MY CITY OF CULTURE – MY HULL – PART IV

End of an era or what?

The past few months my life has been a shit show, but there has been so many great photo moments that I am excited to shout about it on the last day of 2019.
Yes, 2019 I really want to slap you, but despite all the things that went bad, I had amazing work and culture opportunities, another bunch of great people in my life and rememberable image stock.

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October brought HIP PHOTOGRAPHY FESTIVAL and this year the festival did shine a bit more than last year. The festival celebrated its 6th year and brought to Hull Peter Dench, Rhiannon Adam, Claire Armitage and Lomography. There was also a vast selection of local talent on display.
My favourite of course was Peter Dench with Trans-Siberian World Cup series. I also very much loved the Rhiannon Adam’s Pitcairn series shot in Britain’s last Pacific Overseas Territory. Photographs are stunning, even breath taking I dare to say. Her photographs with voyeuristic edge and true moments of intimacy masquerading as casual snapshots, but holds loneliness, isolation and portrayal of a broken society shrouded in mistrust.

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Peter Dench never disappoints. Never. This time he tackled a culture that is quite familiar to myself as me being from post Soviet Union country. I thoroughly loved the photographs.

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As one of the unexpected surprises was the exhibition COHERE.

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The exhibition was a collection resulted from various workshops where photographers worked with writers and performers from refugee backgrounds to create an exhibition that creates, challenges, disrupts and charms. The result is pretty amazing. Films, visual installations and photographic works of art that gives an experience that in a strange way tailors to your won life experience. It worked for me on different levels – I admired the visual with textures, playful colours with disrupted lines, the touch-and-feel experience. On the emotional level I felt inspired and touched by the imagery. The exhibition COHERE was on the top as one of the favourites.

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The festival offered plenty of work that meets the demand for different subjects.
There were others that I really liked – The Launderette one on the ground floor of the Princess Quay, Homer Sykes and others. It was a great festival and I am glad I made the effort to make it part of my culture wonders.

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For the first time in long time I also had the joy of re-visiting old places through the viewfinder. It sounds simple, but for me that sparkle was long gone, so to be in the mood for such was a great feeling. The long waited pedestrian bridge played a small roll in that too.

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Whilst wondering around Marina I popped down to Humber Street Gallery to see the exhibitions on display. Nenna Kalu Wrapping and Aniara Omann Equanipolis.

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Nenna Kalu Wrapping [above] raised my eyebrows even though the the basis or the work are great. Nenna Kalu works with ActionSpace, a London based visual arts organisation that supports artists with learning disabilities. In the current exhibition she used various materials like plastic tubing, newspapers, foam, fabric ect.

The work is very tricky to judge appropriately in such exhibition space, as usually we get some high end art.

The other two floors were Aniara Omann and Equanipolis. The artist evokes and questions different aspects of the human body with sculptures that at once resemble and mutate the human form, as well as our relation to ecology through her choice of material.

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From summer until end of October there was a little Hull Fishing Industries treasure display at Hull Maritime Museum. The heritage and tradition of women working in the fishing community was celebrated through imagery. In this exhibition, award-winning photographer, Craig Easton, well known for his landscape work and intimate portraits of real lives, explores the past and present. It will bring together the three strands of the fisherwomen’s story: their heritage, their journey and contemporary portraits, including exciting new commissions of Hull’s own fisherwomen.
Fisherwomen celebrates the tradition and importance of women in the fishing industry by following the traditional route of the herring trade from Shetland down the east coast, via Hull to Great Yarmouth.
The exhibition highlighted the central role of women in the fishing industry today, even though their work is now almost entirely done behind closed doors in processing factories, sheds and smokehouses.

Source: Maritime Hull

The sad thing was that I missed the exhibition and just saw the “remains” that are on display currently.

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On a sunny weekday I strolled into city centre for business, and was a pleasure to see Hull lit by sunlight. Autumn can be dull, and it is dull mostly, so I was lucky to have camera on me to record the rare scenes for that time of the year.

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“Michelangelo – A Different View” at Hull Minster was the thing that everyone raved about, and I had to see the Sistine Chapel’s iconic scenes with my own eyes.

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The first thing that caught my eyes was the odd phones and the quite an elderly generation. The combination reminded me of a tourist group from Germany and that made me chuckle.
The exhibition was quite a piece – the atmosphere in Minster definitely was the correct recipe for a success.

