MY CITY OF CULTURE – MY HULL – 2019 – PART I

Not really knowing how to start this blog post … so I am just going to welcome you and say “HAPPY BANK HOLIDAY”!

 

Firstly, the decision to write a periodical culture reviews in Hull was a big mistake. Four months have passed very quickly and despite having a very mellow involvement with culture and the city, a lot has happened.

2019 started with a positive outlook on upcoming life and work events and I really didn’t want to skip the commitment to the city and its culture/arts scene. I gave myself a relaxed task to share periodical cultural experiences, making it less of a chore.
And here I am  – slightly regretful, unsure and of course still happy to have an archive of four months worth of culture.

To be able to deliver this, I really need to travel back in time.

January ’19

The month started with general wonders around local areas and quick visit to Humber Street Gallery Place to Place by Liverpool Biennial.

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From what I remember – it was a simple, minimalist experience that didn’t really had a wow factor. But I appreciated the tones, simplicity and shapes.

The thing about Hull, camera and me is that in my head I have various visions of specific locations and potential images. So I sometimes plan a random journey, hoping to discover something unseen or not photographed previously.
The next selection is one of those. I wanted to travel down to one of my favourite streets in Hull Boulevard for the mural that has been there for a while.
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Moments before I drove past Hull Marina and recorded the beautiful morning light – this pretty much sums up my January.

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February ’19

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February was a busy month and I remember being surprised by the workload.
Most of my culture consisted of work duties and getting ready for an Artist Takeover #4 exhibition in at Queens House Showcase
Full insight here: ARTIST TAKEOVER #4 @QUEENS HOUSE SHOWCASE

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During the exhibition I held various activities – photo booth, talk about my HOME GLORY series and COME AS YOU ARE photo project.

Free photo booth was a lovely way how to invite people into the gallery and do what I do best – take a photograph.

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The talk about my HOME GLORY series was a an interesting experience to have – it turned out to be an intimate talk with small group of people about my heritage, photographic journey and stories I am trying to tell.  I didn’t need crowds to feel the  support and I am thankful to those who came.

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COME AS YOU ARE was a thing I wanted to do for a while and I was lucky to get a small platform where to test out the idea.
I asked a question to people – what do you carry with you every day and what role does that “thing” play in your life. It all came from the question of why I photograph Latvia and the mundane everyday whilst I am there, family and country.

Again – the attendance was mild, but I felt very lucky to see the people who came. Quality over quantity.

Regards culture two things happened that month in Hull. Annual Ferens Open Exhibition and The Knife Angel in Queens Gardens.

This year I missed the deadline to apply, but it happened for a reason. I didn’t feel like there was anything to exhibit and previous year proved that if you don’t feel it in your gut, don’t submit.

However, to visit the exhibition was a pleasure.
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The Knife Angel left me slightly speechless and amazed. The travelling National Monument against Violence and Aggression gathered people from all over the region and in a way united us once more. It felt like short period of time, but it definitely left a mark in 2019.

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March ’19

By mid March my life was starting to take a bitter turn and my health got in the way of everything. There was a fantastic opportunity to photograph the last Heads Up Festival, Creative ENRG came to a closure and I was part of the Creative Juice event at C4DI.
Plus I went to a very random gig at Union Mashup and stumbled across an exhibition by Lauren Saunders, Rebbeca Addinell and Sinitta Beadle at Hull Central Library.

Creative Juice @C4DI was a farewell event to the amazing journey we all had with Creative ENRG – there was a book launch, great food and very interesting programme all thanks to brilliant event organisation by Eskimosoup

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Being at the event reminded me of the friendships made and the amazing photo opportunities I created for myself by getting involved with the Creative ENRG

Heads Up Festival 2019 was so special this year, it was my third and probably the last as it was announced to take a break for a bit.

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THE PAPER CINEMAS MACBETH

Read a full review here: HEADS UP FESTIVAL 2019

LITTORAL VISTAS @HULL CENTRAL LIBRARY was an accidental discovery whilst in the library for the festival.

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The exhibition space at the library is very well lit and clean from distractions. And the work suited the space well [or the other way round]. I am pleased that Lauren Saunders is getting out there and pursuing her goals.

Make Noise Birthday Bash @Union Mash Up was a very random visit thanks to my friend Oliver. Make Noise Collective describe themselves as “Hull gal collective, working to improve safety at gigs and visibility for women in the local scene”

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One girl really did stand out – Jodie Langford with her spoken word performances. The ultimate highlight of the night.

April ’19

April brought Bankside Gallery event at the Preston Road derelict housing estate, Alec Gill’s Hessle Roaders at Hull Truck and new art space in Hull – Prospect Gallery [it is very new and at the moment the gallery don’t have any online presence].

Bankside Gallery  was a pleasure to visit despite the weather and my moody mood. A lot of new works created in a very unique gallery.

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Hessle Roaders by Alec Gill has been an ongoing journey for many people in past year or so and Alec has made sure that his work don’t just sit in the shelves in folders hidden away. Hull Truck hosted another extension to the work and I as promised to Alec I went to see it.

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I first heard of Prospect Gallery was at the Queens House Showcase at one of the events. It was mentioned and it soon became the place to visit in my [imaginary] list.

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I also got an amazing offer to have my portrait drawn and I agreed. Since then it happened twice and it as an experience to experience. It is a strange task to sit and find a point of interest that becomes your world for an hour or so. And the end result gives you a sight that you never see yourself.

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The space has got a lot of potential and it could become one of the hot spots to visit in Hull.

