Well, well. 31st of December and with a great pleasure I am writing a finale post of the year.
Of course the culture wonders gradually went downhill, but I still kept a good housekeeping throughout the year.
Last month also brought new perspectives on City Of Culture with the Illuminate Project Legacy event at Artlink in support from Redeye: The Photography Network in the early days of December. The legacy and its future is under a question mark, many creatives left feeling disappointed and I found out things about how the system was run throughout 2017.
I still take my own experience as valuable and I remain grateful. I very much enjoy being part of the Illuminate Project: Legacy and my wonderful experience and work created lifts up my spirit.
Anna Bean [Bluebeany] and Verity Adriana shared their take on Hull City Of Culture legacy and all attendees had a great discussion around the legacy in Hull.
Mark Wigan The Museum of Club CultureLyn Acton The Legend, singer and a member of Pearls Cab Ride
Another wonderful moment in December was to see film A Northern Soul by Sean McAllister
The description of the film briefly tells the story of Steve aka Redeye Feenix and his journey:
“Steve is a warehouse worker by day, hip-hop artist by night. He represents a forgotten generation whose dreams haven’t been met. But Steve is also a deeply community-driven optimist, who has also been trying to find a way to bring creativity and culture to the disadvantaged kids of the city. Kids like he once was – kids whose opportunities to build a better life are restricted by the world around them. Music has been his dream for 30 years and he saw the opportunity in the City of Culture year to start a project: the ‘Beats Bus’, using a bus donated by his company and converted into a sound studio, allowing him to visit some of Hull’s poorest schools and give kids a voice through music training and performance – a chance he never had.”
My own reflections of the film however are much more deeper – first of all, I think that the film was the best documentary I have seen in a long time and secondly it made me feel inspired. I have seen Steve’s and Beats Bus journey in 2017 and 2018, taking photographs of them at Hull’s festivals. They were so engaging with the public and youngsters seem to have loads of confidence. And the film showed how much Steve had to invest, how he shared his passion and energy and that the kids got their inspiration and strength from Steve. He is an inspiring local artist and we have more common that I would ever imagine. I am sending my love and best wishes to Steve and Beats Bus.
Another moment was a special Monday when I had to find a spot where to be interviewed for Creative ENRG annual report. Of course, I don’t have an amazing office space, just my boring home office and there was no chance to nail an interesting client to shoot on early Monday morning so I decided to go somewhere appropriate for my work – Preston Road derelict housing estate “decorated” with graffiti.
Friends on Every Street slowly are creating amazing legacy with their work and are the key elements on previously visited Bankside Gallery and this too.
Here is me and my boyfriend spreading the love for the Peter levy and Look North Mate!
The end of 2018 is also bringing me to a closure to another year of culture blogging and I have a big question of what is next. Do I continue or do I move on with my life and career?
I need to dive in January and see how enthusiastic and faithful I feel to continue. I need time to reflect and revalue my input on the culture legacy in Hull.
Last but not least was my magical Christmas visit home and I really want to share few moments of picturesque snow. I am so grateful to my family for time spent together and white Christmas just topped it all and made it so special.
On the last festive note I want to wish everyone Happy New Year! I hope it brings love, success and you all have the energy to make your big and small dreams to come true. Lots of love from me to everyone who follows me and my life/career journeys!
Summer is the busiest time of the year for me and I feel like in August I haven’t really engaged with culture in Hull. But then I forget that my photographers job is very cultural and Hull based, so actually I have been in a very centre of culture this month. YAAS QUEEN.
STUDIO ELEVEN is a small space with big potential always having high quality art displayed. Due to its opening times, I don’t often pop in, but this exhibition was worth making effort to come in. John Crreighton is witty and detailed prints draws my eye close in. Marie Lofthouse in contrast to that offers bold, clean shapes that to my culture-experienced eye [sorry, couldn’t resist] remind me of arms reaching up.
As part of ILLUMINATE PROJECT: LEGACY I went down to TRAENERHUS explore my project aims and subjects, but promised not to miss them on my August Culture review.
This art space/shop/workshop space is a beautiful celebration of Hull talent in art/crafts and general sustainability of local talented people. To my surprise, the space is loaded with a wide range of gifts, bits’ n’ bobs, framed artwork, postcards…plus it hosts many workshops across the year. Some are tempting to be part of, some interesting to view. I was welcomed with opened arms, the staff is super lovely and friendly.
Yum Food&Drink Festival is always a good treat for Hull food lovers. And Saturday was packed busy.
Special shout out to Atom Beers. Your brews are delicious across the board.
