photographs are stunning, even breath taking I dare to say. Her photographs with voyeuristic edge and true moments of intimacy masquerading as casual snapshots, but holds loneliness, isolation and portrayal of a broken society shrouded in mistrust.

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Peter Dench never disappoints. Never. This time he tackled a culture that is quite familiar to myself as me being from post Soviet Union country. I thoroughly loved the photographs.

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As one of the unexpected surprises was the exhibition COHERE.

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The exhibition was a collection resulted from various workshops where photographers worked with writers and performers from refugee backgrounds to create an exhibition that creates, challenges, disrupts and charms. The result is pretty amazing. Films, visual installations and photographic works of art that gives an experience that in a strange way tailors to your won life experience. It worked for me on different levels – I admired the visual with textures, playful colours with disrupted lines, the touch-and-feel experience. On the emotional level I felt inspired and touched by the imagery. The exhibition COHERE was on the top as one of the favourites.

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The festival offered plenty of work that meets the demand for different subjects.
There were others that I really liked – The Launderette one on the ground floor of the Princess Quay, Homer Sykes and others. It was a great festival and I am glad I made the effort to make it part of my culture wonders.

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For the first time in long time I also had the joy of re-visiting old places through the viewfinder. It sounds simple, but for me that sparkle was long gone, so to be in the mood for such was a great feeling. The long waited pedestrian bridge played a small roll in that too.

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Whilst wondering around Marina I popped down to Humber Street Gallery to see the exhibitions on display. Nenna Kalu Wrapping and Aniara Omann Equanipolis.

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Nenna Kalu Wrapping [above] raised my eyebrows even though the the basis or the work are great. Nenna Kalu works with ActionSpace, a London based visual arts organisation that supports artists with learning disabilities. In the current exhibition she used various materials like plastic tubing, newspapers, foam, fabric ect.

The work is very tricky to judge appropriately in such exhibition space, as usually we get some high end art.

The other two floors were Aniara Omann and Equanipolis. The artist evokes and questions different aspects of the human body with sculptures that at once resemble and mutate the human form, as well as our relation to ecology through her choice of material.

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From summer until end of October there was a little Hull Fishing Industries treasure display at Hull Maritime Museum. The heritage and tradition of women working in the fishing community was celebrated through imagery. In this exhibition, award-winning photographer, Craig Easton, well known for his landscape work and intimate portraits of real lives, explores the past and present. It will bring together the three strands of the fisherwomen’s story: their heritage, their journey and contemporary portraits, including exciting new commissions of Hull’s own fisherwomen.
Fisherwomen celebrates the tradition and importance of women in the fishing industry by following the traditional route of the herring trade from Shetland down the east coast, via Hull to Great Yarmouth.
The exhibition highlighted the central role of women in the fishing industry today, even though their work is now almost entirely done behind closed doors in processing factories, sheds and smokehouses.

Source: Maritime Hull

The sad thing was that I missed the exhibition and just saw the “remains” that are on display currently.

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On a sunny weekday I strolled into city centre for business, and was a pleasure to see Hull lit by sunlight. Autumn can be dull, and it is dull mostly, so I was lucky to have camera on me to record the rare scenes for that time of the year.

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“Michelangelo – A Different View” at Hull Minster was the thing that everyone raved about, and I had to see the Sistine Chapel’s iconic scenes with my own eyes.

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The first thing that caught my eyes was the odd phones and the quite an elderly generation. The combination reminded me of a tourist group from Germany and that made me chuckle.
The exhibition was quite a piece – the atmosphere in Minster definitely was the correct recipe for a success.

I found myself in a bizarre situation – instead of grasping for breath after being stunned by Michelangelo, I was amused by other people and their reactions.

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I mean, yes, it was quite alright, but I guess I’m not the “type”. As long as it created an excitement and buzz amongst people, I am happy to approve.

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What I approve and celebrate myself, is the little things and the little snaps of people in  the right place and the right time for a great photograph. Hull Minster is a treasure in its own right and to see any kind of exhibition hosted there is a privilege.

In 2017 I created few images to acknowledge Whitefrigate’s empty shops and how the shop windows were used as canvas for marketing or art. I decided to revisit this in 2019 – and see the change. Baring in mind all the regeneration plans, it was a curiosity more than need for culture images.

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November brought another good festival – Hull Comedy Festival 2019. 2019 was another year where the work commitments and health issues made me unavailable for 90% of the festival, but it was a great, great feeling to fill the old boots for 10%.

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I happened to see a gig that was hosted by Jed Salisnbury at Princess Quay, and although on a small scale, it was filled with laughter and good humor.

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Ross Brierley with Who Will Survive and What Will Be Left Of Them?

I have known Ross as a comedian from the early days, I have had then pleasure to shoot NOT SO LATE NIGHT SHOW WITH ROSS AND JOSH and I have had belly cramps from laughter from previous festivals. Ross still holds the same amount of charm, fun and entertainment.