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In between everything I also was invited to photograph an opening at Humber Street Gallery for A TITTLE-TATTLE TELL-A-TALE-HEART by Athena Papadopoulos and caught a snippet of the CUT.

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CUT  is a a residency project exploring themes of social expression and the acts of self-care centred around their practice of hairdressing. The project takes form of a sculptural installation and events programme where haircuts and client interviews are gathered to create sound and sculptural artworks.

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There was more adventures and exciting work things throughout the four months, but I think I have covered the highlights. And learned a lesson to be more consistent. And discovered that Hull is still breathing culture.

 

MY CITY OF CULTURE – MY HULL – 2018

It is 2019 and we are fast approaching the last days of first month of the year. On my last blog post in December, I was still wondering if I want to continue my culture journey through monthly photographs and blog posts.
The short snipped of 2018 in Hull is a visual journey through last year and despite some disappointments I still had a pretty good year embracing and celebrating culture scene across the city.

 

I have come to a compromise to have periodic culture reviews and not let go the commitment fully.  I will keep it as a luxury opportunity to photograph for my own pleasure and will potentially meet new people and see new places.

I also want to raise a discussion amongst regular followers and see what are your thoughts on 2018 and expectations from 2019.

Share your experiences!

MY CITY OF CULTURE – MY HULL – NOVEMBER 2018

For the first time I have delayed the monthly culture blog for so long. It is confusing to write now about what happened then, because December already has given me different emotions and experiences. So I will try to screw my head back round and go back in time.
As usual in the second half of 2018, I feared that I will have nothing to write about, but somehow I have tricked myself and November was productive.

First –  to my deep sadness I missed out Hull Comedy Festival 2018, but I went to Big City Of Culture Quiz of the Year to make up for it.

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It felt like I have missed a big yearly family gathering and being there to see few familiar faces made me load more happier.

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I also went down to Queens House Showcase to see the ARTIST TAKEOVER #3.

Again – pretty much a regular there since I  have Creative ENRG mentor on my side and I go there on a monthly basis.
Thought for the future – exhibit there myself..

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Artists on display  – Lucy Kelly, Hannah Green, Ingrid Holborn and Saffron Brown

Hannah Green

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Ingrid Holborn

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Saffron Brown

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Lucy Kelly

I have worked with Lucy before, taking photographs of her paintings, textiles and ceramics and she is a raw artist so hard not to love. Her work is complete and made with thought about global issues. Her personality is bold and I am very honoured to have her on my client list.
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Very end of the month I had a very special visitor – my sister and I wanted to share my love for the city and we both went to the URBAN LEGENDS:NORTHERN LIGHTS

In all honesty – the camera was pretty much a habit rather than intentional tool for the experience and after seeing fantastic photographs from the event, I wish I took it more seriously. These days we don’t get events like that in the city often and it was a great photo-opportunity that I missed out on.

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One of the creative directors was Anna Bean known as Bluebeany [alongside other great ones] and her stamp of fantastic creations was all over the displays.

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OH THE NIGHT!  by IMITATING THE DOG

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As an outsider my sister loved most of the installations, some more than others. At least, she got to see why I love the city so much.
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Oh, at the beginning of the month I had a visit to the Portraits at Sea Hull Maritime Museum.

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I think my favourite moment was the conversation with the volunteer about the exhibition next door and how she got emotional. Or when she said that there aren’t many opportunities to volunteer these days… If you ask me, that is the “legacy” that we have to deal with – we are hungry for culture and we are getting starved.

As part of my Illuminate Project: Legacy I went to see Alec Gill’s Hessle Roaders Guided Tour at Brynmore Jones Library.

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Across my social media I have been banging on about it a lot, but for those who need filling in: Alec Gill and hes Hessle Roaders photographs seen back in September 2017 at St Johns Church inspired me to invite him as part of my search for City of Culture legacy. He is an absolute sweetheart – caring, loving, warm, kind and witty. He has welcomed me in his home, introduced with his poetry writing wife Audrey and shared his side of the story. Going to one of his Guided tours was not just for the project, it was also to see and hear him again, proving that he carries the legacy flag in his heart and inspires me do the same.

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Throughout November I had some thoughts about City Of Culture, the impact that it had on me and how it slowly starts to fade. Since the city and Absolutely Cultured is having less cultural events, I feel like loosing the connection with the city. And I start to wonder if having less interest from the Hull people is mirroring my experience. Or is it just that thing where I need to crack on and have my own cultural journey on my own terms, like I did in 2017.
And it leads me to the question – do I continue my culture blogging in 2019? What is your thoughts?
Should I stick to the promise that Culture Company gave us in 2017 about three years of legacy and just crack on?

December is half way and I am full of reflections – Illuminate Project: Legacy Redeye event happened, I went down Preston Road derelict housing estate and had I have emotional review to write about A Northern Soul.

MY CITY OF CULTURE – MY HULL – OCTOBER 2018

Fashionably late on the 6th of November with great pleasure I am writing this. October’s quote would be “you get what you give” or what you put in, so not much. All feelings from annoyed to sad, including the feeling that I have missed all the good, run through my mind today.
I guess that at this stage of my career the reality hits hard and I shouldn’t really be sad that my photography is going so well that I don’t have spare time to wonder around galleries and events. But I can’t help to feel disappointed in myself.

With meeting with ENRG mentor I combined Artist Takeover at Queens House Showcase and on the last day of HIP Festival at HIP Galleries I rushed to Princess Quay. Boom. That’s all. Short and sweet.