DOMINOES HULL by Station House Opera was one of those where you really see the sense of the community. The city centre was packed with people, everyone keen to see the long waited fall of the dominoes. Laughs, smiles, cheers and all the good vibes.
I was kind of following the trail of dominoes, but looking at the promo video, I missed quite a bit.
Massive shout out to Absolutely Cultured volunteers. You are the most important element of most all the celebrations, you are hard workers and often feels like you are the glue that holds together the whole thing. Thank you.
I know how great Anna Bean is and I was so so excited to see her exhibition alongside Sam Fowler [new artist to my fave list].
Queens House Showcase transformed into a whole new level and Anna Bean signature cult fantastical worlds is running the place.
So the few Hull bits alongside the culture chunk:
Do you know about the bench in Hull that repeats what you say if you speak to it close enough? I do. Guess were it is…
Bean & Nothingness is officially opened and I am so glad to come back over and over again.
And how about a whole new and eco-friendly way of shopping at the refurbished Trinity Market…
The Eco Shed is pretty cool, little shop that sells my new favourite toothpaste.
Hello to Face Painting 4 You for always being on my side at most of my event-based photo jobs. It is always so good to see you and keep a track on your good work.
AND FINALLY MY FAVOURITE PHOTO FROM RECENT MONTHS
[it can’t get any more Hull than this]
HAPPY EASTER, HAPPY APRIL FOOL’S DAY[yesterday], HAPPY DAY TO BE ALIVE.
HAPPY.
AND WELCOME TO THE MARCH EDITION OF MY CULTURE IN HULL 2018.
I must admit that it is hard to write and focus on work today, I am in a 100% long weekend mood. So I will try.. and if by accident I publish it only on the 2nd April [today], you’ll know that I gave in on chocolate eggs. And a nap.
March brought some lovely culture experiences and quite a tense works schedule at times. I have been in and out of “busy” and running low on fuel reserves from winter season. We are ready for spring!
Since 2018 unfolded as the year after an amazing year of 2017, I can easily make my own rules of how I will culture myself, I feel no pressure. Everything is in a relaxed manner. So in March I tried to combine personal interests with must-see’s and bit of good old Hull walks with camera. That applies to the need to witness the change and progress and see where do we go from 2017.
Collecting photographs and stories in March has been the easy part. Writing can get tricky.
I try to have some one-to-one time with the city, get on the road geared up with camera and in March I soaked up one day of spring in an hour long walk through derelict area of Hull [kind of].
Some of the “edgelands” is up for a development soon, so maybe it is worth catching few photographs of the land, before it changes.
I was invited to be their photographer this year and that rolled me straight into a number of cultural events. Hull based company E52, in conjunction with renowned venue and producer Battersea Arts Centre, presents some of the most exciting contemporary British and international theatre at venues throughout the city of Hull.
The festival takes place twice a year, with Spring and Autumn seasons, and also includes locally-curated and produced work, workshops, new productions, networking events, talks, art events, school projects, and exhibitions.
First one was UGLY CHIEF – artist and performer Victoria Melody teams up with her dad, TV antique dealer Mike Melody, for her most ambitious show yet. Ugly Chief is a comedy based on true-life events, performed by a real-life father and daughter. As I can create any spoilers – it is about setting up a funeral by Victoria for her dad, who was falsely diagnosed with Motor Neurone Disease and given five years to live. In the show, they preform two funerals – one that Victoria wanted for her dad, and second funeral that dad wanted to have for himself.
The show was wonderful, witty, clever and emotional at times. And the fact that it was another take on taboo subject such as death, funerals really made it my cup of tea.
Both brought me some new knowledge about different art forms, I got to know Lyn Acton and Pearls Cab Ride , not just as one of the bands playing at Freedom Festival, but as culturally important figure in Hull and jazz music scene in Yorkshire.
She laughed, cried, shared and cherished her stories and musical influences and favourites.
And to back up that it really happened in 1992, Bill Drummond, between he’s shows came to the sound desk and said “I can’t wait for this to be over, so I can have a proper drink”
That was ultimate kids show using sponges in various shapes, forms, colours and sizes, that will be stuck in my memory as a nightmare light change to capture in photographs.
The last event of the festival, I was taking photos of was the DARK WINTER by David Mark.
I was present at the last of the dress rehearsals and only stayed for 30 min. And in that short time I witnessed some serious theatre. Set in Hull and based on the thrilling crime novel by bestselling author David Mark, E 52 bring Aector McAvoy’s first case to the stage in a stunning adaptation by award winning writers Richard Vergette.