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Stevie Gray: Arctic Monkeys’ Midlife Crisis

Stevie Gray was a “fresh” act on my list and OH MY. He was totally hilarious. He did good and even better – when he’s guitar lost a string he cracked on as normal and made his repertoire even funnier without music.

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End of November and beginning of the December was that time of year when I started to come out of my hiding spots. I had to face the fact that Christmas is coming and there will be no hiding from happy. I had plenty of work upcoming that was festive and so I had to embrace it.
One of the proud moments was the tough decision to grab a tripod and travel to Hull City Centre for the Christmas decorations and tree.

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Funny though that I picked the windiest night of all times and all the efforts to have steady images on slow shutter went in a bin.

I don’t think that it is visible with a naked eye, so MISSION COMPLETE.

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The main spectacular was lacking wow factor. Yes.

Another interesting work opportunity was through The Herd Theatre Company in Barnsley – Slime. It was more of a work opportunity than culture haul, but it was inspiring, sweet and full of culture.

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It was a great honour to be asked to capture the pre show promo’s and I had a great time.

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2019 was the year where I had to make an extra effort to gather images for the blog. But those moments when I was out with camera, proved that there will never be enough of Hull for me. The city remains vibrant and full of solid gold people and places.

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The last job of the year was probably my highlight of the festive period. Good Things Market Winter Edition at Fruit Market.

It was everything Hull could want just before Christmas. A collection of talented local artists, craftmakers and genius in on place – offering great food, stunning gifts and Hull merchandise.

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Whilst there I also had an exclusive insight into behind the scenes for the Enchanted Wonderland created by Bluebeany aka Anna Bean. The show featuring performances by Ruth Getz, Zoe Hughes, Michelle Dee, Caroline Ullyart and Joshua Barton. Described as.. “if the Mighty Boosh made a Panto”

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Anna is just amazing! Her talent, her personality and the drive to succeed is inspiring. I am lucky to have been thought by Anna and work with her.
Her shows are becoming iconic to the city and could be something that Hull is known for widely across the country.

Her stamp is all over.

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The last but not least was the casual walks around the Humber Street that cheered me up. Little festive preparations, decorations and Hull sense of humor are things that help people to get into festive spirit, including myself.

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This blog post is a bit of a cheat – it was supposed to see the daylight on the last day of the year, but family circumstances and other factors caused days delay. We can just pretend that we waved goodbye to 2019 yesterday and are looking forward to a bright and shiny new decade.

My year has been a struggle in personal life and so I am thankful for what I still have, of what I managed to achieve and how many people stud by my side when I needed support.

2020 will be a new era for my work and business, I want to expand, change and evolve. I want to once again feel in control of my own life, decisions and career.

This time of year has brought sadness to my family. My grandfather past away on the 30th December and I had to suck up the reality and commit to write the last blog post of 2019 whilst in Latvia. Despite the loss, we as a family are staying grateful and thankful. To be able to take away gratitude from this darkness is a gift. My grandad was a strong character and living to the age of ninety is not a surprise. He was tough. strong, honest and humble. To even think that I could make it to that age with my head held up high like he did…

For the future of this culture blog I will continue to explore and celebrate culture scene in the city, as we still have another year before Coventry officially takes away the glory.

Happy New Year, monkeys.

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MY CITY OF CULTURE – MY HULL – NOVEMBER 2018

For the first time I have delayed the monthly culture blog for so long. It is confusing to write now about what happened then, because December already has given me different emotions and experiences. So I will try to screw my head back round and go back in time.
As usual in the second half of 2018, I feared that I will have nothing to write about, but somehow I have tricked myself and November was productive.

First –  to my deep sadness I missed out Hull Comedy Festival 2018, but I went to Big City Of Culture Quiz of the Year to make up for it.

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It felt like I have missed a big yearly family gathering and being there to see few familiar faces made me load more happier.

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I also went down to Queens House Showcase to see the ARTIST TAKEOVER #3.

Again – pretty much a regular there since I  have Creative ENRG mentor on my side and I go there on a monthly basis.
Thought for the future – exhibit there myself..

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Artists on display  – Lucy Kelly, Hannah Green, Ingrid Holborn and Saffron Brown

Hannah Green

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Ingrid Holborn

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Saffron Brown

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Lucy Kelly

I have worked with Lucy before, taking photographs of her paintings, textiles and ceramics and she is a raw artist so hard not to love. Her work is complete and made with thought about global issues. Her personality is bold and I am very honoured to have her on my client list.
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Very end of the month I had a very special visitor – my sister and I wanted to share my love for the city and we both went to the URBAN LEGENDS:NORTHERN LIGHTS

In all honesty – the camera was pretty much a habit rather than intentional tool for the experience and after seeing fantastic photographs from the event, I wish I took it more seriously. These days we don’t get events like that in the city often and it was a great photo-opportunity that I missed out on.

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One of the creative directors was Anna Bean known as Bluebeany [alongside other great ones] and her stamp of fantastic creations was all over the displays.