Artist Takeover @Queens House Showcase

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This little exhibition space is one of the hidden gems in the city centre and I always want for the space to be filled with culture lovers. Because it is always worth the visit.
This was the second Artist Takeover showcasing local talents in various mediums.
Artist links below, but photos[sorry] not in the right order most likely.

Esther Cawley

Lilly Williams

 

Milly Rose

Sue Feve

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HIP Festival 2018

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Having been part of the Creative and Cultural and HIP Gallery in the past, I have a bit of a love for them. But going on the last day didn’t show the festival at its best. Couple of spaces were closed and a chance to see David Morris talk about his work promised, but not delivered.
On the bright side – I saw the latest work of Peter Dench [I LOVE PETER DENCH] and have a good old chat with the volunteers was pleasant too.

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Peter Dench has taken on the BREXIT and it was like that comfort food on a rainy day.

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Brian Griffin usual [from previous e exhibitions] black&white mixed with amazing colourful photographs that made me stop and look twice. Brilliant!

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Both Open Exhibitions not really to my taste, but I celebrate the fact that local photographers are given the opportunity to showcase their work.

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Last both not least – Buckingham Street monkey business mural that I absolutely love.

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November promises to be just as manic as October, so I have serious concerns about spare time and culture wonders.

However I have a wish list:

  • Hull Comedy Festival 2018 [not officially there, but really want to photograph at least one gig]
  • Portraits at Sea Hull Maritime Museum
  • Usual galleries if I have a chance – Humber Street Gallery, Brynmore Jones [Alec Gil exhibition coming up soon], Queens House Showcase and GROUND.
  • and the things I can’t remember at this moment in time, but are somewhere in my head.

Well, I think there is no denying that I am very distant from this amazing thing I used to do and not really doing now, but it’s not by choice.

Ahhhhhhhh……

MY CITY OF CULTURE – MY HULL – SEPTEMBER 2018

SEPTEMBER WAS BONKERS IN ALL KINDS OF MATTERS. END OF BUSY SUMMER SEASON WITH FREEDOM FESTIVAL 2018, CAMPAIGNS I PHOTOGRAPHED, HEADS UP FESTIVAL, MUM VISITING, ME BEING SUPER ILL AND SUPER TIRED, AND TRYING TO CATCH UP WITH THE WORKLOAD FOR A TEAM OF HUNDRED [FOR JUST MYSELF TO DO].

IN THE IDEAL WORLD I WOULD LOVE TO HAVE SEPARATE BLOG POSTS FOR EACH FESTIVAL AND CULTURE WONDERS, BUT EVERYTHING SEEMS LIKE A ONE BIG BOWL OF CULTURE/ART/PERFORMANCE.

FREEDOM FESTIVAL 2018 WAS AMAZING. AMAZING THREE [NEARLY FOUR] DAYS CELEBRATING EQUALITY, LOVE, CULTURE, ART, COMMUNITY, PERFORMANCE AND OF COURSE HULL. THANK YOU TO FESTIVAL FAMILY TO HAVE ME ON BOARD ONCE MORE.

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Hull University My Plastic Pledge Beach Hub created by Drunk Animal Creative Studios

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Modern day Slavery Exhibition

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Hull Freedom Chorus at L’HOMME DEBOUT RISE!

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Crowds watching L’HOMME DEBOUT RISE!

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Freedom Festival Volunteers

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Street Performers

 

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People enjoying L’HOMME DEBOUT RISE!

HEADS UP FESTIVAL SEPTEMBER 2018

I have been photographing this festival twice and second time round I came to a conclusion that it is a real privilege to work and enjoy meaningful events that feed your brain with high quality theatre and events.

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WHAT IS? COLLECTIVE –  WHAT IS.. EARTH?

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The event was really special. The location and the views just blew away everyone present and the light coming through the skyline windows was magic. The content of the event was refreshing, I certainly felt the irony of the human kind living on the Earth.

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“A What Is? event typically features visual artists, writers, musicians, performers, mysterious sound and lighting and a leap into the unknown.

What is … Earth? To you? For this What Is? we will be taken on a breathtaking and inspiring tour to an exhibition in a secret location that will put you in the perfect position to contemplate this awesome question. The cross-discipline artists of What is? collective have been asking themselves the question and working together to create an experience for you. All art is specially created for the event and location, in response to the theme. The location in unexpected, intimate and we look forward to a fun evening.

A unique experience is guaranteed. Part exhibition, part performance, here’s something that you may never have experienced before. Artists are paired. One creates, one responds. Both reflect on the chosen theme and go on their own journey of self-inquiry and reflection.”

Source: Heads Up Festival website

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UNSEEN BEINGS @NORTH POINT SHOPPING CENTRE

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GROUND CONTROL

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FOREIGN RADICAL by THEATRE CONSPIRACY

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Throughout the month I was working on other photo clients, including Drunk Animal Creative Studios at the British Science Festival, some comedy and CHCP, so it got hot.

I really struggled to find time to go out and shoot some photos for the September culture review, but there was odd moments of inspiration to find time.

There was a moment where I managed to walk through half of the Bankside Gallery down Bankside, which felt like a forbidden walk through the derelict industrial state.

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The image below comes with a story.
Whilst framing the shot, car pulls aside and girl pokes her head out of the car: “THIS IS MY GRAFFITI”. Really made my journey worthwhile.

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On the last day of the month I was heading to Humber Street Gallery for the last day of the exhibition MEASURES OF LIFE and as I was driving past the Old Mill building site/old grounds and there it was – End Of Summer Jam with many, many graffiti artists making the newly fitted walls graffiti-beautiful. I stopped, because I thought its a sign.