And hell yeah, it was mind blowing. The level of acting and theatre performance was high standard and having Hull as main characteristics made it to be my favourites. The sound and light was to match the high standards of performance. One word – gutted not seen the full performance.
Photos above: Production team, E52 crew and stage manager.
Million thanks to Heads Up team for having me on board. Great pleasure, great pleasure.
In March there was an important note in my diary – to see Jason Whilsher-Mills with my own eyes in his artist talk about currently displayed Unexpected Engagement at Artlink. I rarely get to see artist gatherings and talks, as I am working evenings, so this was real treat for my brain on Saturday, 13th March.
Jason Wilsher-Mills is Square Peg’s artist-in-residence for 2017.
Square Peg, the user-led diversity and disability arts programme from Artlink has teamed up with Jason to bring the stories of diverse communities in Hull to everyone’s attention.
New technologies have helped Jason give life to his ideas on disability, childhood memory and popular culture, creating new narratives. We met to discuss this and his upcoming exhibition Unexpected Engagement at Artlink.
More than anything, I took away Jason’s story of how he embraced digital technology, instead of sticking to what he was used to. He stepped out his comfort zone, embraced the change and it took him to the highs of a success. And for someone like me it is the best lesson to learn. Change is scary,but change is good.
The talk itself was wonderful, I really liked Jason’s sense of humour, honesty and the event was a great experience to see his other work.
At the end of it, I joined the rest for a second look at the exhibition and helped others to get their heads around the 3D experience with sculptures and tablet.
The end of the month got a bit distracting and I kind of ditched the culture for a bit. I had few little culture things on my mind, but instead I went for a nosy at newly refurbished Trinity Market and have the famous Cone Queen – Cone Pizza.
The space is very “fresh” at the moment, but I could already see the potential and Hull’s own stamp on the units available. Hull people have turned in proper foodies and I am really liking it.
The Cone Queen – Cone Pizza was very pleasant and most importantly – we had a little tour behind the process of making it.
During the last days of March, I also wanted to make it to BLUEBEANY’S talk at GROUND GALLERY HULL Ground Gallery is one of my favourite discoveries in 2017 and Anna Bean with her exhibition is definitely a very good news to have for the gallery.
I was very late [cos of work], so I had no hopes of seeing the talk and I kind of made it to the very end. Just as I got to the gallery, I realised that it is fully packed with people and that brought a big grim on my face – for Anna Bean and for the Ground.
The last few days of the month of course went a bit mad – Easter, all the excitement of nationally long Bank Holiday weekend and unfinished business.
But I had to see one last thing – Artist Take Over at Queens House Showcase last day with cakes, tea and artists themselves.
The space gives a good ground start to artist to exhibit, have the experience of sharing their work and running workshops and in the future we are about to see more work exhibited.
So… the more the spring, summer is mentioned, the more culture we are going to see – good news for me and exciting times for Hull. Hull Street Food Nights are back in April, Humber Street Gallery has some exciting exhibitions already on display, Studio Eleven is providing us with some high end and super quality sculpture-work and so on…
I have some of the above on the menu, Auschwitz and work in April. Yaass!
Welcome to February 2018 culture review. I am sure you are busy dealing with the “beast from the East” as we all do, very distracted myself with the snow,making snowman’s, but duty calls.
I would like to say that culture journeys in February has been out of old habit, but that has changed since last month. Although being really sentimental about last years weekly reviews and stories, this month I have really realised how much time for “actual” work I have. There is no doubt that finding cultural things is a bit of a challenge in the quite months of the year, knowing that Hull City Of Culture 2017 is gone on a “break”.
Let’s start off with the two most random things of this month:
First – one area of Hull’s city centre has been adjusted – famous for having homeless people gathering and sleeping, being a bit naughty. Area has been transformed into a colourful message, development opportunity advert. And then the disco-granny-electric piano-madness guy is there playing his tunes. Only in Hull?
During that week I went to the first Artist Take Over at Queens House Showcase where artist Lauren Saunders thought the ways of knowing – or making art followed by you feelings.. (?) Her primary tool is drawing, but the exploration extends to psychologies of perception.
Artist Take Over at Queens House Showcase is a collective exhibition of four local artists with various styles, techniques and dimensions.
The best part of the exhibition is that most of the days artists themselves are live-creating their art, having the space for their own development and are up for a cup of tea and a chat.
Clarissa Dixon is another artist present at the Queens House Showcase. She is experimental with materials and processes. From what I had a chance to see so far – her table is a beautiful mess with textures, colours and heavy patterns.