I found myself in a bizarre situation – instead of grasping for breath after being stunned by Michelangelo, I was amused by other people and their reactions.

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I mean, yes, it was quite alright, but I guess I’m not the “type”. As long as it created an excitement and buzz amongst people, I am happy to approve.

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What I approve and celebrate myself, is the little things and the little snaps of people in  the right place and the right time for a great photograph. Hull Minster is a treasure in its own right and to see any kind of exhibition hosted there is a privilege.

In 2017 I created few images to acknowledge Whitefrigate’s empty shops and how the shop windows were used as canvas for marketing or art. I decided to revisit this in 2019 – and see the change. Baring in mind all the regeneration plans, it was a curiosity more than need for culture images.

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November brought another good festival – Hull Comedy Festival 2019. 2019 was another year where the work commitments and health issues made me unavailable for 90% of the festival, but it was a great, great feeling to fill the old boots for 10%.

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I happened to see a gig that was hosted by Jed Salisnbury at Princess Quay, and although on a small scale, it was filled with laughter and good humor.

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Ross Brierley with Who Will Survive and What Will Be Left Of Them?

I have known Ross as a comedian from the early days, I have had then pleasure to shoot NOT SO LATE NIGHT SHOW WITH ROSS AND JOSH and I have had belly cramps from laughter from previous festivals. Ross still holds the same amount of charm, fun and entertainment.

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Stevie Gray: Arctic Monkeys’ Midlife Crisis

Stevie Gray was a “fresh” act on my list and OH MY. He was totally hilarious. He did good and even better – when he’s guitar lost a string he cracked on as normal and made his repertoire even funnier without music.

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End of November and beginning of the December was that time of year when I started to come out of my hiding spots. I had to face the fact that Christmas is coming and there will be no hiding from happy. I had plenty of work upcoming that was festive and so I had to embrace it.
One of the proud moments was the tough decision to grab a tripod and travel to Hull City Centre for the Christmas decorations and tree.

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Funny though that I picked the windiest night of all times and all the efforts to have steady images on slow shutter went in a bin.

I don’t think that it is visible with a naked eye, so MISSION COMPLETE.

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The main spectacular was lacking wow factor. Yes.

Another interesting work opportunity was through The Herd Theatre Company in Barnsley – Slime. It was more of a work opportunity than culture haul, but it was inspiring, sweet and full of culture.

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It was a great honour to be asked to capture the pre show promo’s and I had a great time.

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2019 was the year where I had to make an extra effort to gather images for the blog. But those moments when I was out with camera, proved that there will never be enough of Hull for me. The city remains vibrant and full of solid gold people and places.

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The last job of the year was probably my highlight of the festive period. Good Things Market Winter Edition at Fruit Market.

It was everything Hull could want just before Christmas. A collection of talented local artists, craftmakers and genius in on place – offering great food, stunning gifts and Hull merchandise.

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Whilst there I also had an exclusive insight into behind the scenes for the Enchanted Wonderland created by Bluebeany aka Anna Bean. The show featuring performances by Ruth Getz, Zoe Hughes, Michelle Dee, Caroline Ullyart and Joshua Barton. Described as.. “if the Mighty Boosh made a Panto”

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Anna is just amazing! Her talent, her personality and the drive to succeed is inspiring. I am lucky to have been thought by Anna and work with her.
Her shows are becoming iconic to the city and could be something that Hull is known for widely across the country.

Her stamp is all over.

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The last but not least was the casual walks around the Humber Street that cheered me up. Little festive preparations, decorations and Hull sense of humor are things that help people to get into festive spirit, including myself.

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This blog post is a bit of a cheat – it was supposed to see the daylight on the last day of the year, but family circumstances and other factors caused days delay. We can just pretend that we waved goodbye to 2019 yesterday and are looking forward to a bright and shiny new decade.

My year has been a struggle in personal life and so I am thankful for what I still have, of what I managed to achieve and how many people stud by my side when I needed support.

2020 will be a new era for my work and business, I want to expand, change and evolve. I want to once again feel in control of my own life, decisions and career.

This time of year has brought sadness to my family. My grandfather past away on the 30th December and I had to suck up the reality and commit to write the last blog post of 2019 whilst in Latvia. Despite the loss, we as a family are staying grateful and thankful. To be able to take away gratitude from this darkness is a gift. My grandad was a strong character and living to the age of ninety is not a surprise. He was tough. strong, honest and humble. To even think that I could make it to that age with my head held up high like he did…

For the future of this culture blog I will continue to explore and celebrate culture scene in the city, as we still have another year before Coventry officially takes away the glory.