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OH THE NIGHT!  by IMITATING THE DOG

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As an outsider my sister loved most of the installations, some more than others. At least, she got to see why I love the city so much.
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Oh, at the beginning of the month I had a visit to the Portraits at Sea Hull Maritime Museum.

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I think my favourite moment was the conversation with the volunteer about the exhibition next door and how she got emotional. Or when she said that there aren’t many opportunities to volunteer these days… If you ask me, that is the “legacy” that we have to deal with – we are hungry for culture and we are getting starved.

As part of my Illuminate Project: Legacy I went to see Alec Gill’s Hessle Roaders Guided Tour at Brynmore Jones Library.

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Across my social media I have been banging on about it a lot, but for those who need filling in: Alec Gill and hes Hessle Roaders photographs seen back in September 2017 at St Johns Church inspired me to invite him as part of my search for City of Culture legacy. He is an absolute sweetheart – caring, loving, warm, kind and witty. He has welcomed me in his home, introduced with his poetry writing wife Audrey and shared his side of the story. Going to one of his Guided tours was not just for the project, it was also to see and hear him again, proving that he carries the legacy flag in his heart and inspires me do the same.

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Throughout November I had some thoughts about City Of Culture, the impact that it had on me and how it slowly starts to fade. Since the city and Absolutely Cultured is having less cultural events, I feel like loosing the connection with the city. And I start to wonder if having less interest from the Hull people is mirroring my experience. Or is it just that thing where I need to crack on and have my own cultural journey on my own terms, like I did in 2017.
And it leads me to the question – do I continue my culture blogging in 2019? What is your thoughts?
Should I stick to the promise that Culture Company gave us in 2017 about three years of legacy and just crack on?

December is half way and I am full of reflections – Illuminate Project: Legacy Redeye event happened, I went down Preston Road derelict housing estate and had I have emotional review to write about A Northern Soul.

MY CITY OF CULTURE – MY HULL – OCTOBER 2018

Fashionably late on the 6th of November with great pleasure I am writing this. October’s quote would be “you get what you give” or what you put in, so not much. All feelings from annoyed to sad, including the feeling that I have missed all the good, run through my mind today.
I guess that at this stage of my career the reality hits hard and I shouldn’t really be sad that my photography is going so well that I don’t have spare time to wonder around galleries and events. But I can’t help to feel disappointed in myself.

With meeting with ENRG mentor I combined Artist Takeover at Queens House Showcase and on the last day of HIP Festival at HIP Galleries I rushed to Princess Quay. Boom. That’s all. Short and sweet.

Artist Takeover @Queens House Showcase

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This little exhibition space is one of the hidden gems in the city centre and I always want for the space to be filled with culture lovers. Because it is always worth the visit.
This was the second Artist Takeover showcasing local talents in various mediums.
Artist links below, but photos[sorry] not in the right order most likely.

Esther Cawley

Lilly Williams

 

Milly Rose

Sue Feve

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HIP Festival 2018

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Having been part of the Creative and Cultural and HIP Gallery in the past, I have a bit of a love for them. But going on the last day didn’t show the festival at its best. Couple of spaces were closed and a chance to see David Morris talk about his work promised, but not delivered.
On the bright side – I saw the latest work of Peter Dench [I LOVE PETER DENCH] and have a good old chat with the volunteers was pleasant too.

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Peter Dench has taken on the BREXIT and it was like that comfort food on a rainy day.

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Brian Griffin usual [from previous e exhibitions] black&white mixed with amazing colourful photographs that made me stop and look twice. Brilliant!

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Both Open Exhibitions not really to my taste, but I celebrate the fact that local photographers are given the opportunity to showcase their work.

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Last both not least – Buckingham Street monkey business mural that I absolutely love.

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November promises to be just as manic as October, so I have serious concerns about spare time and culture wonders.

However I have a wish list:

  • Hull Comedy Festival 2018 [not officially there, but really want to photograph at least one gig]
  • Portraits at Sea Hull Maritime Museum
  • Usual galleries if I have a chance – Humber Street Gallery, Brynmore Jones [Alec Gil exhibition coming up soon], Queens House Showcase and GROUND.
  • and the things I can’t remember at this moment in time, but are somewhere in my head.

Well, I think there is no denying that I am very distant from this amazing thing I used to do and not really doing now, but it’s not by choice.

Ahhhhhhhh……

MY CITY OF CULTURE – MY HULL – SEPTEMBER 2018

SEPTEMBER WAS BONKERS IN ALL KINDS OF MATTERS. END OF BUSY SUMMER SEASON WITH FREEDOM FESTIVAL 2018, CAMPAIGNS I PHOTOGRAPHED, HEADS UP FESTIVAL, MUM VISITING, ME BEING SUPER ILL AND SUPER TIRED, AND TRYING TO CATCH UP WITH THE WORKLOAD FOR A TEAM OF HUNDRED [FOR JUST MYSELF TO DO].

IN THE IDEAL WORLD I WOULD LOVE TO HAVE SEPARATE BLOG POSTS FOR EACH FESTIVAL AND CULTURE WONDERS, BUT EVERYTHING SEEMS LIKE A ONE BIG BOWL OF CULTURE/ART/PERFORMANCE.