Annemarie Tickle was running a The Shibori workshop and I went to take some snaps of that too. I am far from understanding what that means, but it was all about fabric, dye and textures.
Queens House Showcase is run by Creative ENRG. Just to say that Creative ENRG is giving a massive platform for artists to work and develop their skill, confidence and network with other artists, members of public.
They have helped me in my “setting-up” business journey, but I have made a lot of business friends, artists and clients through being part of the hub. That’s if you ever question how important networking is….
Just to shift few steps down from art art, I had a morning with crisp air and early sunlight in Marina and Fruit Market. It is rare opportunity to have time that early to photograph Hull and I really want to share few beautiful captures – just to celebrate ever so beautiful Hull landmarks.
These new arrivals on Fruit Market walls was the cherry topping to my morning wonders.
Back to art art and Ferens Open Exhibition 2018 at Ferens Art Gallery. This year for the second year running I got a photograph in, so I was determined to have the full experience of the opening night. First thing – the welcome speech, announcements and prize give away. I did not know that such thing happens on the opening night and it was great to be part of that.
There was an interesting fact I found out during the speech is that Ferens Art Gallery one of the few galleries left in the UK to have free entry at all times. And I mean a gallery that hosts “proper” high end art, such as Mueck [recent experiences], Freud and other special and valuable collections. Turner Prize is a good indicator of the importance of the Ferens Art Gallery.
During the opening night I had a quick run through the galleries, spotted a few favourites, mingled with old tutors and looked at my photograph and frame all together[disappointment].
That same nigh I made it to the Hounds Of Hull opening at KAG. Missed the dogs, but had a great opportunity tho see the art work, meet the artist behind it Verity Adriana, have a chat with artist/tutor Jane Jones and my fave Anna Bean/ Bluebeany.
+see the rest of the KAG for the last time [due to closure of half of the space]
At some point another random thing happened – I went from A to B and spotted some action going on in Queen Victoria Square. From the distance it looked like people are waving Stalin’s flag, but when approached the crowd, it turned out to be a protest for regime in the Middle East. It was about demanding freedom to Abdullah Ocalan and other political prisoners in Turkey.
Last week I went back to Artist Take Over at Queens House Showcase to take some promotional shots of Annemarie Tickle and work she is developing. She stunned me with bold and brave colours and a lovely chat. Strongly suggest to visit Queens House Showcase website for opening times and artist present, because it is worth your while.
Last but not least – had a second visit to Ferens Open Exhibition 2018 to have a good look at the selection of artworks this year. There was some definite favourites, good and interesting concepts, but there was an equal amount of “rubish”. As for usual.
As I mentioned previously, work I submitted was a risk. The photograph in combination of the frame was a big risk. It is not bad, but it did not met the expectations I had for myself, so I am a bit disappointed. But risks have to be taken and learn from the experience if it doesn’t work out. Boom.
This month I was a bit pushed for time, so two things on my list are not here:
Ground Gallery – various workshops and exhibition – what the place is offering is always changing and is quite full of surprises.
I have to start thinking about what March will bring to my culture experiences, already planning in progress.
Excited to be working on a project that I will be shouting about in the near future, excited to be taking photographs for Heads Up Festival for the next two weeks and work with Drunk Animal with their projects and clients. And everything in between. Exciting! That’s all I am gonna say.
Have a great March, get some culture in your system and drive carefully through the 15 cm of snow [eeekkk!!]
I KNOW I KNOW WHAT FREEDOM FESTIVAL OF 2017? THAT WAS AGES AGO….
I HAVE DECIDED TO LET THE SUMMER GO AND CONSIDER THIS AS MY GOODBYE. I HAVE NOT POSTED THE PHOTOS FROM FREEDOM FESTIVAL’S 10th ANNIVERSARY, BECAUSE OF MANY REASONS, BUT ALSO TO HAVE THAT FEELING THAT I AM STILL IN LATE AUGUST, EARLY SEPTEMBER. BUT THE WEATHER OUTSIDE SCREAMS WINTER, CHRISTMAS AND SO ON….
THESE ARE THE HIGHLIGHTS OF FREEDOM FESTIVAL 2017 – SECOND YEAR RUNNING FREEDOM FESTIVAL ASKED ME TO BE ONE OF THEIR PHOTOGRAPHERS, SUCH AN HONOUR +LOOKING BACK IT WAS SPECTACULAR. TRUE CELEBRATION OF ART, CULTURE, MUSIC, PEOPLE AND HULL.
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