Happy New Year, monkeys.

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HUMBER STREET SESH VS FREEDOM FESTIVAL 2019 ANETE SOODA PHOTO

Well, this is not really about both festivals going against each other – Humber Street Sesh and Freedom Festival share similar qualities, but are completely different. Both share a common quality – it gives Hull the heartbeat once a year and we all look forward to the August and September.

This year I wasn’t fully employed or involved for neither. And it isn’t good or bad, it is just a fact. But I still made small contributions to both festivals and now it is the perfect time to celebrate and say goodbye to crop tops, cold cider in the sunshine and busy streets in the city.

Humber Street Sesh 2019  – Friday

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Freedom Festival 2019 – Saturday + Sunday

 

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MY CITY OF CULTURE – MY HULL – 2019 – PART I

Not really knowing how to start this blog post … so I am just going to welcome you and say “HAPPY BANK HOLIDAY”!

 

Firstly, the decision to write a periodical culture reviews in Hull was a big mistake. Four months have passed very quickly and despite having a very mellow involvement with culture and the city, a lot has happened.

2019 started with a positive outlook on upcoming life and work events and I really didn’t want to skip the commitment to the city and its culture/arts scene. I gave myself a relaxed task to share periodical cultural experiences, making it less of a chore.
And here I am  – slightly regretful, unsure and of course still happy to have an archive of four months worth of culture.

To be able to deliver this, I really need to travel back in time.

January ’19

The month started with general wonders around local areas and quick visit to Humber Street Gallery Place to Place by Liverpool Biennial.

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From what I remember – it was a simple, minimalist experience that didn’t really had a wow factor. But I appreciated the tones, simplicity and shapes.

The thing about Hull, camera and me is that in my head I have various visions of specific locations and potential images. So I sometimes plan a random journey, hoping to discover something unseen or not photographed previously.
The next selection is one of those. I wanted to travel down to one of my favourite streets in Hull Boulevard for the mural that has been there for a while.
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Moments before I drove past Hull Marina and recorded the beautiful morning light – this pretty much sums up my January.

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February ’19

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February was a busy month and I remember being surprised by the workload.
Most of my culture consisted of work duties and getting ready for an Artist Takeover #4 exhibition in at Queens House Showcase
Full insight here: ARTIST TAKEOVER #4 @QUEENS HOUSE SHOWCASE

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During the exhibition I held various activities – photo booth, talk about my HOME GLORY series and COME AS YOU ARE photo project.

Free photo booth was a lovely way how to invite people into the gallery and do what I do best – take a photograph.

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The talk about my HOME GLORY series was a an interesting experience to have – it turned out to be an intimate talk with small group of people about my heritage, photographic journey and stories I am trying to tell.  I didn’t need crowds to feel the  support and I am thankful to those who came.

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COME AS YOU ARE was a thing I wanted to do for a while and I was lucky to get a small platform where to test out the idea.
I asked a question to people – what do you carry with you every day and what role does that “thing” play in your life. It all came from the question of why I photograph Latvia and the mundane everyday whilst I am there, family and country.

Again – the attendance was mild, but I felt very lucky to see the people who came. Quality over quantity.

Regards culture two things happened that month in Hull. Annual Ferens Open Exhibition and The Knife Angel in Queens Gardens.

This year I missed the deadline to apply, but it happened for a reason. I didn’t feel like there was anything to exhibit and previous year proved that if you don’t feel it in your gut, don’t submit.

However, to visit the exhibition was a pleasure.
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The Knife Angel left me slightly speechless and amazed. The travelling National Monument against Violence and Aggression gathered people from all over the region and in a way united us once more. It felt like short period of time, but it definitely left a mark in 2019.

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March ’19

By mid March my life was starting to take a bitter turn and my health got in the way of everything. There was a fantastic opportunity to photograph the last Heads Up Festival, Creative ENRG came to a closure and I was part of the Creative Juice event at C4DI.
Plus I went to a very random gig at Union Mashup and stumbled across an exhibition by Lauren Saunders, Rebbeca Addinell and Sinitta Beadle at Hull Central Library.