FREEDOM FESTIVAL 2018 WAS AMAZING. AMAZING THREE [NEARLY FOUR] DAYS CELEBRATING EQUALITY, LOVE, CULTURE, ART, COMMUNITY, PERFORMANCE AND OF COURSE HULL. THANK YOU TO FESTIVAL FAMILY TO HAVE ME ON BOARD ONCE MORE.

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Hull University My Plastic Pledge Beach Hub created by Drunk Animal Creative Studios

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Modern day Slavery Exhibition

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Hull Freedom Chorus at L’HOMME DEBOUT RISE!

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Crowds watching L’HOMME DEBOUT RISE!

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Freedom Festival Volunteers

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Street Performers

 

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People enjoying L’HOMME DEBOUT RISE!

HEADS UP FESTIVAL SEPTEMBER 2018

I have been photographing this festival twice and second time round I came to a conclusion that it is a real privilege to work and enjoy meaningful events that feed your brain with high quality theatre and events.

PALE BLUE DOT

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WHAT IS? COLLECTIVE –  WHAT IS.. EARTH?

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The event was really special. The location and the views just blew away everyone present and the light coming through the skyline windows was magic. The content of the event was refreshing, I certainly felt the irony of the human kind living on the Earth.

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“A What Is? event typically features visual artists, writers, musicians, performers, mysterious sound and lighting and a leap into the unknown.

What is … Earth? To you? For this What Is? we will be taken on a breathtaking and inspiring tour to an exhibition in a secret location that will put you in the perfect position to contemplate this awesome question. The cross-discipline artists of What is? collective have been asking themselves the question and working together to create an experience for you. All art is specially created for the event and location, in response to the theme. The location in unexpected, intimate and we look forward to a fun evening.

A unique experience is guaranteed. Part exhibition, part performance, here’s something that you may never have experienced before. Artists are paired. One creates, one responds. Both reflect on the chosen theme and go on their own journey of self-inquiry and reflection.”

Source: Heads Up Festival website

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UNSEEN BEINGS @NORTH POINT SHOPPING CENTRE

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GROUND CONTROL

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FOREIGN RADICAL by THEATRE CONSPIRACY

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Throughout the month I was working on other photo clients, including Drunk Animal Creative Studios at the British Science Festival, some comedy and CHCP, so it got hot.

I really struggled to find time to go out and shoot some photos for the September culture review, but there was odd moments of inspiration to find time.

There was a moment where I managed to walk through half of the Bankside Gallery down Bankside, which felt like a forbidden walk through the derelict industrial state.

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The image below comes with a story.
Whilst framing the shot, car pulls aside and girl pokes her head out of the car: “THIS IS MY GRAFFITI”. Really made my journey worthwhile.

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On the last day of the month I was heading to Humber Street Gallery for the last day of the exhibition MEASURES OF LIFE and as I was driving past the Old Mill building site/old grounds and there it was – End Of Summer Jam with many, many graffiti artists making the newly fitted walls graffiti-beautiful. I stopped, because I thought its a sign.

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The great, great thing about the event is that it brings wide range of artist together.
I spotted Emma Garness there and it was so lovely to find out more about why she is taking part and what does the collective wall creation means to her.

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The last stop was Humber Street Gallery  MEASURES OF LIFE.

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Humber Street Gallery is reliable to showcase art that will make you think. It can be controversial, but also can be education, often raising awareness of social gunk happening around us, or most of the time making culture experiences exciting!

The exhibition is set on three floors each having interaction with the robots and technologies. There are eight different international artists showcasing multisensory work, exploring our place in the world and the digital footprints we leave.
All artists are runners up or winners of the Lumen Prize for Digital Art.

GROUND FLOOR

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FIRST FLOOR

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SECOND FLOOR

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On the second floor I felt like stepping into someone’s other reality. Especially the bedroom setting, where I found myself a little bit angry with the current obsession of exposing yourself on various social media platforms. As I brought a eleven-year-old girl, who’s becoming a teenager too early, I really felt the damage that social media can do.
It was interesting to watch how Melanija received two messages at the same time – development of technologies and ability to create a bridge between a device and real life objects, and messages spread across the bedroom set.
I don’t think the art can change people’s minds about the social media and technologies, but it certainly will stay in our brains as a possibility….if that makes sense…

 

This month it was work-culture or graffiti, but I still think I did well. I wish to have more and more spare time to be part of the culture scene in Hull, but as the winter is approaching, I hope to have more time to cosy up in galleries.

In October I hope to see the Hull International Photography Festival, new exhibition at Artlink [collaboration with Ground Gallery] and graffiti inspired trip down Preston Road derelict housing for more wall art.

 

HAPPY CULTURE PEOPLE!!
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MY CITY OF CULTURE – MY HULL – AUGUST 2018

Summer is the busiest time of the year for me and I feel like in August I haven’t really engaged with culture in Hull. But then I forget that my photographers job is very cultural and Hull based, so actually I have been in a very centre of culture this month. YAAS QUEEN.