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The great, great thing about the event is that it brings wide range of artist together.
I spotted Emma Garness there and it was so lovely to find out more about why she is taking part and what does the collective wall creation means to her.

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The last stop was Humber Street Gallery  MEASURES OF LIFE.

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Humber Street Gallery is reliable to showcase art that will make you think. It can be controversial, but also can be education, often raising awareness of social gunk happening around us, or most of the time making culture experiences exciting!

The exhibition is set on three floors each having interaction with the robots and technologies. There are eight different international artists showcasing multisensory work, exploring our place in the world and the digital footprints we leave.
All artists are runners up or winners of the Lumen Prize for Digital Art.

GROUND FLOOR

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FIRST FLOOR

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SECOND FLOOR

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On the second floor I felt like stepping into someone’s other reality. Especially the bedroom setting, where I found myself a little bit angry with the current obsession of exposing yourself on various social media platforms. As I brought a eleven-year-old girl, who’s becoming a teenager too early, I really felt the damage that social media can do.
It was interesting to watch how Melanija received two messages at the same time – development of technologies and ability to create a bridge between a device and real life objects, and messages spread across the bedroom set.
I don’t think the art can change people’s minds about the social media and technologies, but it certainly will stay in our brains as a possibility….if that makes sense…

 

This month it was work-culture or graffiti, but I still think I did well. I wish to have more and more spare time to be part of the culture scene in Hull, but as the winter is approaching, I hope to have more time to cosy up in galleries.

In October I hope to see the Hull International Photography Festival, new exhibition at Artlink [collaboration with Ground Gallery] and graffiti inspired trip down Preston Road derelict housing for more wall art.

 

HAPPY CULTURE PEOPLE!!
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MY CITY OF CULTURE – MY HULL – JULY 2018

FASHIONABLY LATE HERE’S MY JULY – CULTURE WONDERS IN HULL.

HIGHLIGHTS:

Drunk Animal Creative Studio Hull University Beach Stand Queen Victoria Square

Queens House Showcase Liz Knight “Seeds”

Ground Home? by No Twaddle Theatre Company

Bean & Nothingness Whitefriargate Hull

A Jar Full Of Art The Brain Jar

PRIDE IN HULL 2018

Despite things looking rather hot[meaning busy] I want to share the culture love affair with Hull before the Humber Street Sesh 2018 madness starts tonight [EXCITED]

First – my friends Drunk Animal Creative Studio set up their Beach Stand in Queen Victoria Square for Hull University graduates to have a little feeling of summer and great photo opportunity. As I’ve seen it being built back in June, I was very proud to walk past it this time in Hull city centre and snap the goodness.

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p.s. This will be featured in the VIP area at Hull University Main Stage at Humber Street Sesh 2018

Hard to trace on the world wide web – amazing and talented textile designer Liz Knight was the residency artist at Queens House Showcase in July.

Delicate, sensitive, emotional and bright viewing experience “Seeds” run from the 21st – 20th July.

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The space at Queens House Showcase  run by Creative ENRG offers great opportunities to various artists display and showcase their work. The exhibition was one of my favourites seen there in the recent year and I felt great emotional bond with the works. Liz made the most of the space and created a landscape indoors [if that makes any sense].

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Ground Home? by No Twaddle Theatre Company

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Those rare and precious times I get my arse down Ground are my favourite. The gallery is unique and chilled out. At the time of my visit I saw an exhibition/community project by No Twaddle Theatre Company. HOME?

I will allow the images speak for themselves, as I don’t want to ruin the message.

And let me just mention how happy and proud I am to see Ground thriving and getting the recognition. Its an amazing space with great people running it. And the selection of zines available is just tempting to become a full time reader. Nice.

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A Jar Full Of Art at The Brain Jar

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Featuring artists:
Sue Caufield, Hayley Booth, Kjersti Goss Emberton aka Sessa Ceramics, Lauren Saunders, Diane Allerston and Sharisse Ullah.

First – the cafe space at The Brain Jar is absolutely lovely. Both floors. And having had great coffee there upstairs, it was awesome to see the space used to showcase local artists and have a little art fair.

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Kjersti Goss Emberton aka Sessa Ceramics

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I am Latvian and for the first glimpse I gathered that Sessa Ceramics is not 100% British. There was a Northern feel to the ceramics. And I was right as Kjersti originally comes from Norway. Bang. Absolutely loved the ceramics and I hope to own some next time I see her.

Lauren Saunders

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Lauren is an absolute babe. She is talented, determined and ace young lady.

Diane Allerston

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Diane was super lovely and shared her story and techniques with me and my fellow culture lover and I thought that capturing Diane’s smile would be the perfect way to celebrate her talent and good heart.

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Next one is something exciting, but I’ve not searched for current updates if the space is open to the public. I had a exclusive preview whilst the place was set up and I am looking forward to go back soon and see the changing walls and artist showcasing their talents.

Bean & Nothingness down Whitefriargate Hull.

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PRIDE IN HULL 2018

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As I missed Hull Pride in 2017, I was determined to photograph the most colourful event of the year in 2018. And I did. And I loved it.
Love, equality, acceptance, community spirit, peace, happiness and pride.
The Pride in Hull 2018 was so grand, that wrote a separate blog post to make sure I celebrate it fairly. Follow Anete Sooda Photo Pride in Hull 2018 for a full gallery. Thanks to everyone who said hello and gave me fantastic feedback.

Summer is always busy, but OH MIGHTY COW how summer of 2018 is turning out. I will be happy to be alive at the end of August, but I am hoping to be part of many culture wonders in August, so I can tell everyone how great I am and how awesome Hull is.

LOVE, LOVE, LOVE.