Creative Juice @C4DI was a farewell event to the amazing journey we all had with Creative ENRG – there was a book launch, great food and very interesting programme all thanks to brilliant event organisation by Eskimosoup

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Being at the event reminded me of the friendships made and the amazing photo opportunities I created for myself by getting involved with the Creative ENRG

Heads Up Festival 2019 was so special this year, it was my third and probably the last as it was announced to take a break for a bit.

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THE PAPER CINEMAS MACBETH

Read a full review here: HEADS UP FESTIVAL 2019

LITTORAL VISTAS @HULL CENTRAL LIBRARY was an accidental discovery whilst in the library for the festival.

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The exhibition space at the library is very well lit and clean from distractions. And the work suited the space well [or the other way round]. I am pleased that Lauren Saunders is getting out there and pursuing her goals.

Make Noise Birthday Bash @Union Mash Up was a very random visit thanks to my friend Oliver. Make Noise Collective describe themselves as “Hull gal collective, working to improve safety at gigs and visibility for women in the local scene”

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One girl really did stand out – Jodie Langford with her spoken word performances. The ultimate highlight of the night.

April ’19

April brought Bankside Gallery event at the Preston Road derelict housing estate, Alec Gill’s Hessle Roaders at Hull Truck and new art space in Hull – Prospect Gallery [it is very new and at the moment the gallery don’t have any online presence].

Bankside Gallery  was a pleasure to visit despite the weather and my moody mood. A lot of new works created in a very unique gallery.

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Hessle Roaders by Alec Gill has been an ongoing journey for many people in past year or so and Alec has made sure that his work don’t just sit in the shelves in folders hidden away. Hull Truck hosted another extension to the work and I as promised to Alec I went to see it.

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I first heard of Prospect Gallery was at the Queens House Showcase at one of the events. It was mentioned and it soon became the place to visit in my [imaginary] list.

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I also got an amazing offer to have my portrait drawn and I agreed. Since then it happened twice and it as an experience to experience. It is a strange task to sit and find a point of interest that becomes your world for an hour or so. And the end result gives you a sight that you never see yourself.

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The space has got a lot of potential and it could become one of the hot spots to visit in Hull.

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In between everything I also was invited to photograph an opening at Humber Street Gallery for A TITTLE-TATTLE TELL-A-TALE-HEART by Athena Papadopoulos and caught a snippet of the CUT.

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CUT  is a a residency project exploring themes of social expression and the acts of self-care centred around their practice of hairdressing. The project takes form of a sculptural installation and events programme where haircuts and client interviews are gathered to create sound and sculptural artworks.

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There was more adventures and exciting work things throughout the four months, but I think I have covered the highlights. And learned a lesson to be more consistent. And discovered that Hull is still breathing culture.

 

MY CITY OF CULTURE – MY HULL – DECEMBER 2018

Well, well. 31st of December and with a great pleasure  I am writing a finale post of the year.
Of course the culture wonders gradually went downhill, but I still kept a good housekeeping throughout the year.

Last month also brought new perspectives on City Of Culture with the Illuminate Project Legacy event at Artlink in support from Redeye: The Photography Network in the early days of December. The legacy and its future is under a question mark, many creatives left feeling disappointed and I found out things about how the system was run throughout 2017.
I still take my own experience as valuable and I remain grateful. I very much enjoy being part of the Illuminate Project: Legacy and my wonderful experience and work created lifts up my spirit.

Anna Bean [Bluebeany] and Verity Adriana shared their take on Hull City Of Culture legacy and all attendees had a great discussion around the legacy in Hull.

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Mark Wigan The Museum of Club Culture

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Lyn Acton The Legend, singer and a member of Pearls Cab Ride

 

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Alec Gill a wise man with a big heart and camera. Hessle Roaders

Another wonderful moment in December was to see film A Northern Soul by Sean McAllister

The description of the film briefly tells the story of Steve aka Redeye Feenix and his journey:
“Steve is a warehouse worker by day, hip-hop artist by night. He represents a forgotten generation whose dreams haven’t been met. But Steve is also a deeply community-driven optimist, who has also been trying to find a way to bring creativity and culture to the disadvantaged kids of the city. Kids like he once was – kids whose opportunities to build a better life are restricted by the world around them. Music has been his dream for 30 years and he saw the opportunity in the City of Culture year to start a project: the ‘Beats Bus’, using a bus donated by his company and converted into a sound studio, allowing him to visit some of Hull’s poorest schools and give kids a voice through music training and performance – a chance he never had.”