Highlights:

STUDIO ELEVEN: Marie Lofthouse&John Crreighton

TRAENERHUS

DOMINOES HULL by Station House Opera

Yum Food&Drink Festival

NOT SO IMAGINARY FRIENDS by Anna Bean and Sam Fowler @Queens House Showcase

HUMBER STREET SESH 2018 

+ Hull bits

STUDIO ELEVEN: Marie Lofthouse&John Crreighton

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STUDIO ELEVEN is a small space with big potential always having high quality art displayed. Due to its opening times, I don’t often pop in, but this exhibition was worth making effort to come in. John Crreighton is witty and detailed prints draws my eye close in. Marie Lofthouse in contrast to that offers bold, clean shapes that to  my culture-experienced eye [sorry, couldn’t resist] remind me of arms reaching up.

As part of ILLUMINATE PROJECT: LEGACY I went down to TRAENERHUS explore my project aims and subjects, but promised not to miss them on my August Culture review.

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This art space/shop/workshop space is a beautiful celebration of Hull talent in art/crafts and general sustainability of local talented people. To my surprise, the space is loaded with a wide range of gifts, bits’ n’ bobs, framed artwork, postcards…plus it hosts many workshops across the year. Some are tempting to be part of, some interesting to view. I was welcomed with opened arms, the staff is super lovely and friendly.
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One of the weekends in August was ultra busy. I was working for Drunk Animal Creative Studios for ITS NOT TOO LATE CAMPAIGN  Hull University

In between all that I managed to photograph DOMINOES HULL by Station House Opera and Yum Food&Drink Festival

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Special shout out to Atom Beers. Your brews are delicious across the board.

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DOMINOES HULL by Station House Opera was one of those where you really see the sense of the community. The city centre was packed with people, everyone keen to see the long waited fall of the dominoes. Laughs, smiles, cheers and all the good vibes.

I was kind of following the trail of dominoes, but looking at the promo video, I missed quite a bit.
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Massive shout out to Absolutely Cultured volunteers. You are the most important element of most all the celebrations, you are hard workers and often feels like you are the glue that holds together the whole thing. Thank you.

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NOT SO IMAGINARY FRIENDS by Anna Bean and Sam Fowler Queens House Showcase

I know how great Anna Bean is  and I was so so excited to see her exhibition alongside Sam Fowler [new artist to my fave list].

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Queens House Showcase transformed into a whole new level and Anna Bean signature cult fantastical worlds is running the place.

 

So the few Hull bits alongside the culture chunk:

Do you know about the bench in Hull that repeats what you say if you speak to it close enough? I do. Guess were it is…

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Bean & Nothingness is officially opened and I am so glad to come back over and over again.

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And how about a whole new and eco-friendly way of shopping at the refurbished Trinity Market

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The Eco Shed is pretty cool, little shop that sells my new favourite toothpaste.

Hello to Face Painting 4 You for always being on my side at most of my event-based photo jobs. It is always so good to see you and keep a track on your good work.

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AND FINALLY MY FAVOURITE PHOTO FROM RECENT MONTHS
[it can’t get any more Hull than this]

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WHAT WILL SEPTEMBER BRING? FREEDOM FESTIVAL, HULL SCIENCE FESTIVAL, HEADS UP FESTIVAL…..

 

MY CITY OF CULTURE – MY HULL – JUNE 2018

It’s a bit an alien moment to type in the “MY CITY OF CULTURE…” as I feel like its been ages since I wrote about culture.

June was a month that barely existed in the means of culture engagement.
Half of it I worked my arse off and half of it I spent away in Latvia. There was very little time to get cultured. Plus, here we are again – late [3rd July]

There was two highlights, plus one that’s has no art culture, but still a social culture.

Humber Street Gallery  IT TAKES A VILLAGE

53 DEGREES MUSIC ORGANISED GIG AT ZEBEDEE’S YARD SLAVES AND DREAM WIFE

JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K

Therefore I will short and sweet.

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IT TAKES A VILLAGE is something very pleasant for the eye, but difficult at times to digest for the mind. Right – I don’t mind sarcasm, consumerism concerned slogans and taking the piss out of stupidity and our generation problems, but can we have something new for a change.

The displays are full of professional skill and technical abilities, beautiful light installations and textile masterpieces and clever use of space. But deep inside I wish there was art about dreams, aims, goals, unicorns and pink flamingos. I laugh at our century, our society is a bit of a mind fuck to understand, so can I have something that we all have hidden deep inside – hope that everything will be fine, hard work pays of kind of message, dream big-reach your goals kind of theme.

I seriously need some cheese in my life or a faith in humanity. So the experience of the exhibition is divided.

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53 DEGREES MUSIC in co-operation with The Warren Youth Project organised a amazing gig with DREAM WIFE and SLAVES headlining. I actually won the tickets via their competition and that sent me off as the happiest person ever. I was torn between enjoying myself [drinks’n that] and running the JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K the next day, but you can have it all, I enjoyed both to the fullest.