MY CITY OF CULTURE – MY HULL – JUNE 2018

It’s a bit an alien moment to type in the “MY CITY OF CULTURE…” as I feel like its been ages since I wrote about culture.

June was a month that barely existed in the means of culture engagement.
Half of it I worked my arse off and half of it I spent away in Latvia. There was very little time to get cultured. Plus, here we are again – late [3rd July]

There was two highlights, plus one that’s has no art culture, but still a social culture.

Humber Street Gallery  IT TAKES A VILLAGE

53 DEGREES MUSIC ORGANISED GIG AT ZEBEDEE’S YARD SLAVES AND DREAM WIFE

JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K

Therefore I will short and sweet.

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IT TAKES A VILLAGE is something very pleasant for the eye, but difficult at times to digest for the mind. Right – I don’t mind sarcasm, consumerism concerned slogans and taking the piss out of stupidity and our generation problems, but can we have something new for a change.

The displays are full of professional skill and technical abilities, beautiful light installations and textile masterpieces and clever use of space. But deep inside I wish there was art about dreams, aims, goals, unicorns and pink flamingos. I laugh at our century, our society is a bit of a mind fuck to understand, so can I have something that we all have hidden deep inside – hope that everything will be fine, hard work pays of kind of message, dream big-reach your goals kind of theme.

I seriously need some cheese in my life or a faith in humanity. So the experience of the exhibition is divided.

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53 DEGREES MUSIC in co-operation with The Warren Youth Project organised a amazing gig with DREAM WIFE and SLAVES headlining. I actually won the tickets via their competition and that sent me off as the happiest person ever. I was torn between enjoying myself [drinks’n that] and running the JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K the next day, but you can have it all, I enjoyed both to the fullest.

There was no official permission for me to take photos, but of course I couldn’t resist to have few snaps with SLAVES.

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The energy was amazing. Thank you for giving the opportunity 53 DEGREES MUSIC

 

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Above actual proof that everything is possible. With my friends we cheer and celebrate at the JANE TOMLINSON RUN FOR ALL ASDA FOUNDATION HULL 10K
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Just as the finishing touch for the June culture wonders. The street art/graffiti/mural culture that is peaking in recent year is really making me smile. I keep spotting cool wall art and noting down to take photos of those.
This one is located in Fruit Market area. I have few spotted down Holderness Road and Beverley Road which I need to visit this month.

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Keep the culture going people!

 

MY CITY OF CULTURE – MY HULL – MAY 2018

HELLO CULTURE LOVERS AND FOLLOWERS

I AM JUST GONNA PRETEND IT IS NOT THE 8th JUNE …. OK, I AM 8 DAYS LATE TO PUBLISH MY HULL CULTURE STORIES.

GOOD NEWS IS – I HAVE BEEN INCREDIBLY BUSY PHOTOGRAPHING AWESOME THINGS. MY PHOTOGRAPHERS LIFE IS AS MANIC AS I WANT IT TO BE, LOVE THOSE “OFFICE” DAYS WHEN MY “DESK” IS NEAR SEASIDE OR WITH INSPIRING MUMS IN HULL, OR WITH AMAZING PEOPLE FROM ESKIMOSOUP DRIVING AROUND EAST YORKSHIRE.. LOVE ALL THAT.

OK, CULTURE BUSINESS. MAY WAS LIVELY, ESPECIALLY AT THE BEGINNING OF THE MONTH WHEN MOST OF MY CONTENT WAS CREATED.

FERENS ART GALLERY – MASTERPIECES IN FOCUS FROM THE ROYAL COLLECTION

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20% INSPIRED BY INSTAGRAM FAVOURITE STEFAN DRASCHAN

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P.S. I USED TO DO THAT A LITTLE BIT ANYWAYS, BUT NOW THAT IS AN OFFICIAL FOCUS POINT.

FERENS ART GALLERY CLANGERS, BAGBUSS&CO

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THIS WAS AN EXHIBITION OF CONFUSION ALTHOUGH LOVELY CONTENT. I HAVE NO SENTIMENTAL ATTACHMENT TO “Bagpuss, see the Soup Dragon and behold Noggin the Nog. Oliver Postgate’s voice and Peter Firmin’s puppets shaped the childhood memories of millions since they started collaborating in the 1950s. As well as telling the story of Bagpuss and The Clangers, the exhibition goes behind the scenes of their other creations; Pogles Wood, Noggin the Nog and Ivor the Engine.Discover original puppets, sets and filming equipment. See how characters developed, and learn how Oliver and Peter developed their stop-frame animation techniques alongside a selection of toys and puppets from Hull Museum’s permanent collection.”

SOURCE: HULL17 WEBSITE

 

BUT I SAW SOME LOVELY SMILES, FEEDBACK AND GENERAL SENTIMENT AROUND THE PUPPETS AND SETS.

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REALLY IMPORTANT HIGHLIGHT OF MINE – HULL COLLEGE STRIKES WITH UCU HULL

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FOR THOSE WHO KNOW ME WILL UNDERSTAND MY ANGER. MY CAREER STARTED THERE, HULL SCHOOL OF ART&DESIGN WERE PART OF MY JOURNEY IN BECOMING A GREAT PHOTOGRAPHER AND BEING ABLE TO WORK AS ONE IS A LIFE CHANGING THING TO HAVE AS LEGACY OF EDUCATION. SO I WROTE TO EMMA HARDY, I WROTE TO HULL DAILY MAIL MY VIEWS ON JOB CUTS AND COURSE REMOVALS.