My own reflections of the film however are much more deeper – first of all, I think that the film was the best documentary I have seen in a long time and secondly it made me feel inspired. I have seen Steve’s and Beats Bus journey in 2017 and 2018, taking photographs of them at Hull’s festivals. They were so engaging with the public and youngsters seem to have loads of confidence. And the film showed how much Steve had to invest, how he shared his passion and energy and that the kids got their inspiration and strength from Steve.  He is an inspiring local artist and we have more common that I would ever imagine. I am sending my love and best wishes to Steve and Beats Bus.

Another moment was a special Monday when I had to find a spot where to be interviewed for Creative ENRG annual report. Of course, I don’t have an amazing office space, just my boring home office and there was no chance to nail an interesting client to shoot on early Monday morning so I decided to go somewhere appropriate for my work – Preston Road derelict housing estate “decorated” with graffiti.

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Friends on Every Street slowly are creating amazing legacy with their work and are the key elements on previously visited Bankside Gallery and this too.
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Here is me and my boyfriend spreading the love for the Peter levy and Look North Mate!
The end of 2018 is also bringing me to a closure to another year of culture blogging and I have a big question of what is next. Do I continue or do I move on with my life and career?
I need to dive in January and see how enthusiastic and faithful I feel to continue. I need time to reflect and revalue my input on the culture legacy in Hull.

Last but not least was my magical Christmas visit home and I really want to share few moments of picturesque snow. I am so grateful to my family for time spent together and white Christmas just topped it all and made it so special.

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On the last festive note I want to wish everyone Happy New Year! I hope it brings love, success and you all have the energy to make your big and small dreams to come true. Lots of love from me to everyone who follows me and my life/career journeys!

 

MY CITY OF CULTURE – MY HULL – NOVEMBER 2018

For the first time I have delayed the monthly culture blog for so long. It is confusing to write now about what happened then, because December already has given me different emotions and experiences. So I will try to screw my head back round and go back in time.
As usual in the second half of 2018, I feared that I will have nothing to write about, but somehow I have tricked myself and November was productive.

First –  to my deep sadness I missed out Hull Comedy Festival 2018, but I went to Big City Of Culture Quiz of the Year to make up for it.

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It felt like I have missed a big yearly family gathering and being there to see few familiar faces made me load more happier.

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I also went down to Queens House Showcase to see the ARTIST TAKEOVER #3.

Again – pretty much a regular there since I  have Creative ENRG mentor on my side and I go there on a monthly basis.
Thought for the future – exhibit there myself..

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Artists on display  – Lucy Kelly, Hannah Green, Ingrid Holborn and Saffron Brown

Hannah Green

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Ingrid Holborn

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Saffron Brown

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Lucy Kelly

I have worked with Lucy before, taking photographs of her paintings, textiles and ceramics and she is a raw artist so hard not to love. Her work is complete and made with thought about global issues. Her personality is bold and I am very honoured to have her on my client list.
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Very end of the month I had a very special visitor – my sister and I wanted to share my love for the city and we both went to the URBAN LEGENDS:NORTHERN LIGHTS

In all honesty – the camera was pretty much a habit rather than intentional tool for the experience and after seeing fantastic photographs from the event, I wish I took it more seriously. These days we don’t get events like that in the city often and it was a great photo-opportunity that I missed out on.

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One of the creative directors was Anna Bean known as Bluebeany [alongside other great ones] and her stamp of fantastic creations was all over the displays.

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OH THE NIGHT!  by IMITATING THE DOG

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As an outsider my sister loved most of the installations, some more than others. At least, she got to see why I love the city so much.
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Oh, at the beginning of the month I had a visit to the Portraits at Sea Hull Maritime Museum.

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I think my favourite moment was the conversation with the volunteer about the exhibition next door and how she got emotional. Or when she said that there aren’t many opportunities to volunteer these days… If you ask me, that is the “legacy” that we have to deal with – we are hungry for culture and we are getting starved.

As part of my Illuminate Project: Legacy I went to see Alec Gill’s Hessle Roaders Guided Tour at Brynmore Jones Library.

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Across my social media I have been banging on about it a lot, but for those who need filling in: Alec Gill and hes Hessle Roaders photographs seen back in September 2017 at St Johns Church inspired me to invite him as part of my search for City of Culture legacy. He is an absolute sweetheart – caring, loving, warm, kind and witty. He has welcomed me in his home, introduced with his poetry writing wife Audrey and shared his side of the story. Going to one of his Guided tours was not just for the project, it was also to see and hear him again, proving that he carries the legacy flag in his heart and inspires me do the same.