There was no official permission for me to take photos, but of course I couldn’t resist to have few snaps with SLAVES.

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The energy was amazing. Thank you for giving the opportunity 53 DEGREES MUSIC

 

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Above actual proof that everything is possible. With my friends we cheer and celebrate at the JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K
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Just as the finishing touch for the June culture wonders. The street art/graffiti/mural culture that is peaking in recent year is really making me smile. I keep spotting cool wall art and noting down to take photos of those.
This one is located in Fruit Market area. I have few spotted down Holderness Road and Beverley Road which I need to visit this month.

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Keep the culture going people!

 

MY CITY OF CULTURE – MY HULL – MAY 2018

HELLO CULTURE LOVERS AND FOLLOWERS

I AM JUST GONNA PRETEND IT IS NOT THE 8th JUNE …. OK, I AM 8 DAYS LATE TO PUBLISH MY HULL CULTURE STORIES.

GOOD NEWS IS – I HAVE BEEN INCREDIBLY BUSY PHOTOGRAPHING AWESOME THINGS. MY PHOTOGRAPHERS LIFE IS AS MANIC AS I WANT IT TO BE, LOVE THOSE “OFFICE” DAYS WHEN MY “DESK” IS NEAR SEASIDE OR WITH INSPIRING MUMS IN HULL, OR WITH AMAZING PEOPLE FROM ESKIMOSOUP DRIVING AROUND EAST YORKSHIRE.. LOVE ALL THAT.

OK, CULTURE BUSINESS. MAY WAS LIVELY, ESPECIALLY AT THE BEGINNING OF THE MONTH WHEN MOST OF MY CONTENT WAS CREATED.

FERENS ART GALLERY – MASTERPIECES IN FOCUS FROM THE ROYAL COLLECTION

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20% INSPIRED BY INSTAGRAM FAVOURITE STEFAN DRASCHAN

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P.S. I USED TO DO THAT A LITTLE BIT ANYWAYS, BUT NOW THAT IS AN OFFICIAL FOCUS POINT.

FERENS ART GALLERY CLANGERS, BAGBUSS&CO

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THIS WAS AN EXHIBITION OF CONFUSION ALTHOUGH LOVELY CONTENT. I HAVE NO SENTIMENTAL ATTACHMENT TO “Bagpuss, see the Soup Dragon and behold Noggin the Nog. Oliver Postgate’s voice and Peter Firmin’s puppets shaped the childhood memories of millions since they started collaborating in the 1950s. As well as telling the story of Bagpuss and The Clangers, the exhibition goes behind the scenes of their other creations; Pogles Wood, Noggin the Nog and Ivor the Engine.Discover original puppets, sets and filming equipment. See how characters developed, and learn how Oliver and Peter developed their stop-frame animation techniques alongside a selection of toys and puppets from Hull Museum’s permanent collection.”

SOURCE: HULL17 WEBSITE

 

BUT I SAW SOME LOVELY SMILES, FEEDBACK AND GENERAL SENTIMENT AROUND THE PUPPETS AND SETS.

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REALLY IMPORTANT HIGHLIGHT OF MINE – HULL COLLEGE STRIKES WITH UCU HULL

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FOR THOSE WHO KNOW ME WILL UNDERSTAND MY ANGER. MY CAREER STARTED THERE, HULL SCHOOL OF ART&DESIGN WERE PART OF MY JOURNEY IN BECOMING A GREAT PHOTOGRAPHER AND BEING ABLE TO WORK AS ONE IS A LIFE CHANGING THING TO HAVE AS LEGACY OF EDUCATION. SO I WROTE TO EMMA HARDY, I WROTE TO HULL DAILY MAIL MY VIEWS ON JOB CUTS AND COURSE REMOVALS.

HERE IS A BIT OF THAT:

“I am taking the time to write because I feel incredibly let down by Hull College Chief Executive Michelle Swithenbank, who has announced plans to cut 231 jobs as part of a five year reconstruction plan to make the organisation financially self-sufficient.
Reconstruction implies that something is broken and needs to be made whole again. That is not my experience at HSAD at all. My course provided me with everything I needed: knowledgeable and experienced tutors, well equipped facilities and a varied curriculum that included studio photography, use of film cameras, printmaking, filmmaking and business skills. It was a life changing three years that gave me an opportunity to build important foundations that I needed in order to work as a photographer in the real world. I spent three years surrounded by experienced, clever and intelligent photographers and artists who made me believe that anything was possible. They pushed me to achieve my goals and challenged negative and small thinking, opening my eyes to what I could achieve.
I understand the need for the college to be financially solvent and am appalled to hear that college leaders have allowed a £10m deficit to be racked up and that an additional £1m plus deficit is forecast (as reported in the Hull Daily Mail, 8 May 2018). However I do not feel that full consideration has been given to alternative money saving or money making measures. Innovative ideas like broadcasting live tutorials in photography, film-making and computer game design would put Hull where it deserves to be – at the forefront of creative education. Opening up facilities to the public and local businesses would also generate additional income. Can Michelle Swithenbank really tell us that job cuts is the only way out of the mess?”