HERE IS A BIT OF THAT:

“I am taking the time to write because I feel incredibly let down by Hull College Chief Executive Michelle Swithenbank, who has announced plans to cut 231 jobs as part of a five year reconstruction plan to make the organisation financially self-sufficient.
Reconstruction implies that something is broken and needs to be made whole again. That is not my experience at HSAD at all. My course provided me with everything I needed: knowledgeable and experienced tutors, well equipped facilities and a varied curriculum that included studio photography, use of film cameras, printmaking, filmmaking and business skills. It was a life changing three years that gave me an opportunity to build important foundations that I needed in order to work as a photographer in the real world. I spent three years surrounded by experienced, clever and intelligent photographers and artists who made me believe that anything was possible. They pushed me to achieve my goals and challenged negative and small thinking, opening my eyes to what I could achieve.
I understand the need for the college to be financially solvent and am appalled to hear that college leaders have allowed a £10m deficit to be racked up and that an additional £1m plus deficit is forecast (as reported in the Hull Daily Mail, 8 May 2018). However I do not feel that full consideration has been given to alternative money saving or money making measures. Innovative ideas like broadcasting live tutorials in photography, film-making and computer game design would put Hull where it deserves to be – at the forefront of creative education. Opening up facilities to the public and local businesses would also generate additional income. Can Michelle Swithenbank really tell us that job cuts is the only way out of the mess?”

I ALSO DID MY PART AND WENT DOWN TO ONE OF THE STRIKES TO TAKE SOME PHOTOS.

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THIS MIGHT NOT SEEM LIKE A VERY CULTURAL TOPIC, BUT IN FACT IT IS, BECAUSE HULL SCHOOL OF ART&DESIGN IS PART OF CREATING A NEW GENERATION OF ARTISTS.

IT WAS ALL A BIT DAUNTING, BUT THE SUN WAS OUT AND EVERYONE UNITED FOR ONE IDEA. AND THIS WILL BE THE CHANGING POINT FOR FUTURE, BECAUSE PEOPLE WHO CARE, WILL NEVER LET THINGS GO EASY. WELL DONE TO EVERYONE WHO TOOK PART.

 

CULTURE/ART AT QUEENS HOUSE SHOWCASE RUN BY CREATIVE ENRG ON TWO OCCASIONS:
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ABOVE CHRISSY COLLINSON SITES UNSEEN

BELOW ILLUSTRATOR MIKE WARLEY AND HIS WONDERFUL CREATIONS.

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I ALSO WENT DOWN TO THE HULL TAPESTRY AT THE GUILDHALL

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IT WAS ON MY LIST FOR MONTHS AND I WAS NOT DISAPPOINTED. IN A NUTSHELL – FIFTEEN YEARS IN THE MAKING, THE HULL TAPESTRY ILLUSTRATES, IN COLOURFUL AND VARIED STITCH, THE HISTORY AND ACHIEVEMENTS OF THE CITY OF KINGSTON UPON HULL OVER PAST 700 YEARS.  DEPICTING HULL’S DIVERSE HISTORY AND PIONEERING SPIRIT, THE HULL TAPESTRY GROUP HAS FASHIONED A BREATHTAKING MONTAGE OF HULL LIFE THROUGH THE AGES.

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I ALSO HAD A STROLL THROUGH HULL ONE DAY WHEN THE SUN WAS OUT AND REVISITED THE SOLAR GATE ‘N QUEENS GARDENS.

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FIRST TIME VISITED THE DAZZLING EVENTS FOOD AND ARTISAN MARKET AT THE LAWNS COTTINGHAM.

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ON TOP OF THAT I TOOK PHOTO OF A NEW SCULPTURE ARRIVAL IN TOWN: RESEARCH STILL GOING ON WHAT THAT WAS, GOOGLE AT THE MOMENT IS NOT HELPING,SO IF ANYONE KNOWS – EDUCATE ME.

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ALREADY MENTIONED PREVIOUSLY – I WILL BE ONE OF THE PHOTOGRAPHERS FOR THE  ILLUMINATE PROJECT: LEGACY

WE HAD OUR FIRST MEETING LAST WEEK AND IT IS STILL EARLY DAYS. AS SIMILAR AS THE LEGACY SEARCH TOPICS ARE BETWEEN US, WE ARE ALL DIFFERENT PHOTOGRAPHERS AND WILL PRODUCE VERY INTERESTING PHOTOS. THAT’S THE PLAN. AS A START UP I AM LISTING AND REVISITING ARTISTS FROM 2017 THAT INSPIRED ME TO WRITE ABOUT THEM AND FIRST ONE WAS MARK WIGAN. HE KINDLY OFFERED ME TO GO BEHIND THE SCENES AT HIS WORKSHOP, BUT DUE TO WORK COMMITMENTS I WAS UNABLE TO JOINT, SO WORK IN PROGRESS.

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SO THESE ARE SNAPS FROM HIS THE TRANSGLOBAL ART OF MARK WIGAN EXHIBITION, JUST AS I CONVINCED HIM TO BE PART OF MY SEARCH FOR CITY OF CULTURE 2017 LEGACY:

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LAST BUT NOT LEAST:

WAS TAKING PHOTOS OF INCREDIBLY TALENTED ILLUSTRATOR CALVIN INNES IN THE NEWEST BANKSIDE GALLERY.

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I CAME ACROSS THE BEAUTY OF INDUSTRIAL ESTATE IN THE AREA. IT WAS A BIT OF A EMOTIONAL CONNECTION MOMENT AS I FOUND THE SITES AND SCENES DISTURBING AND BEAUTIFUL AT THE SAME TIME.