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Throughout November I had some thoughts about City Of Culture, the impact that it had on me and how it slowly starts to fade. Since the city and Absolutely Cultured is having less cultural events, I feel like loosing the connection with the city. And I start to wonder if having less interest from the Hull people is mirroring my experience. Or is it just that thing where I need to crack on and have my own cultural journey on my own terms, like I did in 2017.
And it leads me to the question – do I continue my culture blogging in 2019? What is your thoughts?
Should I stick to the promise that Culture Company gave us in 2017 about three years of legacy and just crack on?

December is half way and I am full of reflections – Illuminate Project: Legacy Redeye event happened, I went down Preston Road derelict housing estate and had I have emotional review to write about A Northern Soul.

MY CITY OF CULTURE – MY HULL – OCTOBER 2018

Fashionably late on the 6th of November with great pleasure I am writing this. October’s quote would be “you get what you give” or what you put in, so not much. All feelings from annoyed to sad, including the feeling that I have missed all the good, run through my mind today.
I guess that at this stage of my career the reality hits hard and I shouldn’t really be sad that my photography is going so well that I don’t have spare time to wonder around galleries and events. But I can’t help to feel disappointed in myself.

With meeting with ENRG mentor I combined Artist Takeover at Queens House Showcase and on the last day of HIP Festival at HIP Galleries I rushed to Princess Quay. Boom. That’s all. Short and sweet.

Artist Takeover @Queens House Showcase

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This little exhibition space is one of the hidden gems in the city centre and I always want for the space to be filled with culture lovers. Because it is always worth the visit.
This was the second Artist Takeover showcasing local talents in various mediums.
Artist links below, but photos[sorry] not in the right order most likely.

Esther Cawley

Lilly Williams

 

Milly Rose

Sue Feve

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HIP Festival 2018

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Having been part of the Creative and Cultural and HIP Gallery in the past, I have a bit of a love for them. But going on the last day didn’t show the festival at its best. Couple of spaces were closed and a chance to see David Morris talk about his work promised, but not delivered.
On the bright side – I saw the latest work of Peter Dench [I LOVE PETER DENCH] and have a good old chat with the volunteers was pleasant too.

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Peter Dench has taken on the BREXIT and it was like that comfort food on a rainy day.

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Brian Griffin usual [from previous e exhibitions] black&white mixed with amazing colourful photographs that made me stop and look twice. Brilliant!

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Both Open Exhibitions not really to my taste, but I celebrate the fact that local photographers are given the opportunity to showcase their work.

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Last both not least – Buckingham Street monkey business mural that I absolutely love.

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November promises to be just as manic as October, so I have serious concerns about spare time and culture wonders.

However I have a wish list:

  • Hull Comedy Festival 2018 [not officially there, but really want to photograph at least one gig]
  • Portraits at Sea Hull Maritime Museum
  • Usual galleries if I have a chance – Humber Street Gallery, Brynmore Jones [Alec Gil exhibition coming up soon], Queens House Showcase and GROUND.
  • and the things I can’t remember at this moment in time, but are somewhere in my head.

Well, I think there is no denying that I am very distant from this amazing thing I used to do and not really doing now, but it’s not by choice.

Ahhhhhhhh……

MY CITY OF CULTURE – MY HULL – SEPTEMBER 2018

SEPTEMBER WAS BONKERS IN ALL KINDS OF MATTERS. END OF BUSY SUMMER SEASON WITH FREEDOM FESTIVAL 2018, CAMPAIGNS I PHOTOGRAPHED, HEADS UP FESTIVAL, MUM VISITING, ME BEING SUPER ILL AND SUPER TIRED, AND TRYING TO CATCH UP WITH THE WORKLOAD FOR A TEAM OF HUNDRED [FOR JUST MYSELF TO DO].

IN THE IDEAL WORLD I WOULD LOVE TO HAVE SEPARATE BLOG POSTS FOR EACH FESTIVAL AND CULTURE WONDERS, BUT EVERYTHING SEEMS LIKE A ONE BIG BOWL OF CULTURE/ART/PERFORMANCE.

FREEDOM FESTIVAL 2018 WAS AMAZING. AMAZING THREE [NEARLY FOUR] DAYS CELEBRATING EQUALITY, LOVE, CULTURE, ART, COMMUNITY, PERFORMANCE AND OF COURSE HULL. THANK YOU TO FESTIVAL FAMILY TO HAVE ME ON BOARD ONCE MORE.