I ALSO DID MY PART AND WENT DOWN TO ONE OF THE STRIKES TO TAKE SOME PHOTOS.

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THIS MIGHT NOT SEEM LIKE A VERY CULTURAL TOPIC, BUT IN FACT IT IS, BECAUSE HULL SCHOOL OF ART&DESIGN IS PART OF CREATING A NEW GENERATION OF ARTISTS.

IT WAS ALL A BIT DAUNTING, BUT THE SUN WAS OUT AND EVERYONE UNITED FOR ONE IDEA. AND THIS WILL BE THE CHANGING POINT FOR FUTURE, BECAUSE PEOPLE WHO CARE, WILL NEVER LET THINGS GO EASY. WELL DONE TO EVERYONE WHO TOOK PART.

 

CULTURE/ART AT QUEENS HOUSE SHOWCASE RUN BY CREATIVE ENRG ON TWO OCCASIONS:
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ABOVE CHRISSY COLLINSON SITES UNSEEN

BELOW ILLUSTRATOR MIKE WARLEY AND HIS WONDERFUL CREATIONS.

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I ALSO WENT DOWN TO THE HULL TAPESTRY AT THE GUILDHALL

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IT WAS ON MY LIST FOR MONTHS AND I WAS NOT DISAPPOINTED. IN A NUTSHELL – FIFTEEN YEARS IN THE MAKING, THE HULL TAPESTRY ILLUSTRATES, IN COLOURFUL AND VARIED STITCH, THE HISTORY AND ACHIEVEMENTS OF THE CITY OF KINGSTON UPON HULL OVER PAST 700 YEARS.  DEPICTING HULL’S DIVERSE HISTORY AND PIONEERING SPIRIT, THE HULL TAPESTRY GROUP HAS FASHIONED A BREATHTAKING MONTAGE OF HULL LIFE THROUGH THE AGES.

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I ALSO HAD A STROLL THROUGH HULL ONE DAY WHEN THE SUN WAS OUT AND REVISITED THE SOLAR GATE ‘N QUEENS GARDENS.

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FIRST TIME VISITED THE DAZZLING EVENTS FOOD AND ARTISAN MARKET AT THE LAWNS COTTINGHAM.

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ON TOP OF THAT I TOOK PHOTO OF A NEW SCULPTURE ARRIVAL IN TOWN: RESEARCH STILL GOING ON WHAT THAT WAS, GOOGLE AT THE MOMENT IS NOT HELPING,SO IF ANYONE KNOWS – EDUCATE ME.

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ALREADY MENTIONED PREVIOUSLY – I WILL BE ONE OF THE PHOTOGRAPHERS FOR THE  ILLUMINATE PROJECT: LEGACY

WE HAD OUR FIRST MEETING LAST WEEK AND IT IS STILL EARLY DAYS. AS SIMILAR AS THE LEGACY SEARCH TOPICS ARE BETWEEN US, WE ARE ALL DIFFERENT PHOTOGRAPHERS AND WILL PRODUCE VERY INTERESTING PHOTOS. THAT’S THE PLAN. AS A START UP I AM LISTING AND REVISITING ARTISTS FROM 2017 THAT INSPIRED ME TO WRITE ABOUT THEM AND FIRST ONE WAS MARK WIGAN. HE KINDLY OFFERED ME TO GO BEHIND THE SCENES AT HIS WORKSHOP, BUT DUE TO WORK COMMITMENTS I WAS UNABLE TO JOINT, SO WORK IN PROGRESS.

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SO THESE ARE SNAPS FROM HIS THE TRANSGLOBAL ART OF MARK WIGAN EXHIBITION, JUST AS I CONVINCED HIM TO BE PART OF MY SEARCH FOR CITY OF CULTURE 2017 LEGACY:

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LAST BUT NOT LEAST:

WAS TAKING PHOTOS OF INCREDIBLY TALENTED ILLUSTRATOR CALVIN INNES IN THE NEWEST BANKSIDE GALLERY.

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I CAME ACROSS THE BEAUTY OF INDUSTRIAL ESTATE IN THE AREA. IT WAS A BIT OF A EMOTIONAL CONNECTION MOMENT AS I FOUND THE SITES AND SCENES DISTURBING AND BEAUTIFUL AT THE SAME TIME.

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I AM OK NOW. I AM EXCITED FOR THE SUMMER AND EVENTS, EXHIBITIONS AND PROJECTS COMING UP REALLY MAKE ME FEEL ALIVE.

STILL RE BRANDING AND HOPELESSLY TRYING TO MULTITASK, BUT EXCITING TIMES AHEAD.

NEXT MONTH I’LL BE HALF HERE, HALF IN LATVIA, SO JUNE 2018 CONTENT STILL TO BE DISCUSSED.

HAPPY CULTURE PEOPLE.