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I AM OK NOW. I AM EXCITED FOR THE SUMMER AND EVENTS, EXHIBITIONS AND PROJECTS COMING UP REALLY MAKE ME FEEL ALIVE.

STILL RE BRANDING AND HOPELESSLY TRYING TO MULTITASK, BUT EXCITING TIMES AHEAD.

NEXT MONTH I’LL BE HALF HERE, HALF IN LATVIA, SO JUNE 2018 CONTENT STILL TO BE DISCUSSED.

HAPPY CULTURE PEOPLE.

 

MY CITY OF CULTURE – MY HULL – APRIL 2018

April was 80% usual and 20% summer  [including the feeling that winter is over and tops off kind of vibe].
So I’ll start with a moment that represents the above for me. Shot taken down Humber Street with probably the most famous dog in culture crowds.

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Culture month #4 and I am hopeful for the future. Legacy ‘n stuff, another culture-bursting year for the city and buzzing/happy people in all areas of Hull. Yes?

April started well,I was lucky to be involved with Illuminate Project:Legacy  I feel very fortunate to be able to tie work done in 2017, continuous photo/blog Hull City Of Culture in 2018 and look for the legacy, that I have discussed over and over again. Pop the question is important for someone like me, who’s really believed that Hull has changed and there is no way back. It will be a challenge as well, but I don’t mind a chunky challenge.

Work will be started pretty soon and there will be an exhibition in autumn. To top it all up I will be working with some pretty exciting photographers. Anna Bean/Bluebeany, Verity Adriana and Karim Skalli

Back to April and culture.
I had a list of exhibits I wanted to see this month, including No one knows me like Dawn from Jobcenter at Humber Street Gallery, because title seemed intriguing.

If being honest, April was difficult month for getting out with true passion and get involved in culture. Things got sad, difficult and being out with camera was more like an escape. Plus, I have been focusing on re-branding my business face, which always requires energy and ability to face your devils.

The start of April and my first go-see was the new light announcement down Queen Victoria Square at the very first weekend of April. I was unable to see the lights Saturday/Sunday, so I rushed there on the opening night. I got really frustrated by light switch being late, I didn’t had tripod, so I guess the photos are just a record that I was there. Still not sure what I was supposed to see, as very similar lights have been there through out last months?

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Whilst waiting and chatting to fellow photographers, I snapped the fountains there too. Tuns out this is the first time I see them at night. Oh well..

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On my way there, I briefly rushed through first Hull Street Food Nights of 2018. It was very brief and I was very gutted that I can only “smell” the event. Next one maybe as it looked so lovely…

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After that is was exhibitions. Luckily there are quite a few available to view from April onward.

First trip I took to see HIP Gallery in Princess Quay. I was aiming to see the freshly brewed LAUNDERAMA by David Drasdo, but I was a bit too early. Instead I got to see the DOCK. The exhibition is a selected visual history of St. Andrew’s Dock.

Once St Andrew’s Dock was the beating heart of Hull’s fishing industry.
Today it stands derelict and unloved, a sorry reflection of a once proud and thriving place.
These images are just a snapshot of the story of its falls from grace.

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The exhibition contains photographs by Will Slater, Peter Marshall, Ben Barrass and Oliver Turpin.

The extend of loss from the industry feels so genuine, once I finished with the viewing. For someone like me not born in UK and Hull, exhibition serves as a good eye opener for the past and present. I always hear the stories about how great it was, but it never really felt like I know what people mean by it.
I was curious to find out from volunteers when it all “cracked”, but the conversation revealed a lot more. For example, back in the day, people that worked in the industry were called three day millionaires- they became rich very quickly for a short period of time, then spent all the money as quickly as they earned it. Also, I found out that Hull was once called the City of East Coast. Just that.

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Massive thank you to the volunteer that chatted for 40 min about Hull, fishing industry, even about studying photography and writing dissertations. I wish I noted his name down on piece of paper….

After that I went to see something that I purposely left for April.

No one knows me like Dawn from Jobcenter at Humber Street Gallery.

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The culture or social groups that are regulars to Jobcentre are always linked with lack of life quality, lack of future perspectives and generally are the underdogs. Rightly so for those who work and pay taxes. But there is no country in the world without a unemployment issues. To be able to draw the lines between art and stereotypes around the subject is intriguing and tempting.

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I feel like my photos show every corner of the exhibition, leaving nothing to imagination, but that’s how I felt like at the time – it was too good to be missed out.

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The artwork sets many questions and leaves me to wonder if the reality is mixed with great dose of sarcasm. Really good exhibition in my opinion, although I felt like I want more.

After that I popped downstairs to see the FOREVER or GOLDEN SHOWERS by Tim Noble and Sue Webster.

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I am convinced that these light installations are detachable from their current meanings. It also wasn’t as excited as I expected. It was more about getting that one perfect shot of three very different light bulbs.

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Maybe, and only maybe, I would like these installations in a meaningful location? I don’t know….
Just to quickly mention and justify image below – the shirts really brightened up my mood. These lads deserve a free drink.

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My next exhibition was at Artlink. Only in last few months I have realised that Artlink is very warm and welcoming space, including staff working there.

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This time it was the GRAFT in FLUX. An collaborative exhibition in a nine year partnership between Artlink and HMP Humber’s Graft Fine Art Studio.

The exhibition is focused on the changing landscape and the aspirations of those currently working and living in the secure prison units.

It also has got an interesting way of treating the “artists”. Most of them have no prior training, skills or education in arts, so they all have been thrown in an adventure. That is the most precious part of the idea, I think.
From what is displayed, I couldn’t tell that there is no experience. Fascinating.