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Hull University My Plastic Pledge Beach Hub created by Drunk Animal Creative Studios

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Modern day Slavery Exhibition

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Hull Freedom Chorus at L’HOMME DEBOUT RISE!

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Crowds watching L’HOMME DEBOUT RISE!

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Freedom Festival Volunteers

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Street Performers

 

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People enjoying L’HOMME DEBOUT RISE!

HEADS UP FESTIVAL SEPTEMBER 2018

I have been photographing this festival twice and second time round I came to a conclusion that it is a real privilege to work and enjoy meaningful events that feed your brain with high quality theatre and events.

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WHAT IS? COLLECTIVE –  WHAT IS.. EARTH?

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The event was really special. The location and the views just blew away everyone present and the light coming through the skyline windows was magic. The content of the event was refreshing, I certainly felt the irony of the human kind living on the Earth.

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“A What Is? event typically features visual artists, writers, musicians, performers, mysterious sound and lighting and a leap into the unknown.

What is … Earth? To you? For this What Is? we will be taken on a breathtaking and inspiring tour to an exhibition in a secret location that will put you in the perfect position to contemplate this awesome question. The cross-discipline artists of What is? collective have been asking themselves the question and working together to create an experience for you. All art is specially created for the event and location, in response to the theme. The location in unexpected, intimate and we look forward to a fun evening.

A unique experience is guaranteed. Part exhibition, part performance, here’s something that you may never have experienced before. Artists are paired. One creates, one responds. Both reflect on the chosen theme and go on their own journey of self-inquiry and reflection.”

Source: Heads Up Festival website

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UNSEEN BEINGS @NORTH POINT SHOPPING CENTRE

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GROUND CONTROL

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FOREIGN RADICAL by THEATRE CONSPIRACY

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Throughout the month I was working on other photo clients, including Drunk Animal Creative Studios at the British Science Festival, some comedy and CHCP, so it got hot.

I really struggled to find time to go out and shoot some photos for the September culture review, but there was odd moments of inspiration to find time.

There was a moment where I managed to walk through half of the Bankside Gallery down Bankside, which felt like a forbidden walk through the derelict industrial state.

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The image below comes with a story.
Whilst framing the shot, car pulls aside and girl pokes her head out of the car: “THIS IS MY GRAFFITI”. Really made my journey worthwhile.

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On the last day of the month I was heading to Humber Street Gallery for the last day of the exhibition MEASURES OF LIFE and as I was driving past the Old Mill building site/old grounds and there it was – End Of Summer Jam with many, many graffiti artists making the newly fitted walls graffiti-beautiful. I stopped, because I thought its a sign.

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The great, great thing about the event is that it brings wide range of artist together.
I spotted Emma Garness there and it was so lovely to find out more about why she is taking part and what does the collective wall creation means to her.

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The last stop was Humber Street Gallery  MEASURES OF LIFE.

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Humber Street Gallery is reliable to showcase art that will make you think. It can be controversial, but also can be education, often raising awareness of social gunk happening around us, or most of the time making culture experiences exciting!

The exhibition is set on three floors each having interaction with the robots and technologies. There are eight different international artists showcasing multisensory work, exploring our place in the world and the digital footprints we leave.
All artists are runners up or winners of the Lumen Prize for Digital Art.

GROUND FLOOR

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FIRST FLOOR

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SECOND FLOOR

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On the second floor I felt like stepping into someone’s other reality. Especially the bedroom setting, where I found myself a little bit angry with the current obsession of exposing yourself on various social media platforms. As I brought a eleven-year-old girl, who’s becoming a teenager too early, I really felt the damage that social media can do.
It was interesting to watch how Melanija received two messages at the same time – development of technologies and ability to create a bridge between a device and real life objects, and messages spread across the bedroom set.
I don’t think the art can change people’s minds about the social media and technologies, but it certainly will stay in our brains as a possibility….if that makes sense…

 

This month it was work-culture or graffiti, but I still think I did well. I wish to have more and more spare time to be part of the culture scene in Hull, but as the winter is approaching, I hope to have more time to cosy up in galleries.

In October I hope to see the Hull International Photography Festival, new exhibition at Artlink [collaboration with Ground Gallery] and graffiti inspired trip down Preston Road derelict housing for more wall art.

 

HAPPY CULTURE PEOPLE!!
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