 

MY CITY OF CULTURE – MY HULL – APRIL 2018

April was 80% usual and 20% summer  [including the feeling that winter is over and tops off kind of vibe].
So I’ll start with a moment that represents the above for me. Shot taken down Humber Street with probably the most famous dog in culture crowds.

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Culture month #4 and I am hopeful for the future. Legacy ‘n stuff, another culture-bursting year for the city and buzzing/happy people in all areas of Hull. Yes?

April started well,I was lucky to be involved with Illuminate Project:Legacy  I feel very fortunate to be able to tie work done in 2017, continuous photo/blog Hull City Of Culture in 2018 and look for the legacy, that I have discussed over and over again. Pop the question is important for someone like me, who’s really believed that Hull has changed and there is no way back. It will be a challenge as well, but I don’t mind a chunky challenge.

Work will be started pretty soon and there will be an exhibition in autumn. To top it all up I will be working with some pretty exciting photographers. Anna Bean/Bluebeany, Verity Adriana and Karim Skalli

Back to April and culture.
I had a list of exhibits I wanted to see this month, including No one knows me like Dawn from Jobcenter at Humber Street Gallery, because title seemed intriguing.

If being honest, April was difficult month for getting out with true passion and get involved in culture. Things got sad, difficult and being out with camera was more like an escape. Plus, I have been focusing on re-branding my business face, which always requires energy and ability to face your devils.

The start of April and my first go-see was the new light announcement down Queen Victoria Square at the very first weekend of April. I was unable to see the lights Saturday/Sunday, so I rushed there on the opening night. I got really frustrated by light switch being late, I didn’t had tripod, so I guess the photos are just a record that I was there. Still not sure what I was supposed to see, as very similar lights have been there through out last months?

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Whilst waiting and chatting to fellow photographers, I snapped the fountains there too. Tuns out this is the first time I see them at night. Oh well..

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On my way there, I briefly rushed through first Hull Street Food Nights of 2018. It was very brief and I was very gutted that I can only “smell” the event. Next one maybe as it looked so lovely…

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After that is was exhibitions. Luckily there are quite a few available to view from April onward.

First trip I took to see HIP Gallery in Princess Quay. I was aiming to see the freshly brewed LAUNDERAMA by David Drasdo, but I was a bit too early. Instead I got to see the DOCK. The exhibition is a selected visual history of St. Andrew’s Dock.

Once St Andrew’s Dock was the beating heart of Hull’s fishing industry.
Today it stands derelict and unloved, a sorry reflection of a once proud and thriving place.
These images are just a snapshot of the story of its falls from grace.

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The exhibition contains photographs by Will Slater, Peter Marshall, Ben Barrass and Oliver Turpin.

The extend of loss from the industry feels so genuine, once I finished with the viewing. For someone like me not born in UK and Hull, exhibition serves as a good eye opener for the past and present. I always hear the stories about how great it was, but it never really felt like I know what people mean by it.
I was curious to find out from volunteers when it all “cracked”, but the conversation revealed a lot more. For example, back in the day, people that worked in the industry were called three day millionaires- they became rich very quickly for a short period of time, then spent all the money as quickly as they earned it. Also, I found out that Hull was once called the City of East Coast. Just that.

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Massive thank you to the volunteer that chatted for 40 min about Hull, fishing industry, even about studying photography and writing dissertations. I wish I noted his name down on piece of paper….

After that I went to see something that I purposely left for April.

No one knows me like Dawn from Jobcenter at Humber Street Gallery.

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The culture or social groups that are regulars to Jobcentre are always linked with lack of life quality, lack of future perspectives and generally are the underdogs. Rightly so for those who work and pay taxes. But there is no country in the world without a unemployment issues. To be able to draw the lines between art and stereotypes around the subject is intriguing and tempting.

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I feel like my photos show every corner of the exhibition, leaving nothing to imagination, but that’s how I felt like at the time – it was too good to be missed out.

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The artwork sets many questions and leaves me to wonder if the reality is mixed with great dose of sarcasm. Really good exhibition in my opinion, although I felt like I want more.

After that I popped downstairs to see the FOREVER or GOLDEN SHOWERS by Tim Noble and Sue Webster.

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I am convinced that these light installations are detachable from their current meanings. It also wasn’t as excited as I expected. It was more about getting that one perfect shot of three very different light bulbs.

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Maybe, and only maybe, I would like these installations in a meaningful location? I don’t know….
Just to quickly mention and justify image below – the shirts really brightened up my mood. These lads deserve a free drink.

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My next exhibition was at Artlink. Only in last few months I have realised that Artlink is very warm and welcoming space, including staff working there.

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This time it was the GRAFT in FLUX. An collaborative exhibition in a nine year partnership between Artlink and HMP Humber’s Graft Fine Art Studio.

The exhibition is focused on the changing landscape and the aspirations of those currently working and living in the secure prison units.

It also has got an interesting way of treating the “artists”. Most of them have no prior training, skills or education in arts, so they all have been thrown in an adventure. That is the most precious part of the idea, I think.
From what is displayed, I couldn’t tell that there is no experience. Fascinating.