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All exhibits are part of an experiment, covering each person’s voice and back-stories.

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There are Drop-in workshops available on 19th May and 16th June.  The workshops will recreate elements and working practices from the Studio to allow visitors to observe and take part in the environment, projects, techniques, and journey of HMP Humber’s students. I am hoping to squeeze one of the workshops in my diary for June [that’s if someone would like to join me].

 

The only downside of space there – it sometimes isn’t pleasant to fight with falling shadows and colour cast. So I hope I have hidden that in these captures. [sorry]

Last but not least – TWO GINGERS COFFEE HOUSE and a small coffee/bear/live music  summer start up gathering on the 28th April.
I remember first time I went there was early days for the Two Gingers, but I am so pleased to see them thriving and having coffee lovers on their side.

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I literally popped there for 10 min to see the atmosphere, my mind was far away from celebrating and mingling with people.
I hope they do more events like these and I can properly enjoy myself.

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There you go – my little culture April in Hull. I hope as the year goes on, I will get more diverse cultural experiences through the lens.

For now – re-branding, Illuminate Project:Legacy, culture in May and work.

 

 

MY CITY OF CULTURE – MY HULL – MARCH 2018

HAPPY EASTER, HAPPY APRIL FOOL’S DAY[yesterday], HAPPY DAY TO BE ALIVE.

HAPPY.
AND WELCOME TO THE MARCH EDITION OF MY CULTURE IN HULL 2018.

I must admit that it is hard to write and focus on work today, I am in a 100% long weekend mood.  So I will try.. and if by accident I publish it only on the 2nd April [today], you’ll know that I gave in on chocolate eggs. And a nap.

 

March brought some lovely culture experiences and quite a tense works schedule at times. I have been in and out of “busy” and running low on fuel reserves from winter season. We are ready for spring!

Culture highlights:

#1 HEADS UP FESTIVAL 2018

#2 ARTLINK JASON WILSHER-MILLS UNEXPECTED ENGAGEMENT ARTIST TALK

#3  GROUND GALLERY HULL PRESENTS BLUEBEANY’S ARTIST TALK

#4 TRINITY MARKET EXPLORATION NR. 1

Since 2018 unfolded as the year after an amazing year of 2017, I can easily make my own rules of how I will culture myself, I feel no pressure. Everything is in a relaxed manner. So in March I tried to combine personal interests with must-see’s and bit of good old Hull walks with camera. That applies to the need to witness the change and progress and see where do we go from 2017.

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Collecting photographs and stories in March has been the easy part. Writing can get tricky.

I try to have some one-to-one time with the city, get on the road geared up with camera and in March I soaked up one day of spring in an hour long walk through derelict area of Hull [kind of].
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Some of the “edgelands” is up for a development soon, so maybe it is worth catching few photographs of the land, before it changes.

The best experience in March was the HEADS UP FESTIVAL 2018

I was invited to be their photographer this year and that rolled me straight into a number of cultural events. Hull based company E52, in conjunction with renowned venue and producer Battersea Arts Centre, presents some of the most exciting contemporary British and international theatre at venues throughout the city of Hull.
The festival takes place twice a year, with Spring and Autumn seasons, and also includes locally-curated and produced work, workshops, new productions, networking events, talks, art events, school projects, and exhibitions.

 

First one was UGLY CHIEF – artist and performer Victoria Melody teams up with her dad, TV antique dealer Mike Melody, for her most ambitious show yet. Ugly Chief is a comedy based on true-life events, performed by a real-life father and daughter. As I can create any spoilers  – it is about setting up a funeral by Victoria for her dad, who was falsely diagnosed with Motor Neurone Disease and given five years to live. In the show, they preform two funerals – one that Victoria wanted for her dad, and second funeral that dad wanted to have for himself.

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The show was wonderful, witty, clever and emotional at times. And the fact that it was another take on taboo subject such as death, funerals really made it my cup of tea.
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Two of the events took place in Kardomah94 across the week.
Heads Up Introducing with Lyn Acton, singer with Pearls Cab Ride and Bill Drummond Daffodils&Death

Both brought me some new knowledge about different art forms, I got to know Lyn Acton and Pearls Cab Ride , not just as one of the bands playing at Freedom Festival, but as culturally important figure in Hull and jazz music scene in Yorkshire.

She laughed, cried, shared and cherished her stories and musical influences and favourites.

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Bill Drummond Daffodils&Death was just a bit random. Enjoyable random.
But my favourite new knowledge was that Bill once was in a band called The KLF and had hell of a performance at 1992 BRIT Award Ceremony.

And to back up that it really happened in 1992, Bill Drummond, between he’s shows came to the sound desk and said  “I can’t wait for this to be over, so I can have a proper drink”

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Third one was SPONGE by Turned On Its Head

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That was ultimate kids show using sponges in various shapes, forms, colours and sizes, that will be stuck in my memory as a nightmare light change to capture in photographs.
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The last event of the festival, I was taking photos of was the DARK WINTER by David Mark.

I was present at the last of the dress rehearsals and only stayed for 30 min. And in that short time I witnessed some serious theatre. Set in Hull and based on the thrilling crime novel by bestselling author David Mark, E 52 bring Aector McAvoy’s first case to the stage in a stunning adaptation by award winning writers Richard Vergette.

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And hell yeah, it was mind blowing. The level of acting and theatre performance was high standard and having Hull as main characteristics made it to be my favourites. The sound and light was to match the high standards of performance. One word – gutted not seen the full performance.

Photos above: Production team, E52 crew and stage manager